Displaying items by tag: arne jacobsen

 The Nordic Heritage Museum in Seattle, Washington, is celebrating the classic elegance of Scandinavian mid-century design with the exhibition “Danish Modern: Design for Living.” Organized by The Museum of Danish America in Elk Horn, Iowa, “Danish Modern” features simple and sophisticated furnishings designed and crafted in Denmark in the 1950s and 1960s -- a particularly prosperous period for the style.

The exhibition includes household items such as toys, lamps, and serving pieces, as well as a swath of chairs. Celebrated for its form, function, and consideration for the human body, it’s no surprise that a plethora of iconic chairs originated during the heyday of Danish Modern design. The show at the Nordic Heritage Museum features Arne Jacobsen’s cocoon-like “Egg” chair, graceful “Swan” Chair, and stackable “Seven" chair as well as Helge Sibast’s spindly “No. 8” chair and Hans Wegner’s curvaceous “Round” chair, which was so popular during the middle of the 20th century that it became known simply as “the Chair.”

After successful stints in Oslo and Tokyo, “Norwegian Icons: Important Norwegian Design” is on view in New York City. The exhibition, which is currently taking place at the Openhouse Gallery in SoHo, explores Norway’s contributions to mid-century Scandinavian design. The show includes high-end decorative arts and furniture created between 1940 and 1975 as well as works by Norwegian artists, including Edvard Munch.

Mid-century Scandinavian design is well-known for its clean, simple lines and high functionality. However, there is often little distinction made between the contributions made by each country. While most design enthusiasts are familiar with Arne Jacobsen’s egg chair (Denmark) and Maija Isola’s bold, colorful textiles for Marimekko (Finland), Norway’s contributions to mid-century design often fly under the radar. Organized by Blomqvist, an Oslo-based auction house, and Fuglen, a Norwegian cafe/bar/vintage design shop, “Norwegian Icons” aims to educate the public about Norway’s contributions to Scandinavian design, including Hans Brattrud’s development of Alvar Aalto’s wood-bending technique and Sven Ivar Dysthe’s flat-packed, ready-to-ship furniture.