Displaying items by tag: Museum

Genre-defying painter, sculptor, and illustrator, Richard Artschwager (1923-2013), died February 9, 2013 in Albany, NY. He was 89.

Artschwager, who was often linked to the Pop Art movement, Conceptual Art, and Minimalism, resisted classification through his clever genre mixing. His most well known sculpture, Table with Pink Tablecloth (1964) is an amalgamation of Pop Art and Minimalism and consists of a box finished in colored Formica, creating the illusion of a wooden table draped in a pink tablecloth. Artschwager often used household forms in his work including chairs, tables, and doors. In his paintings, Artschwager often painted black and white copies of found photographs and then outfitted them with outlandish frames made of painted wood, Formica or polished metal.

Artschwager was born in 1926 in Washington, D.C. and went on to study at Cornell University. In 1944, before he could finish his degree, he was drafted into the Army and sent to Europe. Upon returning to the United States after World War II, Artschwager completed his degree and decided to pursue a career in art. He moved to New York City and began taking classes at the Studio School of the painter Amédée Ozenfant, one of the founders of Purism. With a growing family and bills to pay, Artschwager took a break from making art to start a furniture-making business. After a fire destroyed his workshop, Artschwager returned to making art, developed his defining style, and was taken on by the Leo Castelli Gallery, which represented him for 30 years.

A few days prior to Artschwager’s death, the Whitney Museum of American Art in Manhattan closed a major career retrospective of his work. It was the second of its kind to be organized by the museum.    

Eugène Delacroix’s (1798-1863) celebrated painting Liberty Leading the People was defaced while on view at the Louvre’s satellite location in Lens, which opened in the former mining town in northern France in December 2012. French police have a detained the woman accused of scrawling a graffiti tag along the bottom of the work.

Delacroix, a leader of the Romantic school in French painting, painted Liberty Leading the People to celebrate the July revolution of 1830, which brought down France’s Charles X. The work was featured on the country’s 100-franc banknote before the Euro was adopted and is rumored to have inspired New York’s Statue of Liberty.

Just before the museum closed for the day on Thursday, February 7, 2013, a 28-year-old woman scribbled in 12 inch writing what officials believe to be a reference to a 9/11 conspiracy theory. Officials believe that the work can be easily cleaned, but a restoration expert from the Louvre was being sent to Lens to perform a thorough examination. Museum officials have not yet decided if the painting will need to be removed.    

Man Ray Portraits opens today, February 7, 2013 at the National Portrait Gallery in London. The first major Man Ray (1890-1976) exhibition to focus on his portraits, the show presents over 150 vintage prints and important works from international museums as well as private collections. A number of the photographs on view are on loan from the Man Ray Trust Archive. Taken between 1916 and 1968 in both Paris and the United States, many of the works have not been exhibited in the UK until now.

Born Emmanuel Radnitzky in Philadelphia, Man Ray spent most of his career in Paris. He made significant contributions to the Dada and Surrealist art movements and worked in a variety of media, but became best known for his avant-garde photography as well as his fashion and portrait work. Man Ray was keen on experimentation, which led to the production of camera-less Rayographs. With the help of fellow photographer, Lee Miller (1907-1977), who was also Man Ray’s muse and lover, he invented solarisation, a technique that involves recording an image on a negative or on a photographic print, reversing the image’s tone so that dark areas appear light and vice versa.

Arranged chronologically, the exhibition features Man Ray’s portraits of artists, friends, celebrities, and lovers including Miller, Marcel Duchamp (1887-1968), Pablo Picasso (1881-1973), Kiki de Montparnasse (1901-1953), and Catherine Deneuve (b. 1943). Man Ray Portraits will be on view through May 27, 2013.  

New York’s Metropolitan Museum of Art, the largest art museum in the United States, can be difficult to navigate in a short period time. With over two million works in its collection, visitors to the Met usually spend a few minutes with an object before moving on to one of the many masterpieces that awaits them. In an effort to highlight some of the museum’s not-to-be-missed objects, Met officials have launched the web series, 82^nd & Fifth, aptly named after the museum’s Manhattan location.

The series presents 100 pieces from the Met’s vast collection in separate episodes. During each episode, a museum curator explains the work’s significance, not just to the art world and the museum, but also to them on a personal level.

The Met has already posted six 2-½ to 3-minute videos, which include interactive features, on the 82^nd & Fifth web page. Highlighted works include a room with furnishings designed by Frank Lloyd Wright (1867-1959) between 1912 and 1915, a Renaissance relief sculpture by Antonio Rossellino (1427-circa 1478/1481), Giovanni Battista Tiepolo’s (1696-1770) massive painting The Triumph of Marius (1729), and an etching by Rembrandt (1606-1669) titled Christ Crucified Between Two Thieves: The Three Crosses (1653).

The Met will post two new videos on Wednesday morning of each week through December 25, 2013.

The Museo del Prado, the main Spanish national art museum located in Madrid, received the largest private donation in decades on Tuesday, January 29, 2013. Prado officials announced that the museum was the recipient of 12 medieval and Renaissance works by Spanish artists.

Barcelona-based businessman and engineer Jose Luis Varez donated the collection to the institution during a ceremony, which counted the Spanish Prime Minister Mariano Rajoy among its guests. Jose Pedro Perez Llorca, president of the Prado’s board of trustees, said, “These aren’t times of lavish state spending, so this donation is generous and tremendously timely.” Spain’s dire economic standing has led to severe spending cuts in an attempt to meet public deficit targets.    

The recently acquired paintings and sculptures include the central panel of an altarpiece from a church in northeastern Spain titled The Virgin Tobed (1359). The Catalan Italo-Gothic painting is believed to be by 14^th century artist Jaume Serra (died after 1405). The works will join the Prado’s exemplary collection, which includes paintings by Spanish masters such as El Greco (1541-1614), Diego Velázquez (1599-1660), and Francisco de Goya (1746-1828).

To thank Varez for his generous donation, the Prado will name a room in the museum in his honor.

On February 19, 2013 the Detroit Institute of Arts (DIA) will present one of Vincent van Gogh’s (1853-1890) most well known paintings, Van Gogh’s Bedroom in Arles, to the public. The work, which is being loaned to the DIA by the Musée D’Orsay in Paris, will be exhibited in the museum’s Dutch galleries along with three other van Gogh paintings owned by the Detroit Institute.

Van Gogh created three nearly identical paintings of his bedroom; the first rendition was completed in 1888 and is currently part of the Van Gogh Museum’s collection in Amsterdam. After the initial work was damaged in a flood, van Gogh made two copies of the painting, one of which is in the Art Institute of Chicago’s collection and the other, which belongs to the Musée D’Orsay.

The additional works to be exhibited alongside Van Gogh’s Bedroom in Arles are The Diggers, an interpretation of Jean-Francois Millet’s (1814-1875) painting by the same name, The Portrait of the Postman Roulin, which was painted in van Gogh’s house in Arles, and Self-Portrait, which was completed just before van Gogh moved to Arles from Paris.

The van Gogh paintings will be on view at the DIA through May 28, 2013.

When Henry Kravis, the co-chairman of the global investment firm KKR & Co., and prominent art collector Donald L. Bryant Jr. purchased a triptych by Jasper Johns (b. 1930) in 2008, the duo agreed to take turns exhibiting the works in their homes before eventually donating them to the Museum of Modern Art in New York. In a lawsuit recently filed by Kravis and his wife, Marie-Josée, the couple claims that Bryant violated their agreement when he refused to hand the works over to them on January 14, 2013. The Kravises stated that Bryant is essentially holding the works hostage until their agreement is amended, nixing the pledge to donate the paintings.     

Considered one of the most important living American artists, Johns completed the three works titled Tantric Detail I, Tantric Detail II, and Tantric Detail III in 1980 and 1981. A powerful presence in the contemporary art market, Johns’ triptych is said to be worth between $15 million and $25 million. MoMA announced the Johns acquisition in a 2008 press release saying that the works were a “promised gift” from Bryant, who was one of the museum’s trustees at the time, Marie-Josée, the president of MoMA’s board of trustees, and her husband, Henry.

In their lawsuit, the Kravises ask that Bryant relinquish the works to them so that they can fulfill their vow to donate the paintings to MoMA.  

The Louvre’s famed Winged Victory of Samothrace, a marble sculpture of the Greek goddess Nike dating back to the 2^nd century BC, has been prominently displayed at the museum since 1884. In September 2013, the work will be removed from public view so it can undergo a $4 million restoration. After the sculpture and its base have been cleaned and repaired, Winged Victory will return to its legendary spot at the museum. Officials expect the project to be completed by Spring 2014.

It became clear that Winged Victory was in need of some attention after becoming significantly discolored by dirt, lessening the distinction between the white marble of the sculpture and the gray marble of the its base. The restoration, the first in nearly 80 years, will also deal with a support frame that was inserted on the back of the statue and a crack in the work’s base. The floors, walls, stairs, and ceilings surrounding the statue will also be cleaned; this portion of the project is less timely and is expected to reach completion in late 2014 or early 2015.

The Louvre is currently working on a book, a documentary, and a symposium focusing on the Winged Victory, one of the museum's best-known pieces along with the Mona Lisa and Venus de Milo.

On January 21, 2013, the Cleveland Museum of Art opened Gallery One, an interactive gallery that brings together art and technology to enhance as well as personalize each museum visitor’s experience. Gallery One features the largest multi-touch screen in the United States, which displays images of over 3,500 objects from the institution’s permanent collection. Known as the Collection Wall, the touchscreen spans 40 feet and helps patrons create their own tactile tour of the museum while rotating works according to theme, time period, and technique.

Gallery One, which includes works by Pablo Picasso (1881-1973), Auguste Rodin (1840-1917), and Chuck Close (b. 1940), employs different hands-on activities to engage visitors using the power of technology. For example, one game asks viewers to recreate the poses of sculptures in the museum’s collection; the ArtLens ipad application illustrates how works of art were made, where they came from, and what inspired their creation. The ArtLens application uses image recognition software and allows visitors to scan objects and access additional multimedia content such as audio tours and educational information for up to 9 hours after their visit.

David Franklin, the Cleveland Museum’s Sarah S. and Alexander M. Cutler Director, said, “Gallery One offers an unparalleled experience for visitors of all ages. The space connects art and people, art and ideas, and people with people…we are especially proud to lead the way internationally in using technology to enhance and customize the art museum experience.”

The J. Paul Getty Museum in Los Angeles will return a terracotta head depicting the Greek god Hades to Sicily. The museum has been working with Italian officials for two years to decide whether or not the artifact should be returned. The Getty purchased the terracotta head from New York collector Maurice Tempelsman for $530,000 in 1985. Tempelsman had originally acquired the piece from the disgraced antiquities dealer Robin Symes.

Officials determined that the terracotta head was originally located in Sicily at a sanctuary site for the goddess Demeter and her daughter Persephone. The piece’s provenance was discovered by comparing the head to four terracotta fragments found near the famous and highly looted archaeological site Morgantina in Sicily. It soon came to light that the head was illegally excavated from Morgantina in the early 1970s.

The Getty entered into an agreement with Italy’s Ministry of Culture in 2007 after a long legal battle regarding looted works and the museum’s former curator, Marion True. The Getty now has connections in various parts of Italy to facilitate cultural exchange and has been working closely with Sicilian officials since 2010.

The head of Hades will be on view at the Getty Villa as part of the exhibition The Sanctuaries of Demeter and Persephone at Morgantina through January 21, 2013. The work will then join the Getty-organized traveling exhibition Sicily: Art and Invention between Greece and Rome before being placed in Sicily’s Museo Archeologico.