Displaying items by tag: infrastructure

The Metropolitan Museum of Art is preparing to launch “the most high-profile cultural building project in New York over the next ten years,” Thomas Campbell, the museum’s director, recently told "Vanity Fair." Now, the institution is putting its money where its mouth is. The Met is planning a $250 million bond offering on January 26 to finance capital infrastructure improvements over the next decade, according to Moody’s Investors Service.

The Met’s $250 million increase in debt coincides with an ambitious plan to overhaul its Modern and contemporary galleries. Although the museum has not tapped an architect or revealed a budget for the project, Campbell hopes to finish the gut renovation in time for the Met’s 150th anniversary in 2020.

Today the North Carolina Museum of Art unveiled a new vision plan for its 164-acre campus. The phased, long-term plan calls for a new campus entrance and streetscape, increased parking capacity, woodland and meadow restoration, additional Park trails and infrastructure, improved sustainability measures, and additional outdoor works of art.

The Museum enlisted landscape architecture and urban design firm Civitas, Inc., of Denver, Colorado, to develop the plan and commissioned internationally renowned artist Jim Hodges to create a signature work of art from the existing smokestack on campus. The Museum’s director of planning and design, Dan Gottlieb, is leading the project.

With the stroke of Gov. Deval Patrick’s pen a few weeks ago, the Massachusetts Museum of Contemporary Art got the go-ahead to realize the nearly 30-year-old dream of transforming a 19^th century, 26-building, 16-acre factory complex into a destination arts center that would also help revive the economy of North Adams, Mass.

As the art world knows, the road has been a bit bumpy and, along the way, the vision has changed. But Mass MoCA has hit something of a groove of late, giving state officials the confidence to allocate $25.4 million from state coffers for the expansion. Now, under director Joe Thompson — who’s been there for 29 years, from the beginning — it will reclaim almost all of the 600,000 square feet campus. Massachusetts taxpayers’ money will pay for the necessary infrastructure improvements, for fitting out the parts of the factory complex that are not currently in use, to make them ready for more art.

The Peabody Essex Museum in Salem, MA has selected New York-based Ennead Architects to design their $200 million, 175,000-square-foot expansion. The project is part of the museum’s comprehensive, $650 million Advancement Campaign, which was announced in 2011. The goal of the Campaign is to celebrate outstanding artistic and cultural creativity in ways that transform people’s lives. Besides the expansion, which will include galleries, a restaurant and additional space for public programs and education, the endeavor includes reinstalling the museum’s collection, several infrastructure improvements and other initiatives.

Ennead Architects previously designed the renovation and expansion of the renowned Yale University Art Gallery. The firm has also worked on projects at the Brooklyn Museum, Natural History Museum of Utah and the Rose Center for Earth and Space at the American Museum of Natural History.

Groundbreaking for the Peabody Essex Museum’s expansion project is expected to commence in 2015 and the new wing is slated to open in 2019. The museum will remain open throughout the renovation process until the final months, when the collection will be reinstalled.

Officials at the National Gallery of Art in Washington, D.C. announced that the museum’s East Building will undergo a $30 million renovation, adding over 12,260-square-feet of exhibition space and a rooftop sculpture garden to the structure. Designed by famed architect I.M. Pei (b. 1917) and opened in 1978, the East Building houses the museum’s collection of modern paintings, drawings, sculptures, and prints as well as study and research centers and offices.

The East Building galleries will gradually close beginning in July and ending in December 2013; they will remain shuttered for approximately three years once renovations begin in January 2014. The project will create two sky-lit Tower Galleries within the East Building, which will be adjoined by an outdoor sculpture terrace. The East Building will continue to house the museum’s modern art collection and may see the addition of a room dedicated to the work of Mark Rothko (1903-1970). Museum officials hope that the additional exhibition space will inspire future donations to the National Gallery’s permanent collection.

The East Building project is part a Master Facilities Plan, which started in the museum’s West Building in 1999 and involved bolstering the building’s infrastructure and renovating its main floor and sculpture galleries. A number of established Washington-based philanthropists are donating $30 million for the East Building project; it is one of the largest gifts the museum has received from private donors in a decade.