Displaying items by tag: thyssenbornemisza museum

A federal judge in Los Angeles has declined to order the return of an Impressionist painting to the relatives of a Jewish woman who was forced to sell the work for $360 to a Nazi art appraiser in 1939.

The ruling came after a decade-long dispute over ownership of the 1897 canvas, “Rue Saint-Honoré, Après-midi, Effet de Pluie,” a Paris street scene by Pissarro, which is in the Thyssen-Bornemisza Museum in Madrid. The judge, John F. Walter of United States District Court, rejected a claim by relatives of the woman, Lilly Cassirer, who sued the museum and Spain seeking to have the painting turned over to them or to be awarded damages.

Carmen Thyssen-Bornemisza has an extra three months to decide if 429 works from her personal art collection will remain in Madrid’s Thyssen-Bornemisza Museum or go on loan elsewhere for a fee. She was expected to announce her decision by February 15 but the deadline has been extended to May 15.

In 1993, Thyssen-Bornemisza’s late husband Hans Heinrich Thyssen-Bornemisza sold 775 works to the Spanish government for $350m. These pieces are now in the purpose-built museum in Madrid. After the museum opened, she started her own collection and loaned 429 works to the Madrid museum in 1999 for 11 years. The loan has been renewed annually since 2012.

The president of the World Jewish Congress, Ronald Lauder, urged a leading Spanish museum to return a painting that the Nazis stole from a Jewish art collector.

Lauder, in a statement issued on Friday, called on the Thyssen-Bornemisza Museum in Madrid, which is owned by the Spanish state, to stop its legal fight to keep the Impressionist masterpiece “Rue Saint-Honoré, après-midi, effet de pluie,” which the Nazis stole from Lilly Cassirer, a German Jew seeking to flee her homeland in 1939.

The painting was purchased from the painter Camille Pissarro by Lilly Cassirer’s father-in-law, Julius. Her late grandson, Claude, sued for restitution in 2005 in a claim he filed with the United States District Court for the Central District of California.

Two erotically charged works by the French painter Jean-Honoré Fragonard have been reunited at the Toledo Museum of Art for the first time in 25 years. ‘Blind Man’s Buff’ and ‘The See-Saw’ are the centerpieces of the exhibition ‘Love and Play: A Pair of Paintings by Fragonard,’ which is the first show in the museum’s ENCOUNTERS series that pairs exceptional works of art in new and inventive ways.

‘Blind Man’s Buff,’ which is part of the Toledo Museum’s collection, and ‘The See-Saw,’ which is on loan from the Thyssen-Bornemisza Museum in Madrid, were painted in Paris during the early 1750s and were most likely commissioned by Baron Baillet de Saint-Julien. The works passed through a number of private collections until they appeared on the market in 1954 and were ultimately separated. The companion paintings were reunited several times for temporary exhibitions in 1968, 1987 and 1988. In addition to the paintings, the Toledo Museum’s exhibition will include two engraved copies of the canvases, a Rococo terracotta sculpture by the French sculptor Clodion, and a small selection of French decorative arts.

Fragonard was one of the most celebrated artists of the 18th-century Rococo era of French painting and was known for his risque depictions of love and courtship. ‘Blind Man’s Buff’ and ‘The See-Saw’ epitomize the exuberance and hedonism that attracted Fragonard’s patrons.

‘Love and Play’ will be on view at the Toledo Museum through May 4, 2014.