Displaying items by tag: Andy Warhol

For almost 30 years, Leila Heller ran her gallery from the Upper East Side, making a name for herself as an art dealer and for her support of emerging and midcareer Middle Eastern artists, before setting up shop in 2010 on a gallery-lined stretch of West 25th Street.

Now, Ms. Heller is returning uptown with a 16,000-square-foot, six-floor space in Midtown Manhattan that she will operate in addition to the Chelsea location. The new gallery will open on Tuesday, with an inaugural exhibition on portraiture that will run through August.

Winslow Homers in the shadow of a defunct Beech-Nut baby food plant. A Rembrandt, Picasso, Rubens and Renoir up the hill from a paper mill. The founder of the Hudson River School vying for attention amid baseball memorabilia and old farm machinery.

There are plenty of treasures to be found among the collections of lesser-known, off-the-beaten-path art museums dotting upstate New York. But they're well worth the trek for anyone looking for great art in unexpected places, whether it's the rolling, bucolic countryside typical of many areas or the industrial grittiness of riverside mill towns.

Goldman Sachs Group Inc. (GS), which stood by Steven A. Cohen last year as his SAC Capital Advisors LP bore the brunt of a massive insider trading probe, has come to the billionaire’s aid again.

The top prime broker to the former hedge-fund firm, Goldman Sachs is making a personal loan to Cohen for the first time, according to a regulatory filing, joining the list of banks that have provided SAC’s founder with credit lines backed by his $1 billion art collection. Like Citigroup Inc. (C), JPMorgan Chase & Co. and Bank of America Corp., New York-based Goldman Sachs is making the loan through its private bank as part of an effort to expand its business catering to ultra-wealthy individuals.

Auction houses expect to sell as much as $2.3 billion of art in New York this month as billionaires from China to Brazil compete for trophy works by Claude Monet, Pablo Picasso and Jeff Koons in a surging market.

Two weeks of semiannual sales of Impressionist, modern, postwar and contemporary art at Christie’s, Sotheby’s (BID) and Phillips begin May 6, with online bidding as early as today. Their combined sales target represents a 77 percent increase from estimates for a similar round of auctions a year ago.

The Leo Castelli Gallery in New York City is currently presenting the exhibition “Jasper Johns and Roy Lichtenstein -- Walls.” The show includes paintings, drawings, and collages dating from the early 1970s to the 1990s, some of which have never been exhibited before.

All of the works on view feature walls as the main subject matter. The exhibition illustrates how Jasper Johns and Roy Lichtenstein both explored space and the notion of reality versus illusion in their work. Pieces such as Johns’ “Untitled,” which features a well-known Picasso image hanging on a wooden wall, and Lichtenstein’s “Trompe L’oeil with Léger Head and Paintbrush,” which includes an image from Fernand Léger, show how both artists also played with appropriation and referentiality in their wall works.

The Castelli Gallery was founded by the pioneering art dealer Leo Castelli in 1957. The gallery quickly became the international epicenter for Pop, Minimal, and Conceptual art and exhibited works by Robert Rauschenberg, Cy Twombly, Frank Stella, Andy Warhol, Donald Judd, Dan Flavin, Lichtenstein, and Johns. Castelli passed away in 1999 and the gallery is now directed by his wife, Barbara Bertozzi Castelli. The Castelli Gallery maintains a commitment to exhibiting the best of postwar American art.

“Jasper Johns and Roy Lichtenstein -- Walls” will be on view at the Leo Castelli Gallery through June 27. 

To commemorate its 20th anniversary, The Andy Warhol Museum in Pittsburgh, Pennsylvania, has reinstalled its permanent collection. This is the first time the institution has reimagined its holdings since it opened to the public in 1994. The Warhol’s collection, which includes paintings, photographs, sculptures, prints, and films by the Pop artist, has been hung chronologically across five of the museum’s seven floors. Well-known masterpieces will appear alongside rarely seen artworks and archival material when the galleries open to the public during a gala event on May 17.   

Eric Shiner, director of The Warhol, said, “We can’t wait to share the new look and feel of The Warhol with our visitors. Our goal is to both engage and educate our guests so that everyone leaves with a true understanding of who Andy was and why he matters so much. To keep the content fresh, the curatorial team will rotate artworks in all galleries on a frequent basis. It will be a fun experience and definitely worth a visit if you haven’t been to the museum in a while.”

The museum’s seventh floor will present artworks and objects that explore Warhol’s relationship with his hometown of Pittsburgh. Works on view include newly uncovered material relating to Warhol’s childhood and pieces from his family’s collection of rare paintings and photographs.

The gala in May will kick-off a year-long celebration at the museum, which is the most comprehensive single-artist museum in the world.

The Los Angeles County Museum of Art, the Art Institute of Chicago, the Dallas Museum of Art, the National Gallery of Art in Washington, D.C., and the Whitney Museum of American Art in New York are joining forces with the Outdoor Advertising Association to execute the “outdoor art show,” Art Everywhere. The interactive art campaign will display images of the greatest American artworks on billboards and signs in select cities across the United States.

The participating museums have created a master list of 100 American artworks from their combined holdings and are asking the public to visit www.ArtEverywhereUS.org and vote for their favorite pieces. The 50 most popular works will be featured throughout August on approximately 50,000 billboards and signs across the country. Art Everywhere’s master list includes paintings, drawings, decorative objects, photographs, and multimedia works from the 18th century to 2008. Artists represented on the ballot include Edward Hopper, Mark Rothko, John Singer Sargent, Mary Cassatt, Ed Ruscha, Andy Warhol, Cindy Sherman, Frank Lloyd Wright, Georgia O’Keeffe, and Jackson Pollock.

Voting will remain open until June 20 and the chosen works will be unveiled on August 4.

Christie’s announced that it will offer Andy Warhol’s “White Marilyn” at auction in New York on May 13. The work, which was created in 1962 shortly after Marilyn Monroe’s untimely death, is regarded as one of the finest examples from Warhol’s seminal Death and Disasters series. It was also one of the Pop artist’s first silkscreens, which soon became his medium of choice.

“White Marilyn” carries a pre-sale estimate of $12 million-$18 million. The iconic portrait was one of eight Marilyn silkscreens selected for Warhol’s first one-man show at Eleanor Ward’s renowned Stable Gallery in New York, and was once part of the gallery owner’s personal collection.

Laura Paulson, Christie’s Chairman and International Director for Post-War and Contemporary Art, said, “We are extremely proud to present White Marilyn, one of the nucleuses of Warhol's first ever and most significant solo exhibition organized by Eleanor Ward for the Stable Gallery in 1962. With his unique ability to fuse painting and photography into an unforgettably iconic image, Warhol condensed all the themes of his art in this magnificent ‘White Marilyn’ which keeps one such icon alive and forever in style. Compared to the perfectly coiffed media propagated publicity images of the actress, in ‘White Marilyn’ she appears touched by humanity, and transcends reality to become a modern Saint. Warhol dedicated this work to Ward and expressed his gratitude scattering hearts on the reverse of the painting.”

In November 2013, Warhol’s “Silver Car Crash (Double Disaster)," another silkscreen from his Death and Disaster series, realized $105.4 million at Sotheby’s -- a record for the artist at auction.

According to a report by Arts Economics, global sales of art and antiquities fetched $65.9 billion in 2013, an annual growth of 8 percent. The report, which was published by the European Fine Art Foundation in Maastricht, Netherlands, showed that the global art market is almost on par with the pre-recession years.

The sale of postwar and contemporary artworks has increased by 11 percent from 2012, led mainly by sales in the United States, which increased by 25 percent in 2013. Last year, astronomical auction records were set for Andy Warhol ($105.4 million), Francis Bacon ($142.4 million), and Roy Lichtenstein ($56.1 million). The report solidified the U.S.’ role as the international art market leader, representing 38 percent of the market by volume, a 5 percent increase from 2012.

China accounted for 24 percent of the market, a slight decline from 2012, while the U.K. represented 20 percent. 

Since September 2013, the National Gallery of Art in Washington, D.C. has acquired a number of important works from the 15th through 20th centuries including tempera-and-gold drawings on vellum from the Middle Ages and works on paper by Paul Cézanne, Claude Monet and Paul Gauguin. Earl A. Powell III, the director of the National Gallery of Art, said, “These acquisitions are masterworks from the Middle Ages to the current moment that represent the highest levels of creativity in media ranging from printmaking and manuscript illumination to easel painting and photography. We are delighted that they can be shared with the public as part of our permanent collection.”

Among the museum’s recent acquisitions are a woodcut-illustrated book of Giovanni Boccaccio’s ‘Seminal History of Famous Women’, the Gallery’s earliest German woodcut book; ‘Still Life with Peacock Pie,’ a banquet piece measuring more than four feet across by the Dutch Golden Age painter Pieter Claesz; one of Jean-Honoré Fragonard’s finest versions of ‘Avenue of Cypresses at Villa d’Este’; a watercolor by Cézanne titled ‘A Stand of Trees Along a River Bank’; an early drawing by Gauguin titled ‘Seated Nude Seen from Above’; a pastel of Waterloo Bridge by Monet; and Pop artist Jim Dine’s ‘Name Painting.’ The National Gallery of Art also received works by artists such as Roy Lichtenstein, Pablo Picasso, Andy Warhol, Marc Chagall, Jasper Johns and Robert Motherwell from the celebrated Herbert and Dorothy Vogel Collection. 

The National Gallery of Art was established in 1937 for the people of the United States by a joint resolution of the U.S. Congress. Financier and art collector, Andrew W. Mellon, donated a portion of his sizeable art collection to the museum, forming its core holdings. The National Gallery of Art’s collection of paintings, drawings, prints, photographs, sculptures and decorative arts spans from the Middle Ages to the present and includes the only painting by Leonardo da Vinci in the Americas as well as the largest mobile ever created by Alexander Calder.