Displaying items by tag: associate curator

The Columbus Museum of Art announced today that Tyler Cann has been promoted from his position as an associate curator—he will now be the Ohio museum’s curator of contemporary art.

Cann first began working at the Columbus Museum of Art in 2013. In his two years as associate curator, he organized several exhibitions, most notably “In __ We Trust: Art and Money,” which explored the connection between economics and post-recession art.

It's 11:59 A.M. on a recent Wednesday and Clare Vincent, a 78-year-old associate curator at New York's Metropolitan Museum of Art, is perched before an ornate 17th-century clock on the Met's first floor, keeping a close watch on a technician winding the timekeeper.

Visitors wandering among the Met's paintings, mummies and other treasures probably don't notice that every European clock on exhibit not only still ticks but also tells the right time.

That's because for 40 years, Ms. Vincent, who oversees the museum's European timepieces, has been making sure they are wound like clockwork. Until recently, she wound up to 15 clocks a week on her own, climbing stepladders to reach into the tallest ones. 

The Whitney Biennial is one of the art world’s most anticipated events. Started as an annual exhibition of contemporary American art in 1932, the show became a biennale in 1973. Over the course of the past forty years, the Whitney Museum of American Art has not only had their own staff members curate the show, but the institution has invited outside curators, including Europeans, to organize the Biennial.

For the upcoming 2014 Biennial, museum staff members chose three non-Whitney curators to organize the show. Former art dealer and current Whitney curator, Jay Sanders, and Elisabeth Sussman, both of whom organized the renowned 2012 Biennial, will oversee the process. The three curators, Stuart Comer, film curator at London’s Tate Modern; Anthony Elms, an associate curator at Philadelphia’s Institute of Contemporary Art; and Michelle Grabner, a professor and the chairwoman of the painting and drawing departing at the School of the Art Institute of Chicago, will each be given their own floor of the museum to create a compelling exhibition.

This will be the last Biennial to take place in the Whitney’s Marcel Breuer building as the museum will be moving to a new Renzo Piano-designed building in the meatpacking district in 2015.