Displaying items by tag: interiors

After listening to almost two hours of testimony, the D.C. Historic Preservation Review Board postponed its decision to extend the historic designation of the Corcoran Gallery of Art to include most of its interior.

Some two dozen individuals attended the hearing on the D.C. Preservation League’s application to amend the building’s historic status. The iconic Beaux Arts building, designed by Ernest Flagg with a later wing by Charles Platt, was first designated historic in 1964. It joined the National Historic Registry in 1992.

Despite the sometimes irreconcilable differences that culminated in the Civil War (1861-65), Newport and other Northern cities maintained close social, economic, cultural, and artistic ties with the South from the Colonial period through the Gilded Age. The 2015 Newport Symposium, North and South: Crosscurrents in American Material Culture, invites a fresh look at regional differences in American furnishings, silver, textiles, painting, architecture, and interiors to reveal the complex exchange of ideas and enduring influences.

Mary Foley and Michael Cox, principals of the New York-based firm Foley & Cox Interiors, have been designing sumptuous spaces, both domestically and abroad, for over fifteen years. From stately residential projects to yachts and private aircraft interiors, Foley & Cox creates distinctive spaces that are incredibly elegant yet approachable. Recognized for its style and versatility, the firm believes that working closely with clients -- taking cues from their perceptions, preferences, and passions -- is the key to creating comfortably luxurious living environments. Because these bespoke interiors are infused with the client’s own personality, tastes, and style, they instantly become the most personal of places -- home.

Mary and Michael both possess a wealth of knowledge when it comes to furniture design, customized color palettes, and interior architecture.

Visit InCollect to learn more about Foley & Cox's favorite fine art, decorative objects, and

During their 30-plus years in the design world, William and Phyllis Taylor, the husband-and-wife team behind the Miami Beach-based firm Taylor & Taylor, have cultivated a lush, tropical aesthetic that has become their signature style. William, a fifth-generation Floridian, creates architecture that forges strong connections between nature and the built environment, while Phyllis, a native New Yorker, designs interiors that complement and respond to the coastal climate and vibrant landscape.

The couple believes that Florida is not only a state but a state of mind. Inspired by the land’s indigenous elements, such as  light, pattern, and texture, the Taylors’ interpretation of Classic Florida Design is defined by a casual approach to living and an aesthetic that is at once refined and exuberant.

Houghton Hall, a lavish English country house built by Great Britain’s first Prime Minister, Sir Robert Walpole, announced that the American artist James Turrell will create a site-specific installation for the institution in June 2015. The Palladian estate, which is now home to David Cholmondeley, 7th Marquess of Cholmondeley, and his wife, Rose, boasts a sculpture park, spectacular interiors, exquisite furniture, rarely exhibited paintings by artists such as Thomas Gainsborough, Artemisia Gentileschi, and John Singer Sargent, and celebrated collections of silver, marble, and Sèvres porcelain.

In recent years, Lord Cholmondeley has commissioned a number of contemporary outdoor sculptures for Houghton Hall, including works by Turrell, Richard Long, Stephen Cox, Zhan Wang, Amy Gallaccio, and Jeppe Hein.

On September 9 and 10, Christie’s London will offer the first portion of the collection of antique dealer and interior designer Christopher Hodsoll as part of its “Interiors” auction. The second part of the collection will be featured on September 16 at the auction house’s “Interiors -- Style & Spirit” sale. Hodsoll, who is based in London, is well-known for his idiosyncratic taste in antique furniture as well as his ability to create striking interiors that blend classical pieces with the rare and unusual.

Hodsoll began dealing antiques with his mentor, the late design legend Geoffrey Bennison. Bennison’s predilection for the decadent as well as the eccentric rubbed off on Hodsoll and has had a profound influence on his style.

Life with Picasso was never easy, it seems, and neither was the €52 million renovation of Paris's Picasso Museum. After five years of delays and difficulties, culminating in a public quarrel and the firing of its president in May, the museum's reopening is finally set for the artist's birthday, Oct. 25. The public will get a preview of the new interiors, before the artworks are installed, on Sept 20-21. The renovation has doubled the public space, modernized outdated facilities and added a new entrance, a multimedia auditorium and a Cubist garden with geometric topiary trees.

The museum's 17th-century hôtel particulier was built in 1659 by Pierre Aubert, a financier and adviser to Louis XIV. He was also the salt tax collector, and his extravagant mansion was quickly nicknamed Hôtel Salé (salty). The majestic staircase, based on a plan by Michelangelo, is the centerpiece, with delicate ironwork banisters and a sumptuous array of sculpted garlands, cherubs and divinities.

The Legion of Honor in San Francisco is currently hosting the exhibition “Intimate Impressionism,” which features nearly 70 Impressionist and Post-Impressionist landscapes, seascapes, still lifes, interiors, and portraits from the collections of the National Gallery of Art in Washington, D.C. Masterpieces by Paul Cezanne, Edgar Degas, Pierre-Auguste Renoir, Edouard Manet, Claude Monet, Camille Pissarro, and Alfred Sisley are on view.

The sweeping exhibition offers glimpses into the artists’ processes and highlights their inspirations, favorite subjects, and individual perspectives. For instance, a section of the show explores how Monet, Renoir, Pissarro, and Sisley were motivated by their plein-air predecessors when painting the natural world. Depictions of artists’ studios, domestic interiors, and family members further deepen connections between the artists, their works, and the audience.

The exhibition, which will remain on view at the Legion of Honor through August 3, was made possible by the closure of the National Gallery’s East Building for a major renovation and expansion project.    

The Phillips Collection in Washington, D.C. is currently hosting the exhibition Georges Braque and the Cubist Still Life, 1928-1945, the first in-depth look at the Cubist master’s works preceding World War II. During this period, Braque used the theme of still life to hone his pioneering Cubist style. The exhibition presents 44 works from this period as well as related objects that help trace the artist’s evolution from a painter of still lifes to interiors in the late 1920s, to large-scales spaces in the 1930s, to personal interpretations of everyday life in the 1940s.

The exhibition brings together Braque’s Rosenberg Quartet (1928-1929) for the first time in 80 years. The four canvases were used as models for marble panels in the Paris apartment of Braque’s art dealer, Paul Rosenberg. All in varying degrees of completion, the works come together to reveal the different stages of Braque’s artistic process.

Duncan Phillips, founder of the Phillips Collection, was a well-known champion of Braque’s work and helped introduce his paintings to a wider American audience through acquisitions and exhibitions. Georges Braque and the Cubist Still Life, 1928-1945 will be on view at the Phillips Collection through September 1, 2013.

A rare and early reclining armchair designed by American architect Frank Lloyd Wright (1867-1959) is currently on view at the Currier Museum in Manchester, NH. A pioneer of modern architecture, Wright designed the chair between 1902 and 1903 and it features the minimal aesthetic and linear design that he is best known for. The chair was originally designed for his prairie style Francis W. Little House in Peoria, IL but he used different variations of the chair over the course of the next decade, including in his own studio in Chicago’s Oak Park.  

The presentation of the chair coincides with the reopening of the Currier’s Isadore J. and Lucille Zimmerman House (1950), which Wright designed. Along with the exterior, Wright devised the House’s interiors, furniture, gardens, and even its mailbox. The Zimmermans left the house to the Currier in 1988 and it opened for public tours in 1990. Besides being able to view a Wright masterpiece, visitors are offered a glimpse of the Zimmermans’ personal collection of modern art, pottery, and sculpture. The Zimmerman House is the only Wright home open to the public in New England. It was listed in the National Register of Historic Places in 1979.

Tours of the Zimmerman House are offered ten times a week and require a reservation.