Displaying items by tag: royal collection

Whether a sacred sanctuary, a place for scientific study, a haven for the solitary thinker or a space for pure enjoyment and delight, gardens are where mankind and nature meet. A new exhibition at The Queen's Gallery, Buckingham Palace will explore the many ways in which the garden has been celebrated in art through over 150 paintings, drawings, books, manuscripts and decorative arts from the Royal Collection, including some of the earliest and rarest surviving records of gardens and plants.

From spectacular paintings of epic royal landscapes to jewel-like manuscripts and delicate botanical studies, "Painting Paradise: The Art of the Garden" reveals the changing character of the garden and its enduring appeal for artists from the 16th to the early 20th century, including Leonardo da Vinci, Rembrandt van Rijn and Carl Fabergé.

“We’ve always seen the biennale as an event that requires the exception. We can’t present at the biennale what we would present in our boutique, so our entire collection of over 100 unique pieces has been especially created for the event,” explains Pierre Rainero , image and heritage director at Cartier.

Befitting its nickname of ‘jeweler of kings and the king of jewelers,’ the French house will be presenting at the prestigious Biennale des Antiquaires in Paris a “Royal Collection” inspired by spectacularly-sized gemstones.

Britain’s Royal Collection is to undergo the most ambitious condition survey ever carried out on a major group of paintings. On the eve of the conservation project, The Art Newspaper can give the precise number of paintings for which the collection is responsible: 7,564 works in oil. This is the first time that the number has been confirmed in the past 500 years. The works will all be condition-checked and properly photographed, and images of most of the paintings will be published online, revealing for the first time the extent of the world’s greatest private collection.

The Painting Condition Survey is due to begin this summer with the “lesser” palaces—Osborne House on the Isle of Wight, Sandringham in Norfolk and Balmoral in Scotland. A team of four conservators and frame technicians will move systematically through each of the royal residences, room by room. Desmond Shawe-Taylor, the surveyor of the Queen’s Pictures, says that the paintings will be taken off the wall, one by one, and removed from their frames. This will be a complex logistical exercise, since the pictures hang in 13 royal residences throughout the UK.

Vermeer and Music: The Art of Love and Leisure, which is now on view at the National Gallery in London, presents the art of Johannes Vermeer (1632-1675) and his contemporaries alongside rare musical instruments and songbooks. A reoccurring theme in Dutch painting, the presence of a musical instrument represented a variety of things such as the social position of the sitter if present in a portrait.

The paintings on display include the National Gallery’s two works by Vermeer, A Young Woman Standing at a Virginal and A Young Woman Seated at a Virginal; The Guitar Player, which is on loan from the Kenwood House in north London; the Royal Collection’s Music Lesson; and a work from a private collection. In total, the exhibition present 5 of the 36 Vermeer paintings known to exist. A selection of music-themed paintings by other Dutch golden age artists such as Jan Steen (1626-1679) and Pieter de Hooch (1629-1684) complement the Vermeer works. Musical instruments on view include a virginal (a type of harpsichord), lutes and an extravagantly decorated guitar.

Vermeer and Music: The Art of Love and Leisure will be on view at the National Gallery through September 8, 2013 in the museum’s Sainsbury Wing.

This summer the Royal Collection will present Leonardo da Vinci: The Mechanics of a Man, an exhibition that will place a selection of Leonardo da Vinci’s (1452-1519) anatomical drawings alongside modern 3D films as well as CT and MRI scans of the human body. Da Vinci worked tirelessly to gain an understanding of the inner workings of the human body, often dissecting corpses and recording his findings in comprehensive drawings. The Mechanics of a Man will illustrate how deeply the Renaissance master came to understand human anatomy through his exhaustive studies.

The drawings, which will go on view at the Queen’s Gallery Holyroodhouse in Edinburgh, Scotland, are part of the Royal Collection and many have never been exhibited in Britain. The drawings were brought to England during the 17^th century, bound into an album, and most likely purchased by King Charles II. The works, which include da Vinci’s Anatomical Manuscript A, 18 sheets crammed with 240 drawings and nearly 13,000 words of notes, have been in the Royal Collection since at least 1690.

Although da Vinci’s scientific findings were never published, he came extraordinarily close to discovering the role of the beating heart in circulating blood throughout the body. He also recorded accurately for the first time cirrhosis of the liver and narrowing of the arteries after dissecting a 100-year-old man in 1508. In 1510-1511, while working as a professor of anatomy, he created many multi-layered drawings portraying nearly every bone in the body, accurately depicting the spine for the first time as well as many of the major muscle groups.

The Mechanics of Man will present da Vinci’s famous drawing of a baby in a womb alongside a 3D ultrasound scan of a fetus. The exhibition will also place his drawings of a hand, which include the layers of bones, muscles, and tendons, beside a film of a dissected hand in high definition 3D. The exhibition will vividly illustrate just how groundbreaking da Vinci’s work was.

Leonardo da Vinci: The Mechanics of a Man will be on view from August 2, 2013 through November 10, 2013.