Displaying items by tag: collection

Tate has acquired 100 works as an addition to their collection thanks to The Outset /Frieze Art Fair Fund to benefit the Tate Collection. The selection panel includes Agustín Pérez Rubio (Artistic Director, MALBA, Buenos Aires) and Laurence Rassel (Director, Fundació Antoni Tàpies, Barcelona) and also Frances Morris (Head of Collections, International Art, Tate), Ann Gallagher (Head of Collections, British Art, Tate), Tanya Barson (Curator, International Art, Tate) and Clarrie Wallis (Curator, Contemporary British Art, Tate). The fund is organized and financed by Outset and in 2014 enjoys continued support from Leviev Extraordinary Diamonds. The annual fund at Frieze London, allows Tate to acquire important works of art at the fair for the national collection. This year the Fund is set at £150,000.

Nicholas Serota, Director, Tate said of the fund: “For more than a decade, the Outset Contemporary Art Fund has played a major role in helping Tate to build the national collection of contemporary art for the benefit of audiences across the country and in London. We are immensely grateful to Outset for this support."

The Toledo Museum of Art announced that it will return a nearly 1,000-year-old bronze sculpture of the Hindu god Ganesha to the Government of India.

The Ganesha was purchased in 2006 from art dealer Subhash Kapoor, who is currently awaiting trial in India on charges of illegal exportation, criminal conspiracy and forgery.

Research conducted by the Museum, with the assistance and cooperation of the Indian Consulate General, Dnyaneshwar M. Mulay, and the Ambassador of India, Dr. S. Jaishankar, and their respective representatives, led Museum Director Brian Kennedy to recommend the return to the Museum’s Art Committee. That committee voted on Aug. 21 to deaccession the Ganesha from the collection and facilitate its return.

For centuries, artists have incorporated the written word into their art. Robert Indiana, one of the original American Pop artists, made them the focus of his artistic career.

Today, Indiana's words are some of the most recognizable in the world. His most famous works — such as LOVE, HOPE and EAT — have become an integral part of today's artistic and cultural landscape.

"Robert Indiana from A to Z," opening Oct. 12 at the Allentown Art Museum, covers just about everything that is Robert Indiana, with 80 works and personal objects from the artist's collection spanning eight decades.

The renowned Metropolitan Museum of Art in New York purchased a collection of 4,000-year-old Egyptian artifacts found a century ago by a British explorer, averting a plan to auction the antiquities that had drawn criticism from historians.

The Treasure of Harageh collection consists of 37 items such as flasks, vases and jewelry inlaid with lapis lazuli, a rare mineral. Discovered by famed British archaeologist Sir William Matthew Flinders Petrie, the relics date to roughly 1900 B.C., excavated from a tomb near the city of Fayum. Portions of the excavated antiquities were given in 1914 to donors in St. Louis who helped underwrite the dig.

A family with extensive ties to Duke University has committed $3 million to Duke in support of athletics and the Nasher Museum of Art, President Richard H. Brodhead announced Tuesday.

Gary L. Wilson, a former Duke trustee, and his son, Derek, who serves on the Nasher’s board of advisors, are providing $2 million to enhance and support athletic facilities and $1 million to fund an endowment for the museum and its collection.

Almost all of the works—by artists such as Henry Moore, Joan Miró, Victor Vasarely and Jean Arp—were installed along several miles of the Jeddah Corniche coastal area during the 1970s, at the behest of the city’s charismatic mayor, Mohammed Said Farsi.

U.S. Bankruptcy Judge Steven Rhodes on Thursday signaled that he is viewing the value of the Detroit Institute of the Arts through the lens of the Detroit's future as the city works to emerge from Chapter 9 bankruptcy.

Rhodes asked Annmarie Erickson, executive vice president of the museum, how valuable the museum is to the education of children, to the social enjoyment of families who visit the museum, and for southeast Michigan as a whole.

Soledad Lorenzo, one of Spain’s most important gallerists, has announced that she will donate her vast personal art collection to the Museo Reina Sofia in Madrid. Featuring 385 artworks, the donation is composed in its majority of pieces from artists she exhibited in her gallery, including Antoni Tàpies, Miquel Barceló, Eduardo Chillida, Tony Oursler, George Condo, Julian Schnabel, Luis Gordillo, and Juan Uslé.

Museo Reina Sofía issued a press release stating that Lorenzo’s gift is of an unprecedented scale in Spain.

On October 20, 1984, the Fondation Cartier pour l’Art Contemporain opened its doors in Jouy-en-Josas, offering visitors a pioneering, visionary approach to exhibition-making and engaging artists with its radical, free-spirited attitude to art. Thirty years later, its track record is impressive: over 100 exhibitions have been hosted on its premises and more than 800 artworks have been commissioned – which have since entered the Foundation’s collection and testify to its unique views on patronage. In honor of the occasion, over a period of almost one year, artists will occupy and animate the space with creations that represent all that the Fondation Cartier stands for: creation and discovery, openness to multiple disciplines, progressive voices and ideas.

Rome’s modern art museum, the Galleria d’Arte Moderna di Roma Capitale, is planning an extension that will display contemporary works on loan from its commercial neighbour Gagosian, La Repubblica reports.

Rome’s urban planning commissioner Giovanni Caudo is working on the development of a new wing in an area that lies between the two buildings on Via Francesco Crispi and was formerly used by AMA, the capital’s waste collection agency. The projected 2265 sq. m expansion will allow the museum to exhibit more of its collection.