Displaying items by tag: Paris

A public square in Paris’s 13th arrondissement will be named after Jean-Michel Basquiat after the French capital’s City Council approved a proposal from  Jérôme Coumet, the 13th arrondissement’s mayor.

“Basquiat is one of the biggest contemporary artists,” Coumet told Le Figaro. “He defended the cause of African-Americans in the US, and was also a lover of France. He was the artist who blazed the trail for street art, and art in public space.”

Paris’s Picasso museum, which houses one of the world’s most extensive collections of the Spanish painter’s work, is set to reopen its doors in September after being closed for five years for renovation, the culture ministry announced Sunday.

The popular museum was originally to be closed for a two-year renovation and the delay has caused controversy, with the painter's son Claude Picasso on Friday accusing the French government of indifference and saying he was "scandalised and very worried" about the future of the museum.

49 paintings from the Dixon Gallery and Gardens in Memphis, TN are now on view at the Joslyn Art Museum in Omaha, NE. Renoir to Chagall: Paris and the Allure of Color focuses on Paris’ emergence as the hub of the art world during the 19^th century and its role in shaping the Impressionist movement in France.

Between 1853 and 1870, under the command of Napoleon III, Paris was transformed from a quaint city to one of grandeur. Narrow streets and crowded houses were demolished in favor of striking boulevards, lush public gardens, and modern buildings. While the population and prosperity of the city soared, artists flocked to Paris to be inspired and thrive, ultimately defining the city’s modern era. Camille Pissarro (1830-1903), Alfred Sisley (1839-1899), Claude Monet (1840-1926), Pierre Auguste Renoir (1885-1952), and Edgar Degas (1834-1917) all nurtured their artistic visions in Paris during this period. In 1874, the artists held an independent exhibition, which led to their classification by critics as Impressionists. The plein air technique and unblended painterly style of Impressionism eventually influenced future generations of avant-garde artists include Neo-Impressionists, Fauves and Cubists.

The museum’s founders, Hugo and Margaret Dixon, formed the institution’s magnificent collection of French paintings themselves. John Reward, a leading scholar of Impressionism, advised the couple. Renoir to Chagall offers the finest works from their holdings and is on view at the Joselyn Art Museum through September 1, 2013. Admission to the museum and exhibition is free.

Winslow Homer: Making Art, Making History is currently on view at the Sterling and Francine Clark Art Institute in Williamstown, MA. The exhibition presents the most comprehensive collection of Winslow Homer’s (1836-1910) works assembled by a single person since the American landscape painter’s death and one of the finest collections in any museum in the U.S. The first complete catalogue of the Clark’s Homer collection, which was authored by Marc Simpson, the show’s curator and a renowned Homer scholar, complements the exhibition.

Sterling Clark began collecting artworks by Homer in 1915 while living in Paris. He maintained a steady fascination with the artist throughout his collecting career, which eventually led to Clark’s acquisition of more than 250 works by Homer dating from 1857 to 1904. Winslow Homer: Making Art, Making History will feature Clark’s entire collection including 60 oil paintings, watercolors, drawings, and etchings, 120 rarely seen wood engravings, and a selection of loaned works.

Highlights from the exhibition include Undertow (1886) along with six preparatory drawings for the painting, the well-known painting Two Guides (1877), and a selection of watercolors that are rarely shown.

Winslow Homer: Making Art, Making History will be on view at the Sterling and Francine Clark Institute of Art through September 8, 2013.

Sotheby’s will offer the Collection of Alex and Elisabeth Lewyt in a series of auctions in New York and Paris beginning on May 7, 2013. The works, which include paintings and drawings by Paul Cézanne (1839-1906), Amedeo Modigliani (1884-1920), Edgar Degas (1834-1917), and Camille Pissarro (1830-1903), will lead Sotheby’s Impressionist and Modern Art Sale in New York. Proceeds from the sale will benefit a charitable foundation to be created in the couple’s name. The 200 works, which also include illustrated letters by artists such as Paul Gauguin (1848-1903), are expected to garner anywhere from $67 million to $98 million.

The first sale of the series will present a selection of 20 works from the Lewyt’s collection. Highlights include a seminal Cézanne still-life titled Les Pommes, which the Lewyts bought from the Wildenstein Galleries in 1953; Modigliani’s sensual portrait of the socialite Marguerite de Hasse de Villers titled L’Amazone; and various works by Pissarro, Pierre-Auguste Renoir (1841-1919), Georges Seurat, Pablo Picasso, Georges Braque (1882-1963), and Marc Chagall (1887-1985).

Alex Lewyt, a New York-based vacuum cleaner inventor who died in 1988, and his wife, Elisabeth, an animal-welfare activist who died this past December, began amassing their remarkable collection in the 1950s.  

A cast of Auguste Rodin’s (1840-1917) Monument to the Burghers of Calais, which has stood in the gardens next to London’s House of Parliament for almost a century, will be moved to the gardens at Perry Green in Hertfordshire, England for the upcoming exhibition Moore Rodin. The show, which opens on March 29, 2013, will compare the works of Henry Moore (1898-1986) and Rodin, two major figures in modern sculpture.

Perry Green, which was Moore’s home for over 40 years until his death in 1986, now houses a gallery, 70 acres of gardens, and the Henry Moore Foundation. The Foundation is responsible for organizing the groundbreaking exhibition, which marks the first time another artist has been shown alongside Moore at Perry Green. Moore was an ardent admirer of Rodin’s work and considered Monument to the Burghers of Calais the greatest public sculpture in London.

Moore Rodin will include a number of loans from the Musée Rodin in Paris, the Victoria and Albert Museum in London, and the Fitzwilliam Museum in Cambridge. Musée Rodin is lending Adam (1881), the third maquette for the seminial The Gates of Hell (circa 1881-82), and Walking Man, Large Torso (1906) for the exhibition. The Musée Bourdelle in Paris will lend the Foundation Walking Man (1899), a cast of which Moore owned. In addition to the sculptures, the exhibition will include an extensive selection of drawings by both artists and photographs taken by Moore of his cast of Walking Man at Perry Green.

Moore Rodin will be on view through October 27, 2013.

The remarkable Barbier-Mueller Collection of Pre-Columbian Art will be up for sale at Sotheby’s Paris on March 22 and 23, 2013. Comprised of approximately 300 works from Mexico, Central America, and South America and worth around $26 million, the Barbier-Mueller collection is the most important grouping of its kind ever offered at auction.

Swiss collector Josef Mueller (1887-1977) started building his collection after acquiring major works by Ferdinand Hodler (1853-1918) and Paul Cézanne (1839-1906) in Paris during the early 20^th century. Mueller went on to develop an affinity for important works of Pre-Columbian art. The collection was later honed and expanded to include African art, Oceanic art, and Cycladic art by Mueller’s daughter, Monique, and her husband, Jean Paul Barbier-Mueller.

The works offered at Sotheby’s span the historical cultures that dominated the period from 1200BC to 1500AC and include objects in wood and stone, ceramics, textiles, and ritual items. Highlights from the collection include a Chupicuaro ceramic statue from 500-100BC that is expected to sell for approximately $2.6 million; a Maya ceramic head that Mueller purchased from the film director John Huston estimated to bring $200,000-$325,000; and an Aztec stone figure of a water goddess from 1300-1500 expected to garner over $650,000.  

The Barbier-Mueller Collection of Pre-Columbian Art is on view at Sotheby’s until March 21, 2013.

During a career that spanned much of the 20^th century, Russian artist Marc Chagall (1887-1985) was associated with a number of artistic movements, making a name for himself as a pioneer of modernism. Considered one of the most successful artists of his time, Chagall drew inspiration from his Orthodox Jewish upbringing, a theme that prevailed through the many mediums and styles he explored.  

The Musee de Luxembourg in Paris has organized an exhibition devoted to the artist titled Chagall: Between War and Peace. The show, which focuses on Chagall’s work between 1914, when he developed his own style, and the mid-1950s, when many critics deemed his work repetitive, includes approximately 100 oil paintings, watercolors, drawings and etchings in relatively chronological order.

Between War and Peace is broken into four pivotal periods in Chagall’s life and work. After living in Paris from 1910 to 1914 and associating with many prominent figures of the avant-garde, Chagall returned to his native Russia to be with his future wife, Bella. “Russia in Wartime” explores Chagall’s work from this period, which was haunted by the brutality and horrors that World War I brought to his homeland.

In 1922, Chagall left Russia for Berlin. He soon returned to Paris where he re-established himself as a painter. “Between the Wars” focuses on this period, which includes Chagall’s work as an illustrator. Many of the pieces from this time feature landscapes, portraits of the artist with his wife, circus scenes, and hybrid creatures, which are prime examples of Chagallian bestiary.

In 1937, Nazis seized any works by Chagall that resided in public collections in Germany. As World War II unfolded, Chagall left France for New York, which is the subject of “Exile in the United States.” His work took a somber turn as his native land was ravaged by the war. A particularly productive time for Chagall, he also created a number of works devoted to Bella, who died in 1944.

The exhibition’s final portion, “The Post-War Years and the Return to France,” explores Chagall’s move back to Europe in 1949. During this time Chagall experimented with stained glass, sculpture, ceramics, mosaic, and various engraving techniques. His works from this period radiates with light and emotional tonalities.

Chagall: Between War and Peace is on view through July 21, 2013.

French president Francois Hollande has given special allowance to Édouard Manet’s (1832-1883) Olympia (1863), permitting the masterpiece to travel from Paris to Venice for an exhibition. It will be the first time the influential painting has left the French city since it was given to the nation in 1890. Olympia, which features a nude woman and her fully clothed maid, shocked audiences with its subject’s provocative gaze and the suggestion that she was a prostitute.  

Olympia, which is part of the Musée d’Orsay’s collection, will travel to Italy to anchor an exhibition at the Doge’s Palace in Venice. The painting will appear alongside Titian’s (1485-1576) The Venus of Urbino (1538), which is on loan from Florence’s Uffizi Gallery, as part of the exhibition Manet: Return to Venice. The exhibition features 70 works including 42 paintings by Manet on loan from the Musée d’Orsay, which will received a considerable amount in fees for the unprecedented loan. A number of paintings will also be on loan from the Metropolitan Museum of Art in New York.

Manet: Return to Venice will explore how Italian artists such as Vittore Carpaccio (1460-1520), Antonello da Messina (1430-1479), and Lorenzo Lotto (1480-1556) influenced the French painter. The exhibition will be on view from April 25 to August 4, 2013.

Impressionism, Fashion and Modernity, which will open at the Metropolitan Museum of Art in New York on February 26, 2013, will present Impressionist masterpieces alongside garments and accessories from the time. The innovative survey will explore how artists responded to and interpreted fashion from the 1860s through the mid-1880s.

The exhibition, which features 79 paintings and 14 dresses, draws stylistic connections between the canvases and the garments. Highlights include Claude Monet’s (1840-1926) Luncheon on the Grass (1865-66), Pierre-Auguste Renoir’s (1941-1919) Lise-The Woman with the Umbrella (1867), Édouard Manet’s (1832-1883) La Parisienne (circa 1875), Edgar Degas’ (1834-1917) The Millinery Shop (circa 1882-86), and Mary Cassatt’s (1844-1926) In the Loge (1878). Many of the works are on loan from museums such as the Paris’ Musée d’Orsay, the Art Institute of Chicago, London’s Courtauld Gallery, and the Museum of Fine Arts, Boston. The exhibition also includes period photographs and illustrations to reinforce the connection between fashion and art.

Impressionism, Fashion, and Modernity will be on view at the Met through May 27, 2013. The exhibition will travel to the Art Institute of Chicago in June 2013.