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Towns and cities across France will soon be able to boost their culture offerings by hosting pop-up branches of the Centre Pompidou. The Paris museum is expanding its empire, and aims to establish domestic temporary outposts. “We will soon launch an open call for candidates [to select a French city],” says a spokesman for the Centre Pompidou. These pop-ups will remain open for four years.

The city authorities in Libourne, a town in southwestern France, have already expressed an interest in opening a temporary Centre Pompidou venue.

The internationally regarded Edinburgh Art Festival (EAF) opens tomorrow with an exciting month-long calendar of more than 40 exhibitions, special events, performances and tours across 30 of the city’s museums, galleries and institutions, as well as artist-run, temporary and pop-up spaces. In its 11th year, the festival brings together over 100 leading and emerging Scottish and international artists and features the return of its annual, city-wide commissions programme, including a major presentation by leading Indian artist Nalini Malani as part of 14-18 NOW’s LIGHTS OUT and WWI Centenary Art Commissions. As part of the Glasgow 2014 Cultural Programme, and during the year of Homecoming Scotland, the 2014 programme also sees the presentation of a major international group exhibition Where do I end and you begin programmed by Edinburgh Art Festival in collaboration with City Art Centre.
 
Edinburgh Art Festival also features a daily programme of events for all ages, featuring one-off artist performances, live musical events, film screenings and festival tours, as well as talks by some of the world’s leading artists and curators.

In case further proof was needed that Silicon Valley has become an art destination in its own right, Pace Gallery has announced that the pop-up space it opened in Menlo Park last March — and intended to keep open for just three months — will remain open until the end of 2014.  “We’re having too much fun to stop,” Pace president Marc Glimcher told Artinfo on a phone call from California. Located in a former Tesla dealership on the El Camino Real highway, the gallery plans to keep its current Tara Donovan exhibition up until the end of the summer and then mount a cross-generational group exhibition in the fall.

For Glimcher, the project has been a way to get away from gallery business as usual. “It’s a fresh group of people with a great energy,” he said. “They’re really interested in what the artists are trying to accomplish. Conversations here are about the art, the artists, history. A lot less about auctions, art fairs, and prices. The art market is just not that fascinating. It’s very refreshing to talk about the art.”

In 2010, New York’s Solomon R. Guggenheim Museum embarked on a six-year project with the luxury automobile brand BMW. The BMW Guggenheim Lab was to include three 5,000 square feet pop-up structures that would travel in consecutive cycles to one location in the U.S., one in Europe and another in Asia. The architect-designed pieces were to remain in each location for 3 months, accompanied by Guggenheim curators who would helm programs for leaders in the fields of architecture, art, science, design, technology and education in an effort to curb issues relating to urban living.

The project’s first lab opened in Manhattan’s East Village in 2011 and attracted over 54,000 visitors. The project transformed a gritty, empty lot into a handsome community center designed by the Tokyo-based architecture firm, Atelier Bow-Wow. The Lab, which was the first and last for the project, traveled to Berlin and Mumbai following its stint in NYC.

BMW officials assured the public that the company will continue to be a global partner of the Guggenheim and that they are still considering future collaborations. The lab project, which was slated to last through 2016, was supposedly reconsidered due to “strategic shifts within the company” at BMW. The exhibition Participatory City: 100 Urban Trends from the BMW Guggenheim Lab will prematurely wrap up the project. The show will be presented at the Guggenheim Museum in New York from October 11, 2013 through January 5, 2014.