Displaying items by tag: patron

The Guggenheim family, early Americans who made a fortune in mining, provided its fair share of gossip-column inches in the 20th century. Benjamin Guggenheim, one of 11 children to patriarch Meyer Guggenheim (1828–1905), went down with the Titanic in 1912. He left a widow, Florette Seligman, and three daughters, one of whom would grow up to become the famed art patron Peggy Guggenheim. (Benjamin’s brother Solomon is the man whose name sits atop the Frank Lloyd Wright–designed museum on New York’s Fifth Avenue, which was called both a parking garage and a giant toilet when it debuted. But that’s a whole other story.)

Phillips has been entrusted with the sale of selected artworks by Le Corbusier from the Heidi Weber Museum Collection. The most comprehensive selection of his artworks to be presented at auction, it is offered from the collection of one of his most prominent patrons, Heidi Weber, who housed many of the works in the Heidi Weber Museum / Centre Le Corbusier, her private museum in Zurich designed by the artist and dedicated to showing his artistic works. Consisting of over 50 works and including paintings, sculptures, enamels, tapestries and works on paper, the collection will be offered at various-owner auctions in London and New York over the next three years and is conservatively expected to realize in excess of $30 million.

The Chinese billionaire and patron Adrian Cheng plans to launch a major exhibition in Shanghai of works by Salvador Dalí lent by the Fundación Gala-Salvador Dalí. Cheng’s K11 Art Foundation and the Spanish-based foundation have joined forces to stage Media-Dalí, which is due to open on November 5 (until February 15, 2016). 

The exhibition will be held at the chi K11 Art Museum in the basement of the K11 art mall, which is owned by Cheng’s family-run company, New World Development.

An Oscar Murillo canvas was taken from the exhibition “Forever Now: Painting in an Atemporal World" at MoMA last week by a visitor, a MoMA representative has officially confirmed.

"Last week, one was removed by a visitor," press director Margaret Doyle told artnet News in an email.

Doyle further claimed that MoMA security identified the visitor and it was "quickly returned without incident or damage to the work" and that all eight of the canvases by Murillo in the show "are on view in the galleries."

The New York Studio School’s Whitney Studio in Greenwich Village has been designated a “National Treasure” by the National Trust for Historic Preservation, according to an announcement from the organization today. The building was constructed in 1877 as a carriage house but was converted by art patron Getrude Vanderbilt Whitney in 1907 into a studio and salon.

The Whitney Studio’s ornate interior was designed by Robert Winthrop Chanler, whom Whitney commissioned in 1918. Today, the structure and its decorative elements are badly in need of repair and restoration, with the New York Studio School estimating the cost of the project at $2.2 million.

Christie’s evening sale of Old Master & British Paintings, which took place on July 2, 2013 in London, garnered $36.2 million and attracted buyers from 11 countries. Georgina Wilsenach, Head of Old Master & British Paintings at Christie’s London, said, “This sale saw strong prices for paintings from all schools particularly Italian, Flemish and British. We welcomed, once again, bidders from Asia, the Middle East, South American and Russia as well as the traditional markets of Europe and America.”

Canaletto’s (1697-1768) masterpiece, The Molo, Venice, from the Bacino di San Marco, was the evening’s top lot. The work, which is one of the artist’s most celebrated views of Venice, realized $12.8 million, well over its high estimate of $8.9 million. The painting, one of the largest of this particular subject, once belonged to Edward Howard, the 9^th Duke of Norfolk and a major patron of British art. The work was passed down through the Duke’s family until the 1970s.

Other highlights from the sale included Peter Paul Rubens (1577-1640) detailed study of a bearded man’s head in profile holding a bronze figure. Created after the artist had returned to Antwerp from Italy, the composition depicts one of the kings featured in Rubens’ monumental Adoration of the Kings (1616-17), which was painted for the Church of Saint John in Mechelen. The study brought $2.6 million, just over its low estimate of $2.2 million.

The Museum of Modern Art’s William S. Paley collection is currently on view at the Portland Museum of Art in Maine. A Taste for Modernism presents 62 works that cover all of the pivotal movements that defined the art world during the late 19^th and 20^th centuries. The exhibition features works by 24 major artists including Edgar Degas (1834-1917), Paul Cézanne (1839-1906), Paul Gauguin (1848-1903), Pablo Picasso (1881-1973), Henri Matisse (1869-1954), Joan Miró (1893-1983), Alberto Giacometti (1901-1966), and Francis Bacon (1909-1922). The William S. Paley collection has been on a North American tour since 2012 and the Portland Museum of Art is the only venue in New England that the exhibition will visit.

Highlights from the exhibition include two works by Cézanne, which Paley acquired from the artist’s son; eight works by Picasso that trace his artistic evolution over the first three decades of the 20^th century including Boy Leading a Horse (1905-06) from his Rose Period, the Cubist painting An Architect’s Table (1912), and the collage-inspired composition Still Life with Guitar (1920); Gaugin’s The Seed of the Areoi (1892), which was inspired by the artist’s trips to Tahiti; and Edward Hopper’s (1882-1967) realist landscapes.

William S. Paley (1901-1999), the media mogul responsible for building the CBS broadcasting empire, was an important art collector and philanthropist during the 20th century. Paley began collecting in the 1930s and took a particular liking to French modernist movements including Fauvism, Cubism, and Post-Impressionism. Paley played a major role in cementing the Museum of Modern Art as one of the most significant institutions in the world. MoMA was founded in 1929 and Paley fulfilled various roles at the museum including patron, trustee, president, and board chairman from 1937 until his death.

A Taste for Modernism will be on view at the Portland Museum of Art through September 8, 2013. It will them travel to the Musée national des beaux-arts du Québec (October 10, 2013-January 5, 2013) and The Crystal Bridges Museum of American Art in Bentonville, Arkansas (February-April, 2014).

A painting by the 17^th century Flemish Baroque artist, Anthony van Dyck (1599-1641), was discovered in a storage room belonging to the Bowes Museum in England. Portrait of Olive Boteler Porter was purchased by the Bowes Museum’s founders, John and Josephine Bowes, in 1866 and has been in the institution’s collection since it opened to the public in 1892.

The painting’s poor condition led museum officials to record it in files as ‘School of van Dyck’ rather than an original van Dyck masterpiece. Relegated to a storage room, the work was discovered when it was photographed earlier this year for a project committed to putting all of the UK’s publically owned oil paintings on a single website. Art historian and dealer, Dr. Bendor Grosvenor, who is working on the digital venture, recognized the wrongly identified painting as an original Van Dyck.

The oil on canvas painting features the expert drapery and coloring often present in van Dyck’s female portraits from the 1630s. Originally thought to be a painting of Queen Henrietta Maria, additional research identified the sitter as Olive Boteler Porter, the queen’s lady-in-waiting and the wife of van Dyck’s friend and patron Endymion Porter.

After being examined by various van Dyck scholars, the painting has been authenticated. The recently restored masterpiece is now on view at the Bowes Museum.