Displaying items by tag: drawings

Cahiers d’Art, a famed French literary journal and publisher of visual arts, will re-release its definitive catalogue of works by Pablo Picasso (1881-1973). The long out-of-print work titled Zervos Picasso Catalogue after Cahiers d’Art’s founder, Christian Zervos, is comprised of 33 volumes and features over 16,000 paintings and drawings that were amassed during a long-lasting working relationship between Zervos and Picasso.

For the first time ever, the Zervos Picasso Catalogue will be available in English and it will include corrections to the original catalogue made in cooperation with the Picasso Administration, the organization responsible for managing the artist’s estate. Sotheby’s has been named the worldwide distributor of the catalogue, which will be available on December 15, 2013.

Founded in Paris in 1926, Cahiers d’Art was revered for its publications highlighting the most important artists of the early 20^th century. Zervos Picasso Catalogue is arguably the publisher’s most important work. With the earliest volumes dating back to 1932, complete sets of the catalogue are extremely uncommon. Staffan Ahrenberg, the current owner of Cahiers d’Art, said, “Christian Zervos dedicated his life to Picasso, and it is our great honor to continue the Zervos/Picasso story and legacy. I think it is essential for Zervos to be back in print and available to collectors, scholars, and trade.”

Hopper Drawing, which opens today, May 23, 2013 at the Whitney Museum of American Art in New York, is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882-1967). Known for his enigmatic renderings of rural and urban American life, Hopper’s paintings of seascapes, cityscapes, and their inhabitants are some of the most significant artworks of the 20^th century.

The Whitney’s exhibition is not just a presentation of Hopper’s best-known works; it is a rare glimpse into the creative process that produced one of the most lauded oeuvres in modern art. Hopper’s drawings illustrate his ever-changing relationships with his subjects, which include the street, the movie theater, the office, the bedroom, and the road. Drawn from the Whitney’s remarkable Hopper collection, which includes 2,500 drawings given to the museum by the artist’s widow, Josephine, Hopper Drawing includes drafts of some of Hopper’s most recognized works alongside their oil painting counterparts. Works on view include Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940), and Nighthawks (1942) together with their prepatory drawings and related works. The exhibition also includes pioneering archival research into the buildings and urban spaces that inspired Hopper’s work.

Drawing Hopper will be on view at the Whitney through October 6, 2013.

The National Gallery of Art in Washington, D.C. is celebrating the 150^th anniversary of the birth of the Norwegian painter and printmaker Edvard Munch (1863-1944) with an exhibition of over 20 works from its collection. Edvard Munch: A 150^th Anniversary Tribute presents prints and drawings by the artist including Geschrei (The Scream) (1895), The Madonna (1895), and Two Women on the Shore (1898).

Best known for his seminal painting The Scream (1893), Munch is revered for his visceral works that expertly capture the human condition. In addition to his emotionally raw paintings, Munch also created tender depictions of women, children, and lovers.

The National Gallery has organized three major exhibitions of Munch’s work in recent decades with the last taking place in 2010. Curated by Andrew Robison, Andrew W. Mellon Senior Curator of Prints and Drawings at the National Gallery, Edvard Munch: A 150^th Anniversary Tribute will be on view at the museum through July 28, 2013.

Two permanent galleries dedicated to the work of the English sculptor Henry Moore (1898-1986) opened on Tuesday, May 14, 2013 at the Tate Britain in London. The museum presents a collection of approximately 30 works including film, photographs, maquettes, drawings, and large-scale sculptures. Moore’s Recumbent Figure (1938), which was the first of the artist’s works to join the Tate’s collection, is also on view.

Moore, who served as a trustee of the Tate for two terms from 1941-1956, worked closely with the institution. The first gallery of his works explores the artist’s relationship to the museum and how the Tate amassed its Moore collection. The artist made a number of generous donations to the institution during his life including a set of prints, which he gave to the Tate in 1976 and 36 sculptures, which he bequeathed to the museum in 1978. The Tate currently owns over 600 of Moore’s works ranging in date from 1921-1984.

The Tate’s second gallery focuses on Moore’s array of public commissions and the process he used to create them. During the 1950s and 1960s, Moore worked almost entirely in plaster, which was then cast in bronze. Most of his works from this period are figurative or centered on the landscape and the natural world. Moore’s large-scale sculptures set in a wide-ranging array of settings from this time are some of his best-known works. The sculptures in this gallery are complemented by drawings and maquettes as well as films and photographs of Moore at work in his studio.

A highly successful sculptor, Moore used the money he made from his work to endow the Henry Moore Foundation, which continues to support education and the promotion of the arts.

On Saturday, May 11, 2013, the Crystal Bridges Museum of American Art In Bentonville, Arkansas launched two exhibitions dedicated to American genre painting. Genre painting, which became popular during the mid-19^th century, involved the depiction ordinary scenes of everyday life. As religious artworks waned in prevalence, genre painting struck a chord with the public as they could easily relate to the narratives, which spanned various races, regions, and classes.

American Encounters: Genre Painting and Everyday Life presents five paintings by a handful of the most well known artists from the movement including George Caleb Bingham (1811-1879), Eastman Johnson (1824-1906), and Arthur Fitzwilliam Tait (1819-1905). Between Bingham, who painted scenes of life on the American frontier, Johnson, who captured the true spirits of the people of New England, the western frontier, the slavery-ridden south, and prominent Americans, and Tait, whose subject of choice was wildlife, the three artists come together to communicate a varied and comprehensive American experience.

The works in American Encounters are accompanied by two paintings from the Louvre – one is from the Dutch genre painting school and another from the English interpretation of the movement. American Encounters is also complemented b the exhibition Genre Scenes on Paper from Crystal Bridges’ Permanent Collection.

Genre Scenes on Paper provides a sampling of the museum’s 19^th century watercolors and drawings, many of which have never been on public view. The exhibition explores themes of work and leisure in the city and country and features works by Winslow Homer (1836-1910), Thomas Waterman Wood (1823-1903), and John Lewis Krimmel (1786-1821). Just as the paintings in American Encounters, these works come together to show how a variety of artists interpreted daily life in a young country still coming into its own.

American Encounters and Genre Scenes on Paper will be on view at the Crystal Bridges Museum through August 12, 2013. American Encounters, which is the second exhibition in a four-year partnership between Crystal Bridges, the Louvre and the High Museum of Art in Atlanta, Georgia, will then travel to the High where it will be on view from September 14, 2013 through January 14, 2014.

The 2013 Spring Show NYC opened to the public on Thursday, May 2, 2013 at the Park Avenue Armory in Manhattan. Organized by the Art and Antique Dealers League of America, this is the third edition of the Spring Show NYC, which features furniture, paintings, drawings, sculpture, ceramics, glass, decorative arts, and much more.

This year’s show includes over 60 international galleries. Highlights from the fair include Ammi Phillips’ (1788-1865) Portrait of a Child from Jeffrey Tillou Antiques, French landscape painter Eugene Louis Boudin’s (1824-1898) Village aux Environs de Dunkerque from Rehs Galleries, and a set of eight George II carved mahogany dining chairs from Clinton Howell Antiques.

The Spring Show NYC will be ongoing at the Armory through May 5, 2013. Tonight, the fair will host Arts Night Out, allowing 30 young patron groups from New York ‘s top cultural institutions to visit the show. Proceeds from the event will benefit the ASPCA.

Amsterdam’s Van Gogh Museum is gearing up to re-open to the public after closing earlier this year for renovations. Masterpieces such as Sunflowers, The Bedroom, Irises, and The Potato Eaters were returned to the museum on Friday, April 26, 2013 after seven months on view at the Hermitage Museum. The museum is slated to re-open on May 1, 2013 with the exhibition Van Gogh at Work inaugurating the newly updated space.

Updates to the Van Gogh Museum began in 2010 after intensification in fire safety regulations. Most of the recent refurbishments centered on the replacement of the museum’s air conditioning installations. The museum is now equipped with a modern and sustainable air conditioning unit that allows the right climatic conditions to be set for each room. The structure’s roof was also replaced and outfitted with extra insulation, the floors have been replaced, and the walls are newly repainted.

The Van Gogh Museum, which opened in 1973, houses the largest collection of Vincent van Gogh’s (1853-1890) paintings and drawings in the world. Van Gogh at Work will coincide with the 160^th anniversary of the artist’s birth and offers an extensive overview of Van Gogh’s oeuvre. The exhibition will be on view through January 12, 2014.

Pablo Picasso’s (1881-1973) Woman in an Armchair (Eva) (1913), which was recently gifted to the Metropolitan Museum of Modern Art by philanthropist and cosmetics mogul, Leonard A. Lauder, is currently on view in the institution’s Lila Acheson Wing for modern and contemporary art. The painting will exhibited for three months as part of a preview of Lauder’s monumental bequest to the museum.

Lauder’s gift, which is said to be worth at least $1 billion, includes 78 Cubist paintings, drawings, and sculptures and will significantly improve the Met’s 20^th century holdings. The gift includes 33 works by Pablo Picasso (1881-1973), 17 by Georges Braque (1882-1963), 14 by Juan Gris (1887-1927), and 14 by Fernand Léger (1881-1955). The entire Lauder collection will be exhibited at the Met during the fall of 2014.

Woman in an Armchair (Eva) is one of Picasso’s most arresting paintings. A portrait of his mistress, Eva Gouel, the work epitomizes the Cubists’ rejection of the traditional interpretations of space, time, and perspective. The highly eroticized masterpiece was lauded by the founding father of Surrealism, André Breton (1896-1966), in his groundbreaking text Surrealism and Painting (1928).   

Officials at the Metropolitan Museum of Art in New York have announced that philanthropist and cosmetics mogul Leonard Lauder will donate $1 billion worth of art to the museum. The gift includes 78 Cubist paintings, drawings, and sculptures and will significantly improve the Met’s 20^th century holdings. The Leonard A. Lauder Collection includes 33 works by Pablo Picasso (1881-1973), 17 by Georges Braque (1882-1963), 14 by Juan Gris (1887-1927), and 14 by Fernand Léger (1881-1955); for a private Cubist collection it is unmatched in its quality and breadth.

Highlights from the Lauder Collection include Picasso’s landscape The Oil Mill (1909), which was one of the first Cubist images to be reproduced in Italy; Braque’s Fruit Dish and Glass (1912), the first Cubist paper collage ever created; and Picasso’s Head of a Woman (1909), which is considered the first Cubist sculpture. Together, these works tell the story of a movement that transformed the landscape of modern art. Cubism departed from the traditional interpretations of art, challenged conventional perceptions of space, time, and perspective, and paved the way for abstraction, a concept that dominated the art world for much of the 20^th century.

Lauder acquired his first Cubist works in 1976 and has maintained his remarkable dedication to collecting for nearly 40 years. He continues to collect and is committed to looking for new opportunities to add to his gift to the Met. In coordination with Lauder’s remarkable gift, the Met is establishing a new research center for modern art. The center is supported by a $22 million endowment that Lauder helped spearhead. Grants for the center came from various trustees and supporters of the Met, including Lauder.

The Lauder Collection will be exhibited for the first time at this Met during the fall of 2014.

Sotheby’s will offer the Collection of Alex and Elisabeth Lewyt in a series of auctions in New York and Paris beginning on May 7, 2013. The works, which include paintings and drawings by Paul Cézanne (1839-1906), Amedeo Modigliani (1884-1920), Edgar Degas (1834-1917), and Camille Pissarro (1830-1903), will lead Sotheby’s Impressionist and Modern Art Sale in New York. Proceeds from the sale will benefit a charitable foundation to be created in the couple’s name. The 200 works, which also include illustrated letters by artists such as Paul Gauguin (1848-1903), are expected to garner anywhere from $67 million to $98 million.

The first sale of the series will present a selection of 20 works from the Lewyt’s collection. Highlights include a seminal Cézanne still-life titled Les Pommes, which the Lewyts bought from the Wildenstein Galleries in 1953; Modigliani’s sensual portrait of the socialite Marguerite de Hasse de Villers titled L’Amazone; and various works by Pissarro, Pierre-Auguste Renoir (1841-1919), Georges Seurat, Pablo Picasso, Georges Braque (1882-1963), and Marc Chagall (1887-1985).

Alex Lewyt, a New York-based vacuum cleaner inventor who died in 1988, and his wife, Elisabeth, an animal-welfare activist who died this past December, began amassing their remarkable collection in the 1950s.