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In years to come, the general public will be able to say "Hello, gorgeous!" to a rarely seen John Singer Sargent portrait that has remained out of the public eye for much of its existence.

Barbra Streisand will be donating a Sargent painting from her private collection to the Los Angeles County Museum of Art in recognition of the organization's 50th anniversary. "Mrs. Cazalet and Her Children Edward and Victor" is a triple portrait painting that depicts members of an aristocratic British family. It dates from 1900 to 1901.

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Queens College was the fortuitous recipient of a wide-ranging assortment of photographs from the Matthew R. Bergey Collection. Twenty-nine are on display, arranged in chronological order, beginning with an anonymous “Seashell Still Life” from 19th-century France and Roger Fenton’s “Classic Bust (from the British Museum)” (c. 1860s). These are followed by a portrait from Julia Margaret Cameron and an architectural picture from Eugène Atget, two of the most admired photographers from the second half of the 19th century.

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You may recognize Frida Kahlo from her self-portraits paintings, or from the many black and white photographs taken of her—often dressed in elaborate and traditional Mexican clothing. But few know that over 300 of her belongings were hidden in the bathroom of her Mexico City home for nearly 50 years.

After the artist’s death in 1954, her husband Diego Rivera ordered that her wardrobe and other personal objects be locked up until 15 years after his death.

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A prized Picasso portrait, which has been in the Goldwyn family collection since it was acquired by Hollywood legend Samuel Goldwyn Sr. in 1956, has been sold to another film and entertainment mogul from halfway around the world.

Wang Zhongjun, chairman and co-founder of entertainment giant Huayi Brothers Media Group, purchased Pablo Picasso’s “Femme au chignon dans un fauteuil” at Sotheby’s Impressionist & Modern Art Evening Sale on May 5 for US$29.93 million (HK$233 million).

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A 17th century painting stolen by the Nazis from a Jewish German art curator in Paris who was later murdered at Auschwitz was returned to the late owner's daughter at a ceremony in New York on Tuesday.

The painting "Portrait of a Man" by Italian Giovanni Battista Moroni was among items looted from August Liebmann Mayer's collection by the Nazis after Germany's invasion of Paris.

The painting, which had been held at the Louvre in Paris, was recovered by US authorities in cooperation with the French government.

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On May 21, as the star lot of its sale of American Art, Christie’s will offer "Two Puritans" by Edward Hopper (1882-1967). Painted in 1945 at the height of Hopper’s career, "Two Puritans," one of only three canvases by the artist of that year and the only one in private hands, is estimated to bring in excess of $20 million when it appears at auction for the first time this spring. The painting has been included in nearly every major exhibition and publication on the artist and, most recently was on view in Paris at the Grand Palais, where the Hopper exhibition broke attendance records, proving that the artist has arrived on an international stage.

Elizabeth Beaman, Head of American Art, states; “Edward Hopper's masterwork 'Two Puritans' can be considered at once an intimate and revealing portrait of the artist and his wife, as well as a testament to his dogged dedication to realism in the face of a changing visual world that increasingly championed abstraction.

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The Dallas Museum of Art today announced the acquisition, for its European painting collection, of a remarkable life-size triple portrait by the neoclassical painter Jean Antoine Théodore Giroust (1753–1817). The painting, "The Harp Lesson (La leçon de harpe)," created a sensation when it debuted at the Paris Salon exhibition of 1791. The work is a significant addition to the Museum’s holding of 18th-century portraits and is an important example historically of the art of portraiture. The painting goes on view today, included in the Museum’s free general admission, in the DMA’s European Painting and Sculpture galleries on Level 2.

“This monumental painting is a transformative addition to the Museum’s galleries of European art at the end of the 18th century.

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The charming folk portrait of a little girl in a blue dress holding an orange has been a part of my life for over forty years. It was purchased in the early 1970s by my mother, Peggy Schorsch, from Kenneth and Stephen Snow, well-known father and son antiquarians from Newburyport, Massachusetts. The Snows had acquired the portrait locally. It was believed to have been painted by an itinerant artist who had lodged with the family of the little girl in Newburyport over several weeks, during which time he also painted portraits of her parents. These details were bolstered by an inscription on the back of the canvas...


Continue reading this article about folk art portraiture by David A. Schorsch on InCollect.com.

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Anyone who walks through the International Pop show at the Walker Art Center will come to a large white canvas marked with a number of black splotches.

It's not an ink blot test, but a portrait of President John F. Kennedy that demonstrates the power of pop art.

"There's no face," Walker Curator Bart Ryan said. "It's just a black silhouette with a tie and a finger pointing."

Yet, with the shape of the hair, and the set of the shoulders it's definitely the iconic president. The portrait by Italian artist Sergio Lombardo is classic pop art, an artistic image drawn from popular culture to pack a punch.

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In 2006, the art collector Ronald S. Lauder purchased Gustav Klimt’s “Adele Bloch-Bauer I” (1907) for $135 million, then the highest price paid for a painting, and made it the crown jewel of the Neue Galerie, the museum he founded in 2001. Since then other paintings have sold for considerably higher sums, adjusted for inflation, including those by Paul Cézanne and Paul Gauguin.

If some of the luster was lost from Klimt’s masterpiece as other works eclipsed its sale price, it is being renewed with the release of the movie “Woman in Gold.” It tells the tale of how Adele Bloch-Bauer’s niece, Maria Altmann (1916-2011), played by Helen Mirren, succeeded in gaining ownership of her aunt’s portrait from the Austrian government decades after it was looted by the Nazis and displayed by the Belvedere in Vienna.

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