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Displaying items by tag: catalogues

Madrid’s Museo Reina Sofía will expand into northern Spain after taking over control of the José María Lafuente Archive in Santander. The collection, started by the Santander-based industrialist in the 1980s, contains around 120,000 documents—drawings, books, magazines, catalogues, pamphlets, prints, letters, and pictures—covering the history of 20th-century art in Europe, Latin America and the United States, with a particular emphasis on Spain.

The Reina Sofía will assume the technical direction, research management, preservation and dissemination of the archive for a period of ten years, with the option to fully acquire the collection down the road.

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The Philadelphia Museum of Art presents The Surrealists: Works from the Collection, an exhibition dedicated to one of the most significant art movements of the 20th century. The show spans from the mid-1920s to the late 1940s, when Surrealism flourished, and traces the movements roots in Paris to its acceptance by a broader international audience.

The exhibition contains approximately 100 works from the Philadelphia Museum’s collection as well as period journals, catalogues and archival materials. Some of the most celebrated Surrealists are represented in the show including Joan Miró, Salvador Dalí and Dorothea Tanning. The Surrealists presents a comprehensive survey of one of the most cohesive, long-lasting and idiosyncratic movements of the 20th century.

The Surrealists: Works from the Collection will be on view at the Philadelphia Museum of Art through March 2, 2014.

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Thursday, 18 October 2012 16:27

Getty Institute Buys Knoedler Gallery Archive

165 years ago, the Knoedler Gallery opened its doors in New York and went on to help create some of the country’s most celebrated collections including those of Paul Mellon, Henry Clay Frick, and Robert Sterling Clark. Throughout the years, top-notch works by artists such as van Gogh, Manet, Winslow Homer, John Singer Sargent, Louise Bourgeois, and Willem de Kooning passed through the gallery. When the Soviet government sold hundreds of paintings from the State Hermitage Museum in Leningrad in the 1930s, they chose to work with Knoedler to sell paintings by masters like Rembrandt, Raphael, and Velazquez.

Knoedler’s exemplary past is often forgotten as the gallery’s present has been mired in lawsuits and accusations that the company’s former president, Ann Freedman, was in the business of selling fakes. Last year, Knoedler Gallery closed its doors for good.

This week, Los Angeles’ Getty Research Institute announced that it had bought the Knoedler Gallery archive. Spanning from around 1850 to 1971, the archive includes stock books, sales books, a photo archive and files of correspondence, including letters from artists and collectors, some with illustrations. The Getty was interested in Knoedler’s archive because it offers an expansive glimpse into the history of collecting and the art market in the United States and Europe from the mid-19th century to modern times.

The archive was purchased from Knoedler’s owner, Michael Hammer, for an undisclosed amount. Meticulously preserved, the archive will be available to scholars and digitized for online research after the Getty catalogues and conserves it all.

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While a lot of time, thought, and care goes into the creation of exhibition catalogues, their lifespans tends to be short-lived. Unhappy with this accepted cycle, Thomas P. Campbell, director of the Metropolitan Museum of Art, decided to change things. The Museum’s new online resource, MetPublications, allows users to browse more than 600 catalogues, journals, and museum bulletins, including 368 out-of-print publications. It will even be possible to get copies of 140 of those out-of-print catalogues along with paperbound editions with digitally printed color reproductions through Yale University Press.

Spanning from 1964 to the present, topics covered include art, art history, archaeology, conservation, and collecting. MetPublications includes a description and table of contents for almost all of the periodicals and even offers information about the authors, reviews of the books, and links to related publications and art in the museum’s collection. The comprehensive resource will also provide links to purchase in-print books. If a reader is in need of a book but is not close to the museum or the book is not in the Museum’s holdings, MetPublications will direct them to WorldCat, a global library catalogue. Over time, the Met plans to add publications dating as far back as 1870, when then the museum was founded.

While other museums such as the Solomon R. Guggenheim Museum and the Los Angeles County of Museum of Art already have scholarly resources online, it is a welcome addition to the Met’s offerings.

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