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International Center of Photography deputy director and chief curator Brian Wallis will leave his post at the end of February, the museum reports. “Brian Wallis has had a long and distinguished career at ICP. He came on board before our renovated Midtown galleries opened in 2000 and has been instrumental to our success over the last 15 years,” executive director Mark Lubell said in a statement. In its future move to the Bowery, ICP will continue to build on the foundation Wallis has laid, Lubell added.

Since Wallis joined in 1999, ICP has organized some 150 shows and acquired over 20,000 photographs.

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As Art Miami expands to New York in its 25th year, the newest addition to Frieze Week has named former Armory Show head Katelijne De Backer as its new director.

Art Miami New York will be held on May 14–17 at Pier 94, best known in the art world for hosting the annual Armory Show, which moved to the piers in 2001 after outgrowing its historic venue at the 69th Regiment Armory on Lexington Avenue and a one-year stint at the Javits Center.

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As an erudite, witty but reserved British-born art historian who favors bow ties, Graham Beal has neither the appearance nor the personality of a natural man of the people.

Yet Beal's 16-year tenure as director of the Detroit Institute of Arts — highlighted by a landmark $158-million renovation and reinstallation of the collection — has transformed the museum into a populist institution embraced by a larger and more diverse swath of Detroiters than at any other point in its 130-year history.

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A curator who 14 years ago was a front-of-house assistant directing visitors to the highlights and toilets of the National Portrait Gallery in London is to return as the organization’s new director.

Nicholas Cullinan, who co-curated Tate Modern’s blockbuster Matisse cutouts exhibition last year with Sir Nicholas Serota, has been chosen to replace Sandy Nairne and become only the 12th director in the NPG’s 158-year history.

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The Minneapolis Institute of Arts has received an $8 million donation to endow the position of the museum's director and president.

The gift from the Duncan and Nivin MacMillan Foundation was given in honor of the museum's 100th anniversary in 2015. Kaywin Feldman has led the museum since 2008 and will be the first person to hold the newly endowed position.

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The High Museum of Art announced today that Michael E. Shapiro, the Museum’s Nancy and Holcombe T. Green, Jr. Director since 2000, will leave the position next year, after 15 years as director. Shapiro has been part of the High’s leadership team for two decades, during which he oversaw unprecedented growth of the Museum’s collections, endowment, and audiences, as well as the completion of a 177,000-square-foot, three-building expansion. Shapiro’s last day as director will be July 31, 2015.

“It has been a privilege to be at the helm of the High for the past 15 years, and to help shape the vision and future of Atlanta’s art museum,” said Shapiro.

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Douglas Hyland, who has led the New Britain Museum of American Art through two major expansions, tripled its collections and more than doubled its endowment, will retire as the museum's director after its new addition is complete next fall.

Hyland, 65, announced his decision Wednesday at a meeting of the museum's board of trustees.

"Everything I envisioned for this museum has been accomplished," Hyland said. "The collections have grown, the attendance is at 100,000. This is the best year of our history."

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The man who runs London's Tate Modern - an art gallery in a former power station that looms over the River Thames - was named on Thursday the most powerful figure in the world of contemporary art.

Nicholas Serota has been in the top 10 of the "Power 100" every year since the list was launched by ArtReview magazine in 2002, which said his museum "has come to epitomize almost all the elements of the current 'global' artworld."

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At its recent meeting, the Stanford University Board of Trustees took an early evening stroll among the modern and contemporary American paintings and sculptures in the new Anderson Collection at Stanford University.

Their visit followed an in-depth presentation by Alexander Nemerov, a Stanford scholar of American art, on Jackson Pollock's "Lucifer," one of its most important works, and a talk by Jason Linetzky, the inaugural director of the Anderson Collection at Stanford University, on the history of the collection, which includes more than 100 works of art.

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The Pennsylvania Academy of the Fine Arts (PAFA) is pleased to announce that Jodi Throckmorton  has been named Curator of Contemporary Art, effective October 27, 2014.

Throckmorton comes to PAFA from the Ulrich Museum of Art at Wichita State University, where she currently serves as Curator of Modern and Contemporary Art (since June 2013). Prior to that, Throckmorton served as Associate Curator at the San Jose Museum of Art (2007-2013).

“I am delighted that Jodi will be joining PAFA. Her skill as a curator, as well as passion and enthusiasm, became clear when I had the pleasure of working with her on PAFA’s Eric Fischl exhibition in 2012,” says Harry Philbrick, the Edna S. Tuttleman Director of the Museum.

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