Displaying items by tag: Contemporary Art

The Linda Pace Foundation, which is dedicated to the charitable vision of its founder, the late Linda Pace, will sell Gerhard Richter's 1992 painting "Abstraktes Bild (774-4)" on November 12 in New York. The painting, which has been consigned to Christie’s, is expected to fetch between $14 million and $18 million. Proceeds from the sale will help fund an exhibition space to showcase the Linda Pace Foundation’s growing permanent collection to the public. The British architect David Adjaye has been selected to design the building in San Antonio, Texas, where the foundation is based. Additional funds for the space will come from the foundation.

"Abstraktes Bild (774-4)" is a seminal example of Richter’s multi-layered abstract style, which he began exploring in the late 1980s.

A major portrait by Francis Bacon will be one of the highlights of the evening sale of Post-War and contemporary art in New York. Painted in 1960, "Seated Figure" stems from Bacon's total obsession with Velazquez's "Portrait of Pope Innocent X" and stands as an exceptional example of the artist’s painterly practice. It is a rare occasion for a major painting from Bacon's Papal series to be offered for auction, having remained unseen by the public for 35 years before being acquired by its present owner in 1996, "Seated Figure (Red Cardinal)" is a crowning culmination of Francis Bacon’s renowned Papal series. This major work will be on view in London before being sold at auction in New York on November 12th.

Luxuriant swathes of cream, violet, and aquamarine form the Pope’s features, highlighted by delicate gossamer-like sweeps of pure, bright white that form the folds of his silk cloaks.

Christie’s sold 46.9 million pounds ($75.3 million) of postwar and contemporary art at the start of Frieze week in London, as a Gerhard Richter estimated at as much as 10 million pounds failed to find a buyer at the auction.

Richter’s “Netz,” a red, yellow and green abstract painting, was sold after the auction to a private U.S. collector for 5.5 million pounds, Francis Outred, head of postwar and contemporary art, Europe, said at a news conference after last night’s sale.

The 44 works, from the Essl Collection of contemporary art in Austria, produced a total that fell within the auction house’s presale estimated range of 40 million to 56.8 million pounds.

Frieze Week, a seven-day concentration of art events, is currently underway in London. Between auctions, selling exhibitions, and a swath of fairs, approximately $2.2 billion worth of art will be up for grabs.

The epicenter of the event, the Frieze Art Fair, will open to VIP guests on Tuesday, October 14. Now in its twelfth year, the fair will present contemporary offerings from 162 international dealers, including Gagosian Gallery, Marian Goodman Gallery, Hauser & Wirth, Casey Kaplan, Lehmann Maupin, Pace Gallery, Galerie Perrotin, Sprüth Magers, White Cube, and David Zwirner. Located in a bespoke structure in Regent’s Park, the Frieze Art Fair features a number of unique sections.

At its recent meeting, the Stanford University Board of Trustees took an early evening stroll among the modern and contemporary American paintings and sculptures in the new Anderson Collection at Stanford University.

Their visit followed an in-depth presentation by Alexander Nemerov, a Stanford scholar of American art, on Jackson Pollock's "Lucifer," one of its most important works, and a talk by Jason Linetzky, the inaugural director of the Anderson Collection at Stanford University, on the history of the collection, which includes more than 100 works of art.

The Fine Art Society – established in 1876 – will on Friday open a show paying tribute to one of the most influential artists of all time, Marcel Duchamp.

The exhibition features 50 artists showing works under the title "What Marcel Duchamp Taught Me." Kate Bryan, the society’s director of contemporary art, said art historians and critics always talked about the legacy of Duchamp, but far less was heard from artists.

“To be honest, the more you study Duchamp, the less you know – he was so full of contradictions – so I thought the best thing to do was ask the artists.”

After seven years in New York, Pinta, the Modern & Contemporary Latin American Art Show, is relocating to Miami to set up shop during Art Basel from December 3 to 7.  The Related Group, a South Florida real estate development firm founded by Jorge Perez (of Perez Art Museum Miami fame), will present the fair.

It will be housed in a tent on the undeveloped future site of the Hyde Midtown Miami (a Related Group development project).

Cardi Gallery, the Milan-based modern and contemporary art gallery, presents "Louise Nevelson: 55-70," an exhibition of over thirty important collages and sculptures created between 1955 and 1970 that reveal the formalist achievements of Louise Nevelson (1899-1988), an icon of the Feminist art movement and one of the most significant American sculptors of the 20th century. "Louise Nevelson: 55-70," is on view through December 20, 2014.

"Louise Nevelson: 55-70" features works created between 1955 and 1970, a period when the artist’s signature modernist style emerged, with labyrinthine wooden assemblages and monochrome surfaces, and evolved, as Nevelson incorporated industrial materials such as Plexiglas, aluminum and steel in the 1960s and 1970s.

Crystal Bridges Museum of American Art opened in 2011 in Wal-Mart's hometown, Bentonville, Arkansas, with a respectable collection of work by famous artists from Norman Rockwell's "Rosie the Riveter" to a George Washington portrait by Gilbert Stuart.

But the museum has just opened a massive exhibition of contemporary art called "State of the Art" that could be a game-changer. The museum is sometimes mocked by critics from outside the region for its location and Wal-Mart connections — its permanent collection was funded by Wal-Mart heiress Alice Walton — but the new show represents a serious effort to introduce contemporary art to a mainstream audience far from the rarefied galleries of hipster neighborhoods and urban centers.

The Centre Pompidou in Paris is currently hosting Frank Gehry’s first major retrospective in Europe. Gehry, who is best known for his expressive, sculptural buildings, is one of the most influential figures in contemporary architecture. Since opening his first office in Los Angeles in the early 1960s, Gehry has revolutionized architecture’s aesthetics, its social and cultural role, and its relationship to urban environments.

Shortly after opening his own office, Gehry fell in with the California art scene, befriending important artists such as Ed Ruscha, Richard Serra, and Claes Oldenburg. Gehry’s relationships with these artists helped him develop his unique ability to bridge the gap between art and architecture. Additionally, Gehry’s encounter with the works of Robert Rauschenberg and Jasper Johns paved the way for a reconfiguration of his style all together.