Displaying items by tag: leo castelli gallery

Christie’s has announced that it will offer eleven works from Cy Twombly’s personal collection during its upcoming sale of Post-War and Contemporary Art in New York. The works, which are being offered by the Cy Twombly Foundation,  were all created between 1961 and 1967 by artists represented by the legendary Leo Castelli Gallery -- Twombly’s dealer for over four decades. The collection is expected to fetch around $15 million.

Twombly, who is best known for his calligraphic, graffiti-like paintings, collected works by his friends and contemporaries, including Roy Lichtenstein, Andy Warhol, Bruce Nauman, and Claes Oldenburg.

Fifty years ago, during the summer of 1964, Andy Warhol began working on silkscreen paintings of flowers, a subject that would preoccupy him for the rest of his life. When Warhol had his first solo exhibition at the prestigious Leo Castelli Gallery in New York in November 1964 it consisted entirely of Flowers. Best known for his vibrant pop imagery and searing commentary on art and popular culture, Warhol’s flower imagery reveals a softer, more intimate side of the artist. In retrospect, it is also a provocative series, appropriating a powerful symbol later identified with flower-power counterculture of the 1960s, the age of peace, love, and anti-war protest. The Flowers are the only subject that Warhol revisited throughout his entire career and in almost every medium. The artist’s floral imagery is among the quietest, most beautiful, and least studied. The Cheekwood exhibition is a rare occasion when Warhol’s artificial flower images meet the floral abundance of an actual garden. 

This exhibition traces Warhol’s engagement with floral images throughout his career, beginning with a group of his earliest commercial illustrations, drawn in the 1950s, and his creation of the Flowers series in 1964, to photographs, paintings, and screen prints through 1986 before his untimely death the following year. The development of Warhol’s career can be seen in the progression from the delicacy of the early illustrations to the boldness of the 1964 series to the tension between the beauty and banality of the photographs and prints late in his career.

The Leo Castelli Gallery in New York City is currently presenting the exhibition “Jasper Johns and Roy Lichtenstein -- Walls.” The show includes paintings, drawings, and collages dating from the early 1970s to the 1990s, some of which have never been exhibited before.

All of the works on view feature walls as the main subject matter. The exhibition illustrates how Jasper Johns and Roy Lichtenstein both explored space and the notion of reality versus illusion in their work. Pieces such as Johns’ “Untitled,” which features a well-known Picasso image hanging on a wooden wall, and Lichtenstein’s “Trompe L’oeil with Léger Head and Paintbrush,” which includes an image from Fernand Léger, show how both artists also played with appropriation and referentiality in their wall works.

The Castelli Gallery was founded by the pioneering art dealer Leo Castelli in 1957. The gallery quickly became the international epicenter for Pop, Minimal, and Conceptual art and exhibited works by Robert Rauschenberg, Cy Twombly, Frank Stella, Andy Warhol, Donald Judd, Dan Flavin, Lichtenstein, and Johns. Castelli passed away in 1999 and the gallery is now directed by his wife, Barbara Bertozzi Castelli. The Castelli Gallery maintains a commitment to exhibiting the best of postwar American art.

“Jasper Johns and Roy Lichtenstein -- Walls” will be on view at the Leo Castelli Gallery through June 27. 

Genre-defying painter, sculptor, and illustrator, Richard Artschwager (1923-2013), died February 9, 2013 in Albany, NY. He was 89.

Artschwager, who was often linked to the Pop Art movement, Conceptual Art, and Minimalism, resisted classification through his clever genre mixing. His most well known sculpture, Table with Pink Tablecloth (1964) is an amalgamation of Pop Art and Minimalism and consists of a box finished in colored Formica, creating the illusion of a wooden table draped in a pink tablecloth. Artschwager often used household forms in his work including chairs, tables, and doors. In his paintings, Artschwager often painted black and white copies of found photographs and then outfitted them with outlandish frames made of painted wood, Formica or polished metal.

Artschwager was born in 1926 in Washington, D.C. and went on to study at Cornell University. In 1944, before he could finish his degree, he was drafted into the Army and sent to Europe. Upon returning to the United States after World War II, Artschwager completed his degree and decided to pursue a career in art. He moved to New York City and began taking classes at the Studio School of the painter Amédée Ozenfant, one of the founders of Purism. With a growing family and bills to pay, Artschwager took a break from making art to start a furniture-making business. After a fire destroyed his workshop, Artschwager returned to making art, developed his defining style, and was taken on by the Leo Castelli Gallery, which represented him for 30 years.

A few days prior to Artschwager’s death, the Whitney Museum of American Art in Manhattan closed a major career retrospective of his work. It was the second of its kind to be organized by the museum.