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Collectors Charles and Irene Hamm have donated $1 million and 165 works from their collection of coastal art to the New Britain Museum of American Art in New Britain, CT. The collection includes oil paintings by Robert Henri, Thomas Hart Benton and Rockwell Kent as well as watercolors by Fairfield Porter and William Trost Richards. The generous monetary gift will help fund the construction of an 18,000-square-foot New Wing, which will include a Charles and Irene Hamm Gallery. The bequest will also increase the museum’s endowments for operations and acquisitions.

John R. Rathgeber, Chairman of the museum’s Board of Trustees, said, “With the donation of Charles and Irene Hamm, the New Britain Museum will have one of the most outstanding collections of coastal art in the country.” The museum plans to hold thematic exhibitions drawn from the Hamm’s holdings. A number of the significant works will be loaned to other institutions throughout the country and, in the future, the New Britain Museum plans to organize a traveling exhibition of highlights from the Hamm Collection.

Charles Hamm, a successful advertising and financial mogul, and his wife Irene, an educator, have been collecting for several decades. Charles’ affinity for maritime scenes was spurred by his love of sailing.

Construction is expected to begin on the New Britain Museum’s New Wing in 2014.

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Southern Methodist University’s Meadows School of the Arts will present the seminar “The World of Art and the Fine Art of Crime” this fall from October 14 to October 18, 2013. The seminar will be helmed by retired art crime specialists from the FBI and Scotland Yard and will explore issues relating to art management, operations and collecting, famous art crimes, and international repatriation efforts.

The seminar will include lectures by two renowned art crime investigators – Richard Ellis, a former detective with New Scotland Yard who helped lead the Art & Antiques Squad for over a decade, and Virginia Curry, a former FBI undercover agent and Art Crime Team member who has worked on a number of high profile cases. The daily talks will be complemented by trip to museums, galleries, and auction houses to speak with various arts managers. Topics will include security and provenance issues, Nazi thefts during World War II, the looting of Native American art, and issues of rightful ownership.

“The World of Art and the Fine Art of Crime” has been made possible by the Meadows School’s division of Arts Management and Arts Entrepreneurship.

 

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