Displaying items by tag: conceptual art

This November, Christie’s will present an unrivalled selection of paintings and sculpture by some of the titans of twentieth century art. From Andy Warhol’s opulent Four Marilyns to Cy Twombly’s sublime Untitled, and Louise Bourgeois’ monumental Spider to Lucian Freud’s magnificent portrait The Brigadier –the very best examples of Pop, Minimalism, Abstract Expressionism and Conceptual Art are represented. The role of the collector is also honored, with a selection of Pop works from the Miles and Shirley Fiterman Collection, works of Arte Povera from the Collection of Ileana Sonnabend and the Estate of Nina Sundell, and an impressive grouping of works by Alexander Calder from the Arthur and Anita Kahn Collection.

Christie’s presents the sale of three works by Carl Andre, Sol LeWitt, and Dan Flavin from the collection of Paul Maenz to be sold in the evening sale of Post-War and Contemporary Art on November 10th. Through his gallery and the artists he represented, Paul Maenz had a profound impact on Cologne’s importance as a cultural and artistic center. Specialized in works by conceptual artists early on, the Galerie Paul Maenz Köln was instrumental in introducing avant-garde art of the 1970s and 1980s to Europe. New York and Cologne have had a decisive influence on the art world, both cities afford the kind of climate that artists value and possess intuitions that both challenge and support the art scene.

Visitors to the Metropolitan Museum of Art’s Roof Garden this summer might suppose at first that the maintenance crew has been tearing up the terrace’s paving stones in search of a leak. Displaced slabs are stacked next to rectangular cavities exposing underlying dirt where puddles and rivulets have gathered. In fact, the apparent disarray belongs to an installation by the French Conceptualist Pierre Huyghe, an untitled work commissioned by the Met for its annual Roof Garden show.

For most of the 60 years that Los Angeles artists have been making aesthetically powerful, conceptually acute work, book publishers have generally looked the other way.

Not surprisingly, it wasn't especially difficult during that time to find monographs on second- and even third-tier New York School artists or histories of parochial developments in Manhattan, center of both the art market and the publishing industry.

Abraham Cruzvillegas will undertake the inaugural Hyundai Commission for the Turbine Hall at Tate Modern. This will be the first in a new series of annual site-specific commissions by renowned international artists, and will open to the public on October 13, 2015. Hyundai replaces Unilever as the sponsor for this important annual art event.

Abraham Cruzvillegas is a Mexican artist best known for creating sculptural works from local found objects and materials. During the 1990s and 2000s, Cruzvillegas was among the key figures of a new wave of emerging conceptual artists in Mexico.

Laumeier Sculpture Park in Saint Louis, Missouri, has successfully completed a $200,000 conservation project for Donald Judd’s “Untitled” (1984). The two-year project was funded by a $100,000 Art Works grant from the National Endowment for the Arts (NEA), with a 1:1 match by Laumeier. According to the NEA’s website, Art Works grants are reserved for projects that “are likely to prove transformative with the potential for meaningful change, whether in the development or enhancement of new or existing art forms, new approaches to the creation or presentation of art, or new ways of engaging the public with art; are distinctive, offering fresh insights and new value for their fields and/or the public through unconventional solutions; and have the potential to be shared and/or emulated, or are likely to lead to other advances in the field.”

Judd, one of the most significant American artists of the post-war period, is often regarded as a Minimalist -- a classification he denounced based on its generality.

The University of California, Berkeley Art Museum and Pacific Film Archive has acquired the Steven Leiber collection of Conceptual art and ephemera as well as Leiber’s library of Conceptual art reference and artists’ books. Steven Leiber, who was a world-renowned dealer, scholar, and collector with a special interest in Conceptual art, died in 2012.

In recognition of Leiber’s impact on the history of art and on the museum’s own collection, BAM/PFA will name the area of its new building that will house these works “The Steven Leiber Conceptual Art Study Center.” BAM/PFA’s new building, designed by Diller Scofidio + Renfro, is currently under construction in downtown Berkeley and is slated to open in early 2016. With this new acquisition, BAM/PFA is poised to become one of the world’s leading centers for the study of Conceptual art.

The Massachusetts Museum of Contemporary Art, known for daring installations that can stretch as long as a football field, will announce Monday a group of long-term projects with some of the country’s most prominent living artists, including Laurie Anderson, James Turrell and Jenny Holzer, as well as a partnership with the foundation of the late post-abstract expressionist Robert Rauschenberg.

When the roughly $55 million project is completed in 2017, Mass MoCA will be the largest contemporary art museum in the country, with more than 250,000 square feet of gallery space. It will also be one of the most eclectic, with a campus that features everything from rock and bluegrass festivals to dance premieres and a 27,000-square-foot building devoted to the drawings of conceptual artist Sol LeWitt.

New York’s Gagosian Gallery is currently presenting an exhibition of sculptures and works on paper by the late American artist Walter De Maria. A pioneer of conceptual art, installation art, land art, and Minimalism, De Maria continuously pushed the boundaries of what contemporary art looked like and how it was displayed.

Last month, Gagosian Gallery announced that it had acquired De Maria’s estate and planned to establish the Walter De Maria Foundation, a nonprofit dedicated to managing the artist’s rights and reproductions, advising on curatorial matters, and overseeing the preparation of a major monograph. Elizabeth Childress, former director of the De Maria studio, and current director of the Walter De Maria Collection and Archives, said, “Walter so wished to establish his own foundation, but sadly he did not accomplish this during his lifetime. It is an important step to have this entity as both a protection and a promotion of his legacy.”       

The Los Angeles County Museum of Art brought out the red carpet, the Champagne and the Gucci-clad footmen on Saturday for its fourth annual Art + Film Gala. Artist Barbara Kruger and filmmaker Quentin Tarantino were the honorees, each receiving a video tribute and standing ovation at the celebrity-packed event.

Michael Govan, LACMA's chief executive and director, said in an interview that the choices of Tarantino and Kruger were intended to be "edgier" than in past galas.