Displaying items by tag: ellsworth kelly: chatham series

Ellsworth Kelly (b. 1933), a pioneer of American abstract art, will receive a National Medal of Arts from President Obama July 10, 2013 at the White House. The National Medal is the highest honor given to artists and art patrons by the U.S. government.

Kelly, a painter, sculptor and printmaker, began developing his unique approach to minimalism, color field painting and hard-edge painting in the 1950s. By the end of the decade, he had established himself as an important figure in the art world and three of his pieces were selected for the Whitney Museum of American Art’s seminal exhibition Young America 1957. Since setting himself apart from his peers thanks to his innovative style, Kelly has been lauded for his ability to pull abstract form, contour and color contrast from perceived reality.

Kelly, who turned 90 this year, is currently the subject of the exhibition Ellsworth Kelly: Chatham Series, which is on view at the Museum of Modern Art in New York through September 8, 2013.

The Museum of Modern Art in New York is celebrating Ellsworth Kelly’s (b. 1932) 90^th birthday by reuniting his Chatham Series for the first time in 40 years. The series of paintings were the first works Kelly made after leaving New York City for upstate New York in 1970. Ellsworth Kelly: Chatham Series will be on view at MoMA through September 8, 2013.

All of the 14 paintings in the Chatham Series are made out of two joined canvases, which come together to create an inverted “L” shape. All of the works vary in color and proportion and were made intuitively by the artist. For the final paintings in the series, Kelly used pieces of colored paper to determine the right hues and ratios for the finished works. The Chatham series was first exhibited in 1972 at the Albright-Knox Art Gallery in Buffalo, NY. Following the show, the works were split up until their reunion at MoMA.

Kelly, who was already an established artist when he created the Chatham Series, is best known for his hard-edge and color field paintings, which are defined by an overarching minimalist aesthetic. Kelly aimed to erase any trace of the artist’s hand, making what he described as “anonymous” art.