The most spectacular artistic rivalry in British history will be revived in September when blockbuster exhibitions by two of the nation's most renowned painters pitch them into direct competition, just as they were in their lifetimes two centuries ago.
The simultaneous shows unavoidably provoke the question asked ever since the artists were showing side by side in the Romantic age: who is the greatest British painter ever?
Is it Joseph Mallord William Turner, whose glowing, occasionally abstract, visions of sea and sky and the violent elements are celebrated at Tate Britain from 10 September? Or is it his contemporary John Constable, whose acute observations of the clouds, trees and changing light of his native Suffolk are examined at the V&A 10 days later?
