Displaying items by tag: collecting

Long before this quiet New Jersey couple met, little did they know that together they were destined to form one of the greatest collections of folk art in America. As a teenager, the wife saved her babysitting money to purchase her first piece—a small side table, at which her mother just shook her head. The husband grew up on a ranch in Nevada where he learned the skills to become a superb woodworker, gaining an understanding for the craftsmanship involved in antiques.

Their prairie-style home is set on a secluded hilltop and houses just a portion of their...

The Dahesh Museum of Art today announced that it has selected a townhouse at 178 East 64^th Street as its new headquarters and exhibition space.  This coincides with the 20^th Anniversary of the Dahesh, America's only institution dedicated to collecting and exhibiting European and American academic art of the 19^th and 20^th centuries.  The five-story townhouse has been selected for its convenient location and spacious gallery-like parlor.  The Dahesh is currently consulting with architects, with an opening date to be announced later this year.

The new home for the Dahesh Museum was built in 1899 and has a limestone and brownstone facade.  The building is 20-feet wide, comprising of approximately 7,000 square feet of space. Original details include two fireplaces with imported French Louis XV marble mantles and a marble foyer. The new location also includes a beautiful finished outdoor space of Italian stone.

Most of us agree that hospitals are inherently stressful and it's pretty bleak to stare at a blank wall or wait for a doctor in a cramped, dark room. Sick or not, we'd prefer a sunny view or a Monet watercolor. Yet in an era of escalating healthcare costs, it's important to justify spending on aesthetics and design.

Can an attractive drawing or photograph reduce pain or anxiety? Do patients with art in their environment heal faster?

More and more hospitals think so. And they're putting big money behind it, transforming what were once cold, sterile spaces into mini-museums and contemporary art destinations, complete with audio guides and video installations.

There was a time when glass was a craft. But in recent years it has become something more: an established art form, and an attractive—and affordable—investment.

"Art glass is a great way to begin collecting art because there is so much available at so many price points," says Carina Villinger, head of 20th century decorative art and design at Christie's.

Since the launch of the Studio Glass movement in the 1960s, glass has slowly crossed the species barrier from craft to fine art. Today, examples of glass art include bright colors and arresting shapes, works that resemble paintings in glass, and objects both strange and familiar encased in glass.

The Frick’s Center for the History of Collecting announces a new book series with the publication of its first volume, "Holland’s Golden Age in America: Collecting the Art of Rembrandt, Vermeer, and Hals." This series, entitled The Frick Collection Studies in the History of Collecting, is co-published with the Pennsylvania State University Press, and will ultimately cover a broad range of art collecting, reflecting the Center's reach well beyond the parameters of the Frick's own scope to include topics on modern and non-western art. Comments Inge Reist, Director of the Center, “We aim to encourage new scholarship in this young field of art history through our annual acclaimed symposia and ongoing fellowship program, much of which leads to new publications. Complementing that activity is this series that enables the Center to make its own contribution to the growing bibliography on the history of collecting in America.” This and future volumes are drawn from papers given at the Center’s symposia. Upcoming books from recent events include "A Market for Merchant Princes: Collecting Italian Renaissance Painting in America" (February 2015), edited by Inge Reist; "Going for Baroque: Americans Collect Italian Paintings of the 17th and 18th Centuries," edited by Edgar Peters Bowron; and "The Americas Revealed: Collecting Colonial and Modern Latin American Art in the United States," edited by Edward Sullivan.

Americans have long had an interest in the art and culture of Holland’s Golden Age. As a result, the United States can boast extraordinary holdings of Dutch paintings. Celebrated masters such as Rembrandt, Johannes Vermeer, and Frans Hals are exceptionally well represented in museums and private collections, but many fine paintings by their contemporaries can be found here as well.

The lineup of scheduled “Dialogues” for this year’s edition of EXPO Chicago, which runs September 18–21 at Navy Pier, touches on virtually every corner of the art market, from grant-making at charitable foundations and the changing nature of collecting, to the history and importance of performance art, photography, and public art.

First up on the schedule for Friday September 19, is a conversation between Elizabeth Smith, the executive director of the Helen Frankenthaler Foundation, Joel Wachs, president of the Andy Warhol Foundation, and Christy MacLear, executive director of the Robert Rauschenberg Foundation. They will discuss their respective foundations’ initiatives, including grant-making activities and legacy programs.

This fall, Christie’s Education, the academic arm of the well-known auction house, will offer a certificate course titled Collecting Contemporary Art at its facility in New York. Divided into seven evening sessions, the course will explore what drives the current trends in the contemporary art market. According to Christie’s, the course is ideal for art enthusiasts or collectors at all levels who are interested in learning more about art from the late 1980s to the present, as well as artistic strategies, collecting practices, the market, and the social and institutional networks that support the art.

The contemporary art market has become increasingly robust in recent years and shows no signs of slowing down. Earlier this month, Christie’s postwar and contemporary art sale netted $745 million, making it the most expensive auction in art market history. Prices for works by contemporary masters such as Barnett Newman, Andy Warhol, Francis Bacon, and Jean-Michel Basquiat continue to climb as there is no shortage of hungry buyers with millions of dollars at their disposal. Christie’s Education seeks to make sense of the mind-bogglingly lucrative market through classes like “Defining Contemporary Art,” “Learning to Look,” and “Global Markets.”

The online retailer Amazon launched “Amazon Art,” a website that will be used to market works from galleries across the United States, Great Britain, the Netherlands and Canada. The site currently features over 40,000 works from more than 150 galleries and dealers. Offerings range from modest $44 canvases to Norman Rockwell’s Willie Gillis: Package from Home, which carries a price tag of $4.85 million.

Amazon Art’s slogan, “from gallery walls to your walls,” communicates the site’s mission – to make collecting easy and accessible to all. Consumers can search the site by medium, subject, style, size, frame and color. The majority of the galleries involved with Amazon Art are not high end and most of the artworks offered range in price from $100 to $5,000.

Peter Faricy, vice president for the Amazon Marketplace, which is overseeing the art site’s launch, said, “Amazon Art gives galleries a way to bring their passion and expertise about the artists they represent to our millions of customers.”

Southern Methodist University’s Meadows School of the Arts will present the seminar “The World of Art and the Fine Art of Crime” this fall from October 14 to October 18, 2013. The seminar will be helmed by retired art crime specialists from the FBI and Scotland Yard and will explore issues relating to art management, operations and collecting, famous art crimes, and international repatriation efforts.

The seminar will include lectures by two renowned art crime investigators – Richard Ellis, a former detective with New Scotland Yard who helped lead the Art & Antiques Squad for over a decade, and Virginia Curry, a former FBI undercover agent and Art Crime Team member who has worked on a number of high profile cases. The daily talks will be complemented by trip to museums, galleries, and auction houses to speak with various arts managers. Topics will include security and provenance issues, Nazi thefts during World War II, the looting of Native American art, and issues of rightful ownership.

“The World of Art and the Fine Art of Crime” has been made possible by the Meadows School’s division of Arts Management and Arts Entrepreneurship.

Dürer, Rembrandt & Whistler: Prints from the Collection of Dr. Dorrance T. Kelly is now on view at the Bruce Museum in Greenwich, CT. The exhibition is comprised of one of the finest local collections of Old Master prints, which was assembled by Dr. Dorrance T. Kelly. Kelly, who had primarily collected American 20^th century prints and prints by John James Audubon (1785-1851) in the past, began collecting Old Master works in recent years.

Kelly’s collection includes rare etching, woodcuts and engravings by German printmaker Albrecht Dürer (1471-1528); nearly 30 works by Rembrandt (1606-1669); sheets by Canaletto (1697-1768); and several sheets by the Spanish artist Francisco de Goya (1746-1828). The collection is rounded out by a group of etched cityscapes and figure studies by James McNeil Whistler (1834-1903).

 Dürer, Rembrandt & Whistler: Prints from the Collection of Dr. Dorrance T. Kelly will be on view at the Bruce Museum through August 18, 2013. A scholarly catalogue and educational programs complement it.