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The Wadsworth Atheneum Museum of Art will display rarely-exhibited tapestries from the eighteenth century in its soaring Morgan Great Hall during the final phase of the museum’s five-year, $33 million renovation. The large, intricate tapestries-which depict the saga of Greek hero Jason-will be on view through April 2015, at which point the Great Hall will be transformed in preparation for the Sept. 19 grand reopening of the Morgan Memorial Building.

The Jason Tapestries are enormous in size-ranging in height up to 14 feet, and in width up to 24 feet-presenting a challenge for curators in exhibiting them on a regular basis.

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The Corning Museum of Glass in Corning, New York—one of artnet News‘s recommended art day trips for New Yorkers) has pushed back the grand opening of its new north wing, designed by Thomas Phifer and Partners, from December of this year to March 20, 2015.

An email from the museum press representatives cited “this past winter’s record-breaking cold and snow” as being responsible for the delay. With construction on the $64 million project having fallen behind schedule, “this compressed the museum’s installation schedule for the fragile collection of contemporary art in glass.” The rescheduled opening date has been selected “out of an abundance of caution.”

Published in News
Friday, 27 June 2014 12:23

Picasso Museum Delays Reopening

The reopening of Paris's Picasso museum after an extensive five-year renovation has been pushed back by a month to October 25, France's Culture Minister Aurelie Filippetti said Monday.

The museum, which houses one of the world's most extensive collections of the Spanish master's work, had initially closed for a two-year renovation and its reopening has been deferred several times.

Filippetti said the delay was to ensure "good security conditions" to display the works. The reopening will coincide with the 133rd anniversary of Picasso's birth.

Published in News
Tuesday, 15 April 2014 14:15

Picasso Museum Postpones Reopening

The Musée Picasso in Paris has postponed its reopening after announcing in February that it would open to the public in June. The museum has been closed for nearly five years for a renovation and expansion. Since the museum is under the stewardship of the French government, the Culture Ministry is responsible for determining an official reopening date.

The Musée Picasso, which holds one of the most comprehensive collections of Pablo Picasso’s work, initially closed for a two-year refurbishment, but once underway, the scope of the project expanded. Except for a few minor technical details, the renovation, which cost around $71 million, is complete.

Prior to the renovation, the Musée Picasso could only display a fraction of its 5,000 paintings, drawings, sculptures, photographs, and documents. The project nearly doubled the institution’s exhibition space, allowing the museum to display more of its illustrious collection. The museum will also be able to accommodate more guests than ever before and annual admission figures are expected to rise from 450,000 to 850,000.

The museum, which is located in a 17th-century Baroque mansion in Paris’ historic Marais quarter, first opened to the public in 1985. Most of its collection was left to the French state upon Picasso’s death in 1973. A number of works were also donated by the artist’s family, including his widow Jacqueline.

The Musée Picasso plans to reopen to the public by the end of the year.

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Looking at the View, a sweeping display of 300 years of British landscape painting, opened at London’s Tate Britain on February 12, 2013. The exhibition coincides with the re-opening of the Tate Britain galleries, which were closed for renovations.

The show is part of the museum’s BP British Art Displays, a series that highlights contemporary and historic British art from its collection. Curated by Tate Britain’s director Penelope Curtis, Looking at the View illustrates the different ways British artists have interpreted and portrayed their surroundings over the past three centuries. The exhibition features works from the Romantic and Pre-Raphaelite periods as well as paintings from the Land Art and other contemporary movements. Artists on view include J.M.W. Turner (1775-1851), John Brett (1831-1902), Henry Lamb (1883-1960), Lucian Freud (1922-2011), and Tracey Emin (b. 1963).

Looking at the View, which presents over 70 works by more than 50 artists, is arranged according to motif and draws connections between artists from vastly different time periods and movements. It is on view at Tate Britain through June 2, 2013.

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