Displaying items by tag: contemporary

Freeman’s Auctioneers and Appraisers in Philadelphia announced that they will be selling over 90 photographs from the art collection of the global beauty products company, Avon. The works will be part of the Photographs & Photobooks sale, which will be held on September 10, 2013. A portion of the proceeds from the sale will benefit the Avon Foundation for Women, a charitable organization dedicated to breast cancer research and ending domestic violence.

Works from the Avon Collection is comprised entirely of photographs by female artists such as Louise Dahl-Wolfe (1895-1989) and Cindy Sherman (b. 1954-). The offerings include landscapes, portraiture and fashion photography and span six decades. Sheri McCoy, CEO of Avon, said, “The Avon art collection represents many impressive female artists and we are happy to partner with Freeman’s to share these significant pieces of work.”

The Avon Collection also includes modern and contemporary sculpture, paintings and works on paper. The collection currently resides in Avon’s global headquarters in New York City.  

The Corning Museum of Glass in Corning, NY has revealed the final design of its North Wing expansion, which is expected to open to the public in late 2014. The addition was designed by New York-based architecture firm Thomas Phifer and Partners and will add 26,000-square-feet to the museum. The project will create a new gallery for contemporary glass art and a 500-seat glassmaking demonstration venue in Steuben Glass’ former factory ventilator building, which is next door to the museum.

The contemporary art gallery will be in the minimalist style and feature large exterior glass panels that will allow sunlight to flood into the galleries, which will include massive curvilinear concrete walls. A state-of-the art light-filtering system will be used to adjust the natural sunlight to create ideal lighting for viewing the art. The new gallery will be the largest space dedicated to the presentation of contemporary glass art in the world.    

The Corning Museum of Glass, which opened in 1951, is the world’s leading art museum dedicated to the presentation, display and interpretation of glass and glassmaking. Since its inception, the museum has made a point of incorporating glass into its architecture. Karol Wright, the executive director of the museum, said, ‘Thomas Phifer’s design for the North Wing gallery marks a dramatic new chapter in the rich history of modern and contemporary glass architecture on our campus.” The project, which will cost $64 million to bring to completion, is being full-funded by the museum’s major benefactor, Corning Incorporated.

Christie’s Post-War and Contemporary evening art auction garnered over $127 million on February 14, 2013, the highest total ever for a February sale of its kind at Christie’s London. Out of the 72 lots presented, 65 were sold; the auction total cruised past the pre-sale estimate of $86.8 million to $120.8 million.

The top lot of the night was Jean-Michel Basquiat’s (1960-1988) text-laden acrylic, oilstick, and paper collage on canvas titled Museum Security (Broadway Meltdown) (1983), which sold for $14.5 million. French collector John Sayegh-Belchatowski purchased the work, which carried a third-party guarantee. In 2012, Museum Security was pulled from a Christie’s New York auction after a legal dispute between an owner, the British aristocrat Lord Edward Spencer-Churchill, and dealers, Gerard Faggionato and Alberto Mugrabi, broke out. The case was settled out of court and the work was re-offered at Christie’s last night.

Other highlights from the blockbuster sale include Gerhard Richter’s (b. 1932) Abstraktes Bild (889-14) (2004), which sold to a telephone bidder for $13.2 million; Francis Bacon’s (1902-1992) Man in Blue VI (1954), which was also snapped up by a telephone bidder for $7.8 million; and David Hockney’s (b. 1937) figurative painting Great Pyramid at Giza with Broken Head from Thebes (1963), which went for $5.5 million.

Basquiat, Bacon, and Richter garnered major sales at both Christie’s and Sotheby’s, who’s contemporary sale the night before brought $116 million, proving that the category has not lost its edge in the art market.

Sotheby’s Contemporary Evening Auction in London totaled $116 million on February 12, 2013. The sale featured a number of works by art market powerhouses such as Francis Bacon (1909-1992), Jean-Michel Basquiat (1960-1988), and Gerhard Richter (b. 1932). Bacon’s oil on canvas triptych Three Studies for a Self-Portrait (1980), which sold for $21.5 million, was the evening’s top lot. German collector, Jurgen Hall, who plans to loan the work to a major international institution, purchased the painting.  

44 of the 54 lots offered sold and over 20 works brought more than $1 million dollars. Highlights included two Richter paintings, Wolke (Cloud) (1976) and Abstraktes Bild (769-1) (1992), which sold for $11.9 million and $12.8 million respectively. Basquiat’s Untitled (Pech/Oreja) (1982-83), a large-scale acrylic, oil stick, and paper collage, went for $10. 7 million and another one of his hefty works, Five Fish Species (1983), sold for $7.8 million. Both works were purchased by New York-based art dealer Jose Mugrabi.

While there were some major sales, the auction fell comfortably within its pre-sale estimate of $95.7 million to $132.2 million. The contemporary auctions will continue tonight, Feburary 13, 2013, at Christie’s London.

Christie’s International announced that they will be closing their Haunch of Venison subsidiaries in New York and London in March 2013. The gallery in Chelsea will close after its exhibition, How to Tell the Future from the Past, ends its run on March 2. The London gallery, known as the Yard, will be converted to a permanent exhibition and sales space for Christie’s private sales department.

Founded by art dealers Harry Blain and Graham Southern in 2002, Haunch of Venison represents and exhibits the works of emerging and established contemporary artists. The gallery’s name comes from the London courtyard, Haunch of Venison Yard, where it was originally based. Christie’s bought the gallery, which had branches in London, Berlin, and New York, in 2007. Haunch of Venison’s Berlin branch closed in 2010, the same year Blain and Southern left Haunch to start a new gallery, BlainSouthern.

Christie’s decision to shutter the Haunch of Venison galleries came as private sales have been gaining ground for the auction house. The restructuring will focus the company’s attention on those private sales rather than working as a primary gallery representing artists. Haunch of Venison has also withdrawn from the upcoming European Fine Art Fair in Maastricht.

Collective, the newest show on the design fair scene, will debut on May 8, 2013 and run through May 11 at Pier 57 in Manhattan. The fair will coincide with the highly anticipated second edition of Frieze New York as well as the various major spring auctions.

The founder and creative director of the fair is architect Steven Learner of the New York-based architecture and interior design firm, Steven Learner Studio. The 70,000 square foot space where the fair will be held was created by Learner and will host over 25 international galleries. The show will also include a series of special programs as well as formal displays.

Collective, which will focus on vintage and contemporary design, aims to cater to both the art and design communities.

Following Simon de Pury’s departure from the auction house Phillips de Pury & Co. on December 21, 2012, the company is in the midst of a number of changes. Upon de Pury’s exit after 12 years with the company, the auction house has reverted to its original name, Phillips, and has plans to develop its New York and London locations.

Phillips, which specializes in contemporary art, design, photography, and limited edition prints, will expand their salesrooms in order to compete with bigger auction houses such as Sotheby’s and Christie’s. In February 2013, 11,500 square-feet of offices and 10,000 square-feet of gallery space will be added to the company’s headquarters on Park Avenue in Manhattan.

Last year, Phillips purchased a 52,000 square-foot building in London’s Berkeley Square. The auction house plans to turn the seven-story structure into their London headquarters, which will resemble the company’s Manhattan office. Rumors have circulated that Phillips also purchased space in London’s Mayfair district, but officials have declined to comment.

A formal ground-breaking ceremony for the Metropolitan Museum of Art’s new David H. Koch Plaza was held on January 14, 2013 in New York. The $65 million project, which was announced in February 2012, has been underway since October but was postponed due to complications associated with Hurricane Sandy. The plaza is expected to reach completion in the fall of 2014.

Funded by Met trustee and philanthropist, David H. Koch, the project includes the installation of new fountains and the redesign of a four-block-long outdoor plaza that runs in front of the Met’s Fifth Avenue façade from 80^th to 84^th Streets. The sidewalks alongside the museum’s entrance, which see six million pedestrians a year, will also be repaired.

While the Met has made a number of indoor improvements over the years, the outdoor overhaul is much needed. Built in the 1970s along with the existing plaza, the museum’s original fountains, which are now deteriorated, will be replaced by contemporary granite fountains. The new structures will be positioned closer to the museum’s front steps, improving access to the street-level entrances. The redesign also includes tree-shaded allées, improved seating areas, and energy-efficient lighting. The Met’s iconic front steps will be left untouched.

Philadelphia-based landscape architecture and urban design firm, Olin, will be the lead design consultants for the project.

Treasures of the Alfred Stieglitz Center: Photographs from the Permanent Collection opened on December 22 at the Philadelphia Museum of Art. Drawing from the institution’s impressive permanent collection, the exhibition features rarely seen works by William Henry Fox Talbot (1800-1877), Gustave Le Gray (1820-1884), and Charles Aubry (1803-1883). The show includes a selection of modern and contemporary works including pieces by Robert Frank (b. 1954) and Diane Arbus (1923-1971), visually tracing the history of photography and its evolution as a medium. There are also a number of recent acquisitions on view.

The core of the exhibition is a collection of works by Alfred Stieglitz (1864-1946), one of the foremost figures in twentieth-century American art, and his protégé, Dorothy Norman (1905-1997). The featured works were created during the years of their creative exchange, which spanned from 1929 until Stieglitz’s death in 1946. As a result of her close relationship with Stieglitz, Norman helped found the Alfred Stieglitz Center at the Philadelphia Museum of Art in 1968 when she donated her vast art collection to the institution.

Treasures of the Alfred Stieglitz Center will be on view through April 7, 2013.

As part of a yearlong celebration of Italian culture hosted by Italy’s foreign minister, Michelangelo’s (1475-1564) iconic work, David-Apollo, will be go on view today at the National Gallery of Art in Washington, D.C. Minister Giulio Terzi di Sant’Agata unveiled the sculpture yesterday, December 12. David-Apollo will be on view in the West Building’s Italian galleries through March 3, 2013.

Michelangelo carved David-Apollo in 1530 for Baccio Valori, who served as the interim governor of Florence per the Medici pope Clement VII’s appointment. Michelangelo and the pope were at political odds, but the artist wished to make peace with the Medici through his work. Michelangelo never finished David-Apollo as he left Italy and never returned after Clement VII’s death.

Part of the Museo Nazionale del Barello’s collection in Florence, David-Apollo traveled to the National Gallery once before in 1949. The masterpiece’s installation in Washington over sixty years ago coincided with former president Harry Truman’s inaugural reception and attracted more than 791,000 visitors. In 2013, David-Apollo’s presentation will coincide with President Barack Obama’s inauguration.

The Year of Italian Culture, launched by Sant’Agata under the auspices of the President of the Italian Republic, Giorgio Napolitano, will bring a range of Italian masterpieces to nearly 70 cultural institutions across the United States. Works range from classical and Renaissance to baroque and contemporary and cover the realms of art, music, theater, cinema, literature, science, design, fashion, and cuisine.