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"Transmitting Andy Warhol" is the first exhibition to explore Andy Warhol (1928 - 1987) and his role in establishing new platforms to disseminate art, and his experimentation with new approaches to art reception that redefined artistic practice and distribution. The first solo exhibition of Warhol’s work in the north of England, "Transmitting Andy Warhol" rethinks Warhol’s pivotal role in re-defining the access to culture and art as we know it today. Highlights include the Marilyn Diptych, Dance Diagram and Do-it-Yourself paintings, and other loans from international collections and the ARTIST ROOMS collection. Also presented will be a spectacular evocation of the Exploding Plastic Inevitable, Warhol’s famed ‘total art’ environment which provided the framework for performances by the Velvet Underground.

The exhibition brings together more than 100 artworks and is the first solo exhibition of Andy Warhol’s (1928–1987) work in the north of England.

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On view through January 27, 2013 at the Metropolitan Museum of Art in New York, Extravagant Inventions: The Princely Furniture of the Roentgen’s is the first comprehensive exhibition to focus on the Roentgen family’s cabinetmaking firm, which operated from 1742 into the early 1800s. Extravagant Inventions presents around sixty pieces of furniture, many of which have never been seen outside of Europe.

Abraham Roentgen (1711-1793) and his son David (1743-1807) were pioneering figures in 18th century Continental furnituremaking. Based in Germany, the Roentgen firm’s style is characterized by opulence, inventiveness (they often incorporated hidden compartments and secret drawers into their works), and ornate, finely carved shapes. The Roentgens served clients around Europe including France’s Louis XVI and Marie Antoinette and Russia’s Catherine the Great.  

Extravagant Inventions brings together works from various international collections as well as six works from the Met’s own holdings. Highlights include a writing desk (circa 1758-1762) designed by Abraham Roentgen and considered one of the greatest creations from his workshop, a mechanical secretary cabinet (1779) made for King Friedrich Wilhelm II of Prussia, and a pair of marquetry portraits (1775-1780) depicting a man and a woman, which exemplifies the marquetry technique the Roentgens were renowned for.

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