It has been obvious for many years that few areas of the Museum of Fine Arts’s permanent collection were more poorly presented to the public than its stupendous Greek and Roman holdings. The relevant galleries, on the eastern side of the building, had almost no climate control, which meant that in summer they were baking. This made for uncomfortable viewing, but it was also, of course, totally inappropriate for the fragile objects on view. The glass cases were often dusty. Wall labels were typed out on cards.
Now, three contiguous galleries devoted to aspects of Ancient Greece have been opened to the public, and the difference they make is enormous.
