Displaying items by tag: calligraphy

The Walker Art Center, which is 75 years old this year, has acquired around 4,000 objects amassed by the late Chinese-American artist Martin Wong. The artist Danh Vo turned the hoard into an installation, "I M U U R 2," for a solo show at New York’s Solomon R. Guggenheim Museum in 2013 after winning its Hugo Boss Prize.

When the Walker bought the piece last September, it fulfilled Vo’s hope that the trove would enter a museum. The Danish-­Vietnamese artist made the work from the bric-a-brac that Wong had collected over four decades: Chinese teaware, calligraphy, Disney figurines, and assorted Americana alongside Wong’s own paintings.

About nine months ago, Sylvan Barnet, 88, a professor emeritus of English literature at Tufts University, was told that he had brain cancer. The doctors said that he had between six months and a year to live. His partner, William Burto — a retired chair of the English department at the University of Massachusetts, Lowell — died in 2013, aged 92, after four years of illness.

Burto and Barnet met in graduate school at Harvard University in 1951. Together over the course of half a century, as they taught English, wrote textbooks, and lived in a small house in Cambridge with a third professor, the two men quietly amassed one of the finest private collections of Japanese calligraphy and religious art outside of Japan.

Mary Griggs Burke, who built the most comprehensive collection of Japanese art outside of Japan, passed away on December 8, 2012 at her home in Manhattan. She was 96.

Burke’s collection, which she amassed over fifty years, featured thousands of artifacts including paintings, prints, sculpture, textiles, lacquerware, ceramics, and calligraphy. Worth tens of millions of dollars, her meticulously assembled collection spans five millenniums and includes early pieces from around 3000 B.C. to works of the 19^th century A.D.

Burke was born in St. Paul, Minnesota in 1916, where she grew up in a Victorian mansion adorned with 18^th century French objets d’art as well as a few important Japanese artifacts. After earning a bachelor’s degree in 1938 from Sarah Lawrence College and a master’s in clinical psychology from Columbia, Burke traveled to Japan in 1954. Japanese-influenced Bauhaus architect, Walter Gropius, who was designing a house for Burke, suggested the visit. Burke immediately fell in love with Japan and its art and returned to the country dozens of times throughout her life.

Burke began avidly collecting Japanese art in 1963. Her holdings eventually grew so vast that they required their own residence. Burke purchased the apartment adjacent to her own on the Upper East Side of Manhattan to house her collection; she also employed a curatorial staff and encouraged students and scholars to visit. In 2006, Burke announced that after her death her collection would be divided between the Metropolitan Museum of Art in New York and the Minneapolis Institute of Art. Burke served on the boards of many institutions, including the Met. At the time of her death she was an emeritus trustee of the museum.