Displaying items by tag: historic

2013 has been a record year for Amsterdam’s Stedelijk Museum, which hopes to greet its one millionth visitor in the New Year. The institution welcomed 700,000 patrons in 2013 -- the highest attendance rate since the Stedelijk opened in 1895.

The Stedelijk recently underwent a complete renovation to its historic building and reopened to the public on September 23, 2013. The overhaul included an expansion so that the museum could exhibit more of its remarkable modern and contemporary art collection.

The Stedelijk will kick off 2014 with the first large-scale design exhibition since the museum’s reopening. ‘Marcel Wanders: Pinned Up at the Stedelijk’ will debut on February 1. Other exhibitions in the New Year will include a show featuring the work of jewelry designers Gijs Bakker and Emmy van Leersum (opening on February 22), a selection of works by Canadian photographer Jeff Wall (beginning on March 1st), new work by Paulien Oltheten & Anouk Kruithof (opening on March 14), a selection from the collection Martijn and Jeannette Sanders (opening on July 19), and a survey of the work of painter Marlene Dumas (starting on September 5).

Holland’s Mauritshuis, one of the world’s most celebrated small museums, will reopen to public on June 27, 2014 following a major renovation. Located in The Hague, the Mauritshuis is home to some of the country’s most treasured paintings including Vermeer’s ‘Girl with a Pearl Earring’ and Jan Steen’s ‘As the Old Sing, So Pipe the Young.’

The Mauritshuis’ 17th century building has been renovated and upgraded to better suit its 21st century visitors. The Royal Dutch Shell Wing has been added to the museum’s historic building and will provide new exhibition galleries, an education center, a cafe, and other state-of-the-art visitor facilities.

Built between 1636 and 1644 for Count Johan Maurits van Nassau-Siegen, the Mauritshuis was purchased by the Dutch state in 1820 for the purpose of housing the Royal Collection of Paintings. The institution opened as a public museum in 1822.

After being closed for over 30 years, the Baltimore Museum of Art will reopen its historic Merrick Entrance beginning on November 23, 2014, in honor of the institution’s 100th anniversary. The event also marks the reopening of the renovated Dorothy McIlvain Scott American Wing and a new presentation of the Baltimore Museum’s collection of American fine and decorative arts. A redesigned East Wing Lobby and Zamoiski Entrance will reopen in fall 2014.

The upcoming openings are part of the Baltimore Museum’s multi-year, $28 million renovation. The final phase of the project is expected to reach completion with the reinstallation of the African and Asian art collections and the opening of a new center for learning and creativity in 2015.

Doreen Bolger, the museum’s Director, said, “The reopening of the BMA’s historic Merrick Entrance and the Dorothy McIlvain Scott American Wing will be an extraordinary moment in the museum’s distinguished history—bringing together museum-goers of all ages to experience John Russell Pope’s first vision of a great public art museum. We are looking forward to celebrating the BMA’s 100th anniversary with many new and exciting experiences for our visitors.”

The Baltimore Museum’s Merrick Entrance, which was designed by the American architect John Russell Pope, welcomed generations of visitors into the museum from 1929 to 1982. The entrance’s facade is being conserved and will have improved lighting. The existing doors and vestibule will remain unchanged. A $1 million gift from the France-Merrick Foundation is supporting this portion of the renovation.

A fire broke out at an historic 17^th century mansion in Paris on Wednesday, July 10, 2013, destroying artworks dating back hundred of years. The mansion, known as Hotel Lambert, was acquired by the Qatari royal family in 2007 and was in the midst of controversial renovations when the blaze took place. The fire devastated murals, paintings and frescoes by French luminaries such as Charles Le Brun (1619-1690).

The architect Louis Vau designed Hotel Lambert, which overlooks the Seine, in the 1640s for the wealthy financier, Nicolas Lambert. The mansion is considered one of the finest examples of mid-17^th-century French architecture, boasting frescoes by Le Brun and other masters of the day including Eustache Le Sueur (1617-1655). In addition to its impressive interior, the Hotel Lambert was home to many powerful figures over the centuries including the philosopher, Voltaire. When the Qatari royal family purchased the mansion, critics feared that one of France’s historic gems would be destroyed, especially after the family revealed plans to renovate the estate.

Dozens of firefighters battled the blaze at the UNESCO-designated mansion for nearly six hours. The cause of the fire has not been determined and is still under investigation by police.

The Dallas-based auction company, Heritage, will host a number of sales featuring objects from Pierre-Auguste Renoir’s (1841-1919) personal archive starting on September 19, 2013 in New York. Items include the artist’s eyeglasses, funeral receipts, clothing, paperwork, photos, medals, statues and books signed by fellow artists. The sale will also include letters and writings by Renoir that detail his travels, inspirations for paintings and relationships with models and dealers.

During the 1970s, Renoir’s heirs moved from France to Canada and then to Texas, taking the artist’s belongings with them. The trove, which will be broken into 150 lots, has been stored in various spots across North America until now. Scholars are hoping that an institutional buyer will step up and make a bulk purchase as the collection holds significant historic value.

The collection was put up for auction once before in 2005 but it failed to sell. Following the sale, anonymous buyers from Arizona purchased the lot. They are now consigning the works to Heritage.

The two leading decorative arts institutions in the South are embarking on a new level of collaboration between their organizations. The Art Museums of Colonial Williamsburg (the Abby Aldrich Rockefeller Folk Art Museum and the DeWitt Wallace Decorative Arts Museum) and the Museum of Early Southern Decorative Arts (MESDA) at Old Salem Museums & Gardens have entered a five-year agreement for reciprocal extended loans. The museums have already collaborated on the recently opened exhibition, Painters and Paintings in the Early American South (on view through September 7, 2014) at the Arts Museums of Colonial Williamsburg. With nine major paintings MESDA is the largest single lender to the exhibition, while select objects from the Art Museums of Colonial Williamsburg are already on display at MESDA.

Many of MESDA’s forty objects on loan to Colonial Williamsburg will be featured in a new, long-term exhibition opening at Colonial Williamsburg’s DeWitt Wallace Decorative Arts Museum in January 2014. A Rich and Varied Culture: The Material World of the Early South will feature materials made in or imported to the South before 1840. The two museums have already begun discussions on several ways in which they can broaden the collaboration. Ideas include research exchanges, conservation, joint exhibitions and, potentially, joint publications. Further evidence of the collaboration will be seen in Colonial Williamsburg’s 66th annual Antiques Forum, February 14–18, 2014. Tentatively titled “New Findings in the Arts of the Coastal South,” the program will feature multiple speakers from both institutions as well as a number of experts from museums and universities across the nation.

IN ADDITION
This May MESDA honored Richard Hampton Jenrette with the first ever Frank L. Horton Lifetime Achievement Award for Southern Decorative Arts. A native of Raleigh, North Carolina, during the past forty years Jenrette has owned and restored a dozen historic properties. He has retained six of them and furnished each with period antiques, many original to the houses. Threads of Feeling, on view at the DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg, through May 2014, displays the Foundling Hospital of London’s eighteenth century record books that retain textile tokens used to identify babies left in its care. The exhibit and catalogue provide insight into social and textile history and is the only American venue. October 20–22, 2013, Williamsburg will host a symposium to explore the objects in context. For information on the institutions, exhibitions, and symposium, visit colonialwilliamsburg.com and mesda.org.

Officials at the State Hermitage Museum in St. Petersburg, Russia announced that the Dutch architect Rem Koolhaas will design a freestanding addition to the institution’s existing structure. Founded by Catherine the Great in 1764, the Hermitage is one of the largest and oldest museums in the world.

Koolhaas, a Pritzker Prize winner, has designed Portugal’s Casa de Música, the Seattle Central Library and Kunsthal Rotterdam in the Netherlands. He has worked with the Hermitage for over a decade and designed the fleeting Hermitage Guggenheim in Las Vegas in the early 2000s. Koolhaas has been working with the Hermitage’s director, Mikhail Piotrovsky, since 2008 on a rearrangement of the museum’s existing interior. That project is expected to conclude in 2014 and will coincide with the museum’s 250^th anniversary.

The Hermitage’s new building will be located outside of St. Petersburg’s historic center. Contemporary architecture is banned from the area so to preserve the unity of the city’s aesthetic. The Koolhaas-designed structure will include a library, costume museum, a publishing house and various public spaces.  

Pablo Picasso’s Paris studio where he painted the iconic Guernica in 1937 is at the center of a legal battle. The cultural group The National Committee for Artistic Education (CNEA) has been using the historic loft as its headquarters since 2002 but a French court is considering evicting the committee.

Founded in 1966, CNEA promotes arts education in schools and was given the space by Paris’ Chambre des Huissiers de Justice. As property prices in the artsy Saint-Germain-des Prés soar, the Chambre could make a considerable profit from the loft.

Besides being Picasso’s home and studio from 1936 to 1955, No. 7 Rue Grands-Augustins was the setting of a Honore de Balzac short story, the first home of Jean-Louis Barrault’s theatre company and a popular meeting place for Jean-Paul Sartre, George Bataille and Jean Cocteau. CNEA has hosted over 700 events at the loft.

The San Francisco Museum of Modern Art presents 8 large-scale steel sculptures by Mark di Suvero (b. 1933) at historic Crissy Field for a free, yearlong exhibition. Organized in partnership with the National Park Service and the Golden Gate National Parks, the exhibition kicks off an extensive program of off-site exhibitions that SFMOMA will offer while the museum is undergoing a massive renovation and expansion. The museum is slated to re-open in early 2016.

Mark di Suvero at Crissy Field spans 5 decades of the artist’s career and coincides with di Suvero’s 80^th birthday. The exhibition, which includes one never-before-seen sculpture, is the largest survey of the artist’s work ever presented on the west coast. Crissy Field offers striking views of the Golden Gate Bridge, which has long been a source of inspiration for di Suvero who immigrated to San Francisco from Shanghai as a child.

Mark di Suvero at Crissy Field will be on view through May 26, 2014.

After a whirlwind of auctions last week in New York, which included a historic $495 million post-war sale at Christie’s, Phillips’ Contemporary Art Evening Sale on May 16, 2013 seemed quite subdued. The boutique auction house’s sale garnered $78.6 million and sold 81% by lot and 88% by value.

The highlight of the night was Andy Warhol’s (1928-1987) Pop Art masterpiece, Four Marilyns (1962), which sold for $38.2 million. The sale confirmed that Warhol remains a powerful presence in the art market. During the auction two other Warhol works were sold -- Flowers (1964), which brought $2.4 million and Marilyn Monroe (Marilyn) (1967), which sold for upward of $2 million. Other major sales that night included Jean-Michel Basquiat’s (1960-1988) Untitled (1961), which garnered over $4 million and Roy Lichtenstein’s (1923-1997) Still Life (1972), which also sold for upward of $4 million.

Phillips has undergone a number of changes in the past year. Following the departure of Chairman Simon de Pury in December 2012, the company changed its name from Phillips de Pury & Co. to Phillips. In February 2013, the auction house revealed 10,000-square-feet of new gallery space at the company’s headquarters on Park Avenue in Manhattan. The expansion was an attempt to compete with the major auction houses such as Sotheby’s and Christie’s.