Displaying items by tag: pavilion

Nearly three years after Garage Museum of Contemporary Art founder Dasha Zhukova and architect Rem Koolhaas first revealed designs for the Moscow museum’s new building in Gorky Park, Garage has announced that its new home will open on June 12.

When Zhukova first opened the institution circa 2008 as the Garage Center for Contemporary Culture, the art center was housed in the 1926 Bakhmetevsky Bus Garage, an icon of Russian avant-garde architecture designed by Konstantin Melnikov and Vladimir Shukhov. In 2012, the museum announced it would be relocating to the city center, and commissioned Shigeru Ban (this year’s Pritzker Prize laureate) to construct a temporary cardboard pavilion in Gorky Park while Koolhaas and his Rotterdam-based firm OMA worked on the museum’s nearby permanent home.

London's Serpentine Gallery has unveiled the latest of its annual pavilions, a temporary structure resembling a giant misshapen doughnut.

Created by the Chilean architect Smiljan Radic, the temporary fibreglass structure balances on a series of huge boulders and is open on one side.

Designed to be a multi-purpose social space, the pavilion opens to the public on Thursday and will remain in situ until 19 October.

Each year, the Metropolitan Museum of Art in New York commissions an artist to create a site-specific installation for its rooftop, which features a garden cafe, martini bar and breathtaking views of Manhattan. The museum announced that it has tapped American conceptual artist, Dan Graham, to create this year’s exhibit, which will be on view from April 29 through November 2.

Graham, who is best known for his architectural environments and glass pavilions, will work with the Swiss landscape architect Günther Vogt for the commission. While officials say that Graham’s pavilion for the Met is still in development, it has been revealed that it will be made of steel, glass and hedgerows.

Graham, who began his career as the director of the John Daniels Gallery in New York, where he put on Sol LeWitt’s first one-man show, has been making his well-known pavilions since the 1980s.  

The Speed Art Museum in Louisville, KY announced that it has exceeded its $50 million fundraising goal for its Changing Speed expansion and renovation project by $334,000. The campaign’s success will allow the museum to complete Phase I and II of its plan, which includes building a new North Building, a central utilities building, and an art park and piazza.

The New North Building will span 62,500-square-feet and will double the museum’s overall physical space. The state-of-the-art renovation will include larger spaces for special exhibitions, contemporary art galleries, a family education welcome center, indoor and outdoor cafes, a museum shop, and a multifunctional pavilion for lectures and performances.

A major family gift made by civic leader Christy Brown will allow the Speed Art Museum to complete Phase III of its plan, which includes building a new South Building and extensive renovations to the existing structure. Brown made an $18 million contribution to the project in honor of her late husband, Owsley Brown II. The new 9,500-square-foot South Building will include additional gallery space and a state-of-the-art theater that will be capable of showing 16mm and 35mm films. The South Building will also include a renovated 5,600-square-foot gallery in the Speed’s current structure to house the museum’s significant collection of early Kentucky fine and decorative arts, which includes paintings, sculptures, furniture, silver, and other objects.

Work on Phase III of the Speed’s plan is underway and Phase I and II are expected to start this summer. All construction and renovations are expected to reach completion by the winter of 2015 and a grand re-opening is slated for early 2016.

Louisville philanthropist Hattie Bishop Speed founded the Speed Art Museum in 1925. It is the oldest, largest, and foremost art museum in Kentucky. The Speed is currently closed for the renovations but a temporary exhibition space was established in downtown Louisville’s Nulu district.

The Smithsonian’s plan to build an inflatable pavilion that will bubble out of the Hirshhorn Museum may be put on hold. Announced by Richard Koshalek, the museum’s director, in 2009, costs for the project have tripled from $5 million to $15.5 million over time. If the project comes to fruition, it won’t be completed until 2014. The structure, designed by the architectural firm Diller Scolfidio + Renfro was originally slated to open at the end of this year.

Smithsonian Undersecretary, Richard Kurin, says half of the funds needed for construction have been raised. However, the project won’t move forward without full funding.

Since 2009, there has been chatter that the Vatican would have its own pavilion at the Venice Biennale. It has finally been confirmed that they will take part in the contemporary art fair’s 55^th year. A vice president of the Vatican’s Holy See promoting committee attended a Biennale press conference on October 26.

The Biennale, which will take place from June 1 to November 24, 2013, welcomes eight new countries to the upcoming fair including the Bahamas, Kuwait, the Maldives, and Paraguay. While the Vatican has kept the works they plan to exhibit under wraps, an Italian newspaper reported that they will feature less than 10 men and women from around the world. They also said that a mix of established and emerging artists on view will explore the first 11 chapters of the Book of Genesis.

Curated by Massimiliano Gioni, the Italian-born associate director of the New Museum in New York, the Biennale’s headline exhibitions will take place at the Palazzo delle Esposizioni and the Arsenale. Gioni plans to incorporate older pieces from the late 19^th and 20^th century into the fair.