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One of the world’s finest collections of Japanese cloisonné enamels went on display at the Chester Beatty Library, Dublin on March 14, 2015. The collection, on loan from the Victoria & Albert Museum, London, provides an insight into one of Japan’s most exquisite art forms. "Seven Treasures: Japanese Cloisonné Enamels from the Victoria and Albert Museum," London is free to the public and continues at the Library until June 14, 2015.

Cloisonné enamels were among Japan’s most successful exports in the late 19th century, reaching a peak of artistic and technological sophistication between 1880 and 1910, a period referred to as the ‘Golden Age’. This exhibition showcases over one hundred enamels, almost 90 of which were donated from the collection of Mr Edwin Davies CBE, with the others from the V&A’s historical collection which dates from the Paris International Exposition of 1867.

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A long-standing restitution dispute between Germany's Kunstsammlung NRW and the heirs of the Jewish art dealer Alfred Flechtheim, regarding the provenance of Juan Gris work, "Die Welt" reports. The museum has called on the panel of experts from the so-called Limbach Commission to adjudicate the ongoing issue. The commission's rulings will be officially non-binding, but can hold significant sway in deciding restitution cases. The museum has asked the help of the panel of experts from the Limbach Commission to adjudicate the case.

The Kunstsammlung NRW claims that after years of provenance research it has not any found evidence to support beyond a reasonable doubt that Juan Gris's work "Guitar and Ink Bottle on a Table" (1913) belonged to the Jewish art dealer.

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