Displaying items by tag: drawings

The Metro Show, The New Face of Art & Design, kicks off on January 24, 2013 at the Metropolitan Pavilion in Chelsea and runs through January 27. Produced by the Art Fair Company, which organizes the Sculpture Objects & Functional Art Fairs as well as the Antique Dealers League Spring Show NYC, the Metro Show brings together a striking mix of historic and contemporary art and design.

The second edition of the Metro Show boasts an impressive roster of exhibitors that includes Bernard Goldberg Fine Arts, Carl Hammer Gallery, Gary Sullivan Antiques, Just Folk, Ricco/Maresca Gallery, M. Finkel & Daughter, Hill Gallery, Samuel Herrup Antiques, Stephen Score, and many more. A broad range of objects will be on view including paintings, furniture, drawings, prints, photographs, sculpture, folk art, textiles, and decorative arts.

Caroline Kerrigan Lerch, Director of the Metro Show said, “Our vision is to illustrate the intellect, beauty, and vision in American arts and design, while placing it in a more modern and international context. We want to broaden its appeal and reach out to a new and younger audience while renewing the interest of the loyal attendees who flock each January to the Metropolitan Pavilion.”

The Metro Show will hold an invitation-only preview on January 23 from 6-7PM and a public preview from 7-9PM.

Upon her death on January 7, 2013 at the age of 91, Ada Louise Huxtable (1921-2013), a pioneering architecture critic, writer and historian, left her entire estate and her archives to the Getty Research Institute in Los Angeles. The bequest also included an apartment in New York City, a house in Marblehead, MA, and the archives of Huxtable’s husband, industrial designer, Garth Huxtable (1911-1989).  Huxtable served as the architecture critic for the New York Times from 1963 to 1982 (she was the first full-time architecture critic at an American newspaper) and as a writer for the Wall Street Journal.

The Huxtable Archives, which include notes, correspondence, research files, manuscripts, drawings, and photography, will become part of the Getty’s Special Collections holdings. Huxtable, a proponent of historic preservation, will have her own groundbreaking work conserved for the benefit of the public and the field of architecture thanks to her partnership with the Getty.

On view at the Montclair Art Museum in New Jersey through January 20, 2013, Georgia O’Keeffe in New Mexico: Architecture, Katsinam, and the Land focuses on Georgia O’Keeffe’s (1887-1986) life from 1929 to 1953. During this time, O’Keeffe lived in New Mexico and found herself enthralled by her surroundings as well as the Native American and Hispano cultures of the region.

While O’Keeffe’s early career as one of the first American abstract painters and her relationship with American photographer and art dealer Alfred Stieglitz (1864-1946) have been examined at length, O’Keeffe’s time in New Mexico has been less studied. The exhibition at the Montclair Art Museum features over 30 paintings and works on paper depicting New Mexico’s local architecture and landscape. From 1931 to 1945, O’Keeffe created numerous drawings, watercolors, and paintings of Kachina dolls (or Katsinam), which are carved representations of Hopi spirit beings. The exhibition includes 15 of these works, which are presented alongside actual Kachina dolls.

The Montclair Museum of Art will compliment Georgia O’Keeffe in New Mexico with a small presentation of three O’Keeffe works from a private collection including two oil paintings, Black Petunia and White Morning Glory 1 and Inside Clam Shell, and one pastel on paper, titled Pink Camellia.

The exhibition at the Montclair Art Museum was organized by the Georgia O’Keeffe Museum in Santa Fe, New Mexico and will travel to the Denver Art Museum (February 10-April 28, 2013), the Georgia O’Keeffe Museum (May 17-September 8, 2013), and the Heard Museum in Phoenix, Arizona (September 27, 2013-January 12, 2014) after its run in New Jersey.

The Pennsylvania Academy of the Fine Arts (PAFA) in Philadelphia announced plans to build a new gallery to display their works on paper collection. The addition will be housed in the museum’s Historic Landmark Building, which was designed by the acclaimed American architect, Frank Furness (1839-1912). A $250,000 grant from The Richard C. von Hess Foundation will be used to fund the project.

Works on paper are a huge component of PAFA’s permanent collection, encompassing over 75% of the museum’s holdings. The collection features drawings, watercolors, sketchbooks, prints, photographs, and experimental media from all periods of American art. Highlights include a collection of photographs by Thomas Eakins (1844-1916), studies and sketchbooks by William Glackens (1870-1938), and works by John Singleton Copley (1738-1815), Mary Cassatt (1844-1926), Arthur Dove (1880-1946), and Robert Motherwell (1915-1991).

The new gallery will allow the institution to significantly expand public access to its vast collection while keeping the light-sensitive objects safe. A separate space will be allotted for scholars conducting research and curators and faculty who will use the collection for educational purposes. PAFA has selected the Philadelphia-based architectural firm Atkin Olshin Schade to design the Works on Paper Gallery. Construction is expected to start early this year and last until Summer 2013.

The Art Fair Company, owners of SOFA Chicago, SOFA New York, SOFA Santa Fe, The Metro Show, and the Spring Show NYC, announced that the Metro Show has formed an alliance with Editions/Artists’ Book Fair. Editions/Artists‘ Book Fair was slated to take place November 1-4 of this year, but was cancelled due to Hurricane Sandy. The show will now run alongside the Metro Show, which is held in New York City’s Metropolitan Pavilion from January 23-27, 2013. Susan Inglett, the founder of Editions/Artists’ Book Fair said, “We are grateful to our colleagues at The Art Fair Company who have provided us this incredible opportunity.”

Now in its fifteenth year, Editions/Artists’ Book Fair showcases contemporary publishers and dealers and presents an array of prints, multiples, and artists’ books from over 60 international exhibitors. The show also includes site-specific installations, lectures, and screenings.

Next door at the Metro Show, which is helmed by Caroline Kerrigan Lerch, historic art will be presented alongside contemporary design. Works include paintings, furniture, drawings, prints, photographs, sculpture, folk art, textiles, and decorative arts.

Now in its 58^th year, the Brussels Antiques and Fine Art Fair (BRAFA) will take place January 19-27, 2013 at the exhibition space, Tour & Taxis. Featuring 128 dealers from 11 countries, the fair will present works from the Middle Ages to the 20^th century including antiquities, jewelry, furniture, ceramics, drawings, engravings, Old Master as well as modern paintings, sculpture, textiles, contemporary art, photography, and much more.

After drawing in 46,000 visitors last year, BRAFA organizers have made a number of adjustments in hopes of surpassing 2012’s numbers. There will be 26 new exhibitors present and an increased emphasis has been placed on pre-Columbian art; archaeology; primitive arts; 17^th to 19^th century furniture; 19^th to 20^th century paintings, sculptures, and drawings; Asiatic arts; 20^th century decorative arts; and modern and contemporary art. BRAFA has also added a new section to this year’s fair devoted to manuscripts. Exhibitors in this section include Signatures (Paris), Librairie Thomas-Scheler (Paris), and Sanderus Antiquariaat (Ghent, Belgium).

In honor of the fair’s tenth year at Tour & Taxis, BRAFA’s architects, Volume Architecture, have designed an extraordinary entrance inspired by Byzantine architecture, particularly that of the mosques in Istanbul.

VIP guests will be given a sneak peek of the impressive fair at BRAFA’s exclusive charity event on January 18. A silent auction will be held during the evening and proceeds will benefit the Merode Foundation to support its work on educational and social projects in Brussels’ working class neighborhoods.

Exhibitor highlights include Whitford Fine Art (London), which specializes in French and British 20^th century painting and sculpture, Leysen Jewelers (Belgium), jewelers to the Belgian royal family, and Guy Pieters Gallery (Paris/Belgium), a leading force in the contemporary art world for the past 30 years.

When the Crystal Bridges Museum of American Art opened its doors for the first time in Bentonville, Arkansas on November 11, 2011, the institution presented about 450 works of art, nearly half of its entire holdings. A little over a year later, the Crystal Bridges’ collection has ballooned and now includes over 2,000 artworks thanks to an active acquisition program led by Executive Director Don Bacigalupi, museum curators, and a solid leadership board. Within the past year, the Crystal Bridges Museum has acquired five sculptures, eight paintings, one mixed media work, 468 prints, and 504 works on paper, including photographs, drawings, and watercolors.

Museum officials were particularly excited to acquire a large painting by Abstract Expressionist artist, Mark Rothko, titled No. 210/No.2011 (Orange) (1960) and held an official unveiling back in October. The piece, which has only been exhibited twice in public, is currently part of the museum’s temporary exhibition, See the Light: The Luminist Tradition in American Art. After the show closes in late January, the Rothko work will be moved to the museum’s Twentieth-Century Art Gallery.

Other major acquisition include a portrait by American folk artist Ammi Phillips (1788-1865), titled Woman in Black Ruffled Dress (circa 1835); a neoclassical white marble sculpture completed in 1867 by William Wetmore Story (1819-1895); a contemporary mixed-media work from the early 1980s by Californian artist Miriam Schapiro (b. 1923); and a large painting titled Tobacco Sorters (1942-44) by the twentieth-century American artist, Thomas Hart Benton (1889-1975), which was commissioned by the American Tobacco Company.

A private collector who specialized in early twentieth-century works facilitated the major growth in the museum’s print department. The recent acquisitions vary in style from Benton’s Regionalism to Charles Sheeler’s (1883-1965) Precisionism and include drypoints, etchings, engravings, lithographs, screenprints, woodcuts, and wood engravings. A selection of recently acquired prints will be part of the temporary exhibition Art Under Pressure: Early Twentieth Century American Prints, which will be on view from December 21 through April 22, 2013.

Designed by Renzo Piano, the museum that houses the collection of John de Menil and Dominique de Menil opened to the public 25 years ago. A sold-out gala is being held tonight, November 29, to celebrate. The fete has raised $2.2 million, exceeding its $1.5 million goal. This is only the third gala held by the Menil Collection as the institution already boasts an endowment of approximately $200 million thanks to support from the board, donors, and corporate sponsors.

The theme of the night will be “Celebration in Blue,” a tribute to Yves Klein, an important figure in post-war European art and a personal friend of the Menils. Among the 700 guests will be Pablo Picasso’s grandson, Bernard Ruiz-Picasso, philanthropist Agnes Gund, president emerita of the Museum of Modern Art, and hedge fund chief John D. Arnold.

A silent auction will also be held at the gala. The 31 lots include works by Ed Ruscha, Olafur Eliasson, and Richard Serra. Proceeds will support operations and exhibitions. The museum plans to expand their contemporary art collection and hope to build the Menil Drawing Institute to house and exhibit modern and contemporary works.

The free museum features over 15,000 paintings, sculptures, prints, drawings, photographs, and rare books from the 20^th century, all of which were once part of the Menils extensive private art holdings. Included in the impressive collection are works by Paul Cezanne, Mark Rothko, Andy Warhol, Rene Magritte, Max Ernst, Henri Matisse, Pablo Picasso, and Jackson Pollack.

Last month the Edward Hopper House Art Center, located in the artist’s childhood home in Nyack, New York, dedicated one of its rooms to the late Reverend Arthayer R. Sanborn. A friend of the Hopper family, Sanborn led the First Baptist Church down the street from the Center and had lent the institution many works by Hopper his personal collection before his death in 2007. Sanborn also maintained the Hopper house when it fell vacant in the late 1960s.

Gail Levin, an art historian and foremost expert on Hopper, has stepped forward to object to Sanborn’s seemingly harmless recognition. Levin sent an e-mail to various news organization raising questions about how Sanborn came into his collection that included paintings, watercolors, and drawings by Hopper. Sanborn, who had eventually put more than 100 of works from his collection up for sale, claimed that Hopper and his wife, Josephine, had given many of the works to him. Levin rebutted this and said that during a conversation with Sanborn in the 1970s, he complained that Hopper had given him nothing, despite the fact that he was caring for him and his aging wife. Sanborn also claimed that he had purchased a number of works from the estate of Josephine Hopper, but under Mrs. Hopper’s will, it states that all of Hopper’s works were to go to the Whitney Museum of Art.

Officials at the Hopper House Center addressed Levin’s claims and said that the dispute was not of major concern as Sanborn has been deceased for the past five years, making her case difficult to pursue. The Center also values the Reverend’s contributions and isn’t looking to sever any ties with the Sanborn family.

Paris’ Musee du Louvre and the Fine Arts Museums of San Francisco, which includes the Legion of Honor and the de Young Museum, announced that they have reached a mutual agreement and will collaborate on a series of exhibitions and exchanges. The institutions will share works from their incendiary collections over the course of the next five years including antiquities, paintings, decorative arts, prints, drawings, textiles, and sculptures.

The Louvre and Fine Arts Museums have been working on the arrangement for the past two years and will celebrate its commencement with the exhibition, Royal Treasures from the Louvre: Louis XIV to Marie-Antoinette. The show, which opened on November 17 and features a collection of decorative arts from the French monarchy, will be on view through March 17, 2013.

The agreement will allow each world-renowned institution to broaden their international reach and inhabitants of each city will have a new selection of masterpieces to view. Loans between the museums may include entire exhibitions or single objects.