Displaying items by tag: futurism

“Le Onde: Waves of Italian Influence (1914–1971)” runs Aug. 22–Jan. 3, 2016, at the Smithsonian’s Hirshhorn Museum and Sculpture Garden. This exhibition of nearly 20 works from the museum’s collection follows Italian contributions to the transnational evolution of abstraction, through movements and tendencies such as futurism, spatialism, op art and kinetic art.

The exhibition includes several works that have been exhibited only rarely or not at all since entering the collection. Among those that have not been on view since the Hirshhorn’s inaugural exhibition in 1974–1975 are works by Zero group founder Heinz Mack, French op artist Yvaral and Italian painter Carlo Battaglia and several works by Italian artist Enrico Castellani.

“Russian Modernism: Cross-Currents of German and Russian Art, 1907-1917” at the Neue Galerie is a lively, scattershot exhibition, with numerous paintings of great interest, others of not so much and many by Russian artists most of us have barely heard of.

Containing 53 paintings and 21 works on paper, the show spans a decade when modern art movements were breaking out all over Europe — Fauvism, Expressionism, Cubism, Futurism, Dada and De Stijl. To the east, Russia was no exception. The show’s ambitious title introduces an immense subject that is beyond the resources of this small jewel-box museum.

Pablo Picasso “detested” Pierre Bonnard, says Guy Cogeval, president of Paris’s Musée d’Orsay. It’s easy to see why. In the early 20th century, Picasso and members of experimental groups such as the cubists and the futurists were finding shocking new ways to render the world. They tended to view a decorative-minded painter like Bonnard as a lightweight.

Meanwhile, conservative critics and collectors lionized his work as an alternative to the demands of modernism.

Pejorative labels like “decorative” began to stick, and by midcentury, Bonnard was in need of rehabilitation. Over the last few decades, a number of exhibitions have brought new attention to Bonnard (1867–1947) by emphasizing his vivid colors and subtle compositions. His rediscovery will culminate this spring with a Paris exhibition that organizers say is the first to look at the whole of his career.

On October 3, 2013, the American Symphony Orchestra will present New York Avant-Garde at Carnegie Hall in New York. The event was organized in partnership with the New-York Historical Society’s exhibition The Armory Show at 100: Modern Art and Revolution, which opens on October 11, 2013. Led by the Symphony’s Leon Botstein, New York Avant-Garde will celebrate the 100^th anniversary of the legendary 1913 Armory Show by recreating the fall-out in music caused by the groundbreaking event. The show will include works by modernist composers including Edgar Varèse and Aaron Copland.

Organized by the Association of American Painters and Sculptors, the Armory Show, officially titled the International Exhibition of Modern Art, took place at the 69^th Regiment Armory and introduced radical works of art to the public; a far cry from the realistic art they were accustomed to. Artists, critics, and patrons were presented with European works that boasted avant-garde sensibilities and spanned genres like Futurism, Cubism, and Fauvism. The show transformed the landscape of modern art and inspired an unmatched growth and progression in American art.

The 1913 International Exhibition of Modern Art, referred to today as the Armory Show, was one of the most influential art events to take place during the 20^th century. The show, which was held in New York City’s 69^th Regiment Armory, introduced the American public to experimental European art movements including Fauvism, Cubism, and Futurism. While realistic movements dominated the country’s art scene, works by Pablo Picasso (1881-1973), Henri Matisse (1869-1954), Wassily Kandinsky (1866-1944), and Marcel Duchamp (1887-1968) left the Armory Show’s American visitors awestruck.

On February 17, 2013, 100 years after the Armory Show took place, the Montclair Art Museum in Montclair, New Jersey presented The New Spirit: American Art in the Armory Show, 1913. The exhibition does more than just celebrate the significant art event; it commends the American artists who presented two-thirds of the nearly 1,200 works on view. While European art was a hugely important part of the Armory Show, The New Spirit aims to disprove the notion that the American art featured at the show was largely provincial.        

The New Spirit brings together 40 diverse works of American modern art including realist works from the Ashcan School as well as more experimental pieces executed by the painters associated with the influential photographer and art dealer, Alfred Stieglitz (1864-1946). The Montclair exhibition presents works by well-known artists such as Edward Hopper (1882-1967), William Glackens (1870-1938), Marsden Hartley (1877-1943), Charles Sheeler (1883-1965), Robert Henri (1865-1929), and John Marin (1870-1953) alongside works by lesser-known artists including Manierre Dawson (1887-1969), Kathleen McEnery (1885-1971), and E. Ambrose Webster (1869-1935). The exhibition will also feature works by Paul Cézanne (1839-1906) and Matisse to illustrate the influence of European modern art on its American counterpart.

The New Spirit will be on view through June 16, 2013.  

100 years after the seminal Armory Show in New York City, The Heckscher Museum of Art presents Modernizing America: Artists of the Armory Show. On view through April 14, 2013, the exhibition features works from the museum’s permanent collection and explores the show that changed the country’s perception of modern art.

Organized by the Association of American Painters and Sculptors, the Armory Show, officially titled the International Exhibition of Modern Art, took place at the 69^th Regiment Armory and introduced radical works of art to the public; a far cry from the realistic art they were accustomed to. Artists, critics, and patrons were presented with European works that boasted avant-garde sensibilities and spanned genres like Futurism, Cubism, and Fauvism. The show transformed the landscape of modern art and inspired an unmatched growth and progression in American art.

Works on view include paintings by Marguerite Zorach (1877-1968) and Arthur B. Carles (1882-1952); works on paper by Joseph Stella (1877-1946), Oscar Bluemner (1867-1938), and Charles Sheeler (1883-1965); and sculptures by artists such as Walter Kuhn (1877-1949).

The Heckscher Museum of Art was founded in 1920 by August Heckscher in Huntington, New York. The museum boasts over 2,000 works and focuses mainly on American landscape paintings as well as American and European modernism and photography.