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The private art and furniture collection of the famed architect and designer of Sydney Opera House Jørn Utzon is going under the hammer at Bruun Rasmussen Auctioneers in Copenhagen in June.

Built upon Utzon's refined taste and close personal relationships to many renowned artists and designers, the Dane's collection includes pieces from the likes of Le Corbusier, Georges Braque, Fernand Léger, Henri Laurens, Pablo Picasso, Asger Jorn, and Alvar Aalto.

The highlight of the collection is doubtlessly a tapestry by Le Corbusier titled "Les dés sont jetés" (the dice is cast) (1960) which Le Corbusier created when the pair collaborated on the decoration of the Sydney Opera House.

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 Los Angeles’ Getty Foundation has launched a philanthropic initiative to conserve some of the world’s most iconic examples of modern architecture. Keeping It Modern will help preserve these architectural gems through grants ranging from $50,000 to $200,000. The initial ten projects that have been selected to receive funding are Jørn Utzon’s Sydney Opera House in Australia; Hilario Candela’s Miami Marine Stadium in Florida; Louis Kahn’s Salk Institute for Biological Studies in La Jolla, California; Alvar Aalto’s Paimio Sanatorium in Finland; Frank Lloyd Wright’s Robie House in Chicago; Ray and Charles Eameses’ residence ‘The Eames House’ in Los Angeles; I.M. Pei’s Luce Memorial Chapel in Taiwan; Max Berg’s Centennial Hall in Wrocław, Poland; Dov Karmi’s Max Liebling House in Tel Aviv; and Le Corbusier’s apartment and studio in Paris.

Keeping It Modern will address the considerable challenges involved with the conservation of modern architecture.

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After successful stints in Oslo and Tokyo, “Norwegian Icons: Important Norwegian Design” is on view in New York City. The exhibition, which is currently taking place at the Openhouse Gallery in SoHo, explores Norway’s contributions to mid-century Scandinavian design. The show includes high-end decorative arts and furniture created between 1940 and 1975 as well as works by Norwegian artists, including Edvard Munch.

Mid-century Scandinavian design is well-known for its clean, simple lines and high functionality. However, there is often little distinction made between the contributions made by each country. While most design enthusiasts are familiar with Arne Jacobsen’s egg chair (Denmark) and Maija Isola’s bold, colorful textiles for Marimekko (Finland), Norway’s contributions to mid-century design often fly under the radar. Organized by Blomqvist, an Oslo-based auction house, and Fuglen, a Norwegian cafe/bar/vintage design shop, “Norwegian Icons” aims to educate the public about Norway’s contributions to Scandinavian design, including Hans Brattrud’s development of Alvar Aalto’s wood-bending technique and Sven Ivar Dysthe’s flat-packed, ready-to-ship furniture.

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