Displaying items by tag: philanthropists

The philanthropist and collector Barbara Lee is giving the Institute of Contemporary Art in Boston 20 works by 12 female artists with a value estimated at $42 million, the largest gift by value in the museum’s history, officials said.

The new donations build on the gift last year by Ms. Lee of 43 other works by female artists that established the Barbara Lee Collection of Art by Women at the museum.

A major private contemporary art collection with a value estimated at $400 million is being donated to the Art Institute of Chicago by local philanthropists Stefan Edlis and Gael Neeson, in what the museum is calling the largest gift of art in its history and a coup for the institution and the city.

Numbering 42 pieces, stocked with iconic works by Andy Warhol, Jasper Johns and many other instantly recognizable names and spanning a time period from 1953 to 2011, experts called it one of the most significant collections of its kind in the world.

The public will get a look at art from the private collection of some late Texas philanthropists. The exhibit called “The Collection of Nancy Lee and Perry R. Bass” opened Sunday at the Kimbell Art Museum in Fort Worth.

Museum officials say the Fort Worth couple’s collection of late 19th- and 20th-century art began on a 1961 trip to Europe.

Two New York philanthropists are donating a major collection of more than 300 ancient Greco-Roman and Near-Eastern glass vessels to The Israel Museum in Jerusalem.

The gift from Robert and Renee Belfer was announced by the museum Wednesday. It comes as the institution celebrates its 50th anniversary this year. An exhibition titled “A Roman Villa — The Belfer Collection” showcasing approximately 100 of the objects will be on view at The Israel Museum from June 5 through Nov. 21.

The collection is “one of the most important private holdings of antiquities anywhere,” museum Director James Snyder said in a telephone interview from Jerusalem.

The Hammer Museum thrilled four Los Angeles artists with the announcement Tuesday that they had won the 2014 Made in L.A. Mohn Awards.

The top prize -- the juried Mohn Award, which honors artistic excellence with $100,000 funded by philanthropists and art lovers Jarl and Pamela Mohn -- went to the Los Angeles Museum of Art, which is a micro-gallery and art installation created by Alice Könitz, 43.

The opening date for the Broad, the contemporary art museum that will showcase Eli and Edythe Broad’s comprehensive collection, has been pushed back to 2015. The $140 million museum, which is being designed by the New York City-based studio, Diller Scofidio + Renfro, was initially slated to open at the end of this year but construction delays slowed progress.

The delay has given the museum, which will be located in downtown Los Angeles, time to develop plans for a restaurant and landscaped plaza. Diller Scofidio + Renfro have already finalized plans for the outdoor space while architects for the restaurant, which will be located next to the museum, have not yet been selected.

In 1984, lifelong philanthropists, Eli and Edythe Broad, founded the Broad Art Foundation, a lending library of contemporary artworks that have been loaned over 8,000 times to nearly 500 museums and galleries across the globe. The Broad, which will offer free admission, will serve as the headquarters for the Broad Art Foundation.

Museum officials plan to announce the Broad’s new opening date later this year. 

Maine philanthropists, Owen and Anna Wells, have donated their impressive photography collection to the Portland Museum of Art. The gift includes works by Robert Mapplethorpe, Ansel Adams, William Wegman and Berenice Abbott. 45 photographs from the Wells’ collection will go on view on December 21, 2013 as part of the exhibition American Vision: Photographs from the Collection of Owen and Anna Wells.

Owen Wells, Vice Chairman of the philanthropic Libra Foundation, and his wife, Anna, President of the Portland Museum’s Board of Trustees, began collecting photography in the 1990s. The couple initially gravitated towards American artists with ties to Maine, but their collection has grown to include some of the most well-known photographers of the 20th century. The Wells’ collection spans more than eight decades and includes landscapes, portraits and scenes of everyday life.   

American Vision: Photographs from the Collection of Owen and Anna Wells will be on view at the Portland Museum of Art through February 23, 2014. 

An iconic painting by Paul Cézanne (1839-1906) was the top lot at Sotheby’s auction of Impressionist and Modern Art yesterday, May 8, 2013 in New York. Les Pommes (1889-90), a still life of apples on a table, sold for $41.6 million, exceeding its high pre-sale estimate of $35 million. The second highest earning work at the auction was Amedeo Modigliani’s (1840-1929) L’Amazone, a well-known portrait of Baroness Marguerite de Hasse de Villers, which sold for $25.9 million falling within its presale estimate of $20 to $30 million. Both of the works were from the collection of philanthropists Alex and Elisabeth Lewyt and will fund a foundation set up in their honor to contribute to their favorite causes including animal welfare.

Other major sales included a Fernand Léger (1881-1955) painting previously owned by Madonna, Trois Femmes a la Table Rouge, which sold for $7.2 million (estimate: $5-7 million); a Pablo Picasso (1881-1973) sculpture of his muse Sylvette, which garnered $13.6 million (estimate: $12-$18 million); and three bronze sculptures by Auguste Rodin (1840-1916) including a version of his famed The Thinker, which brought $15.3 million (estimate: $8-$12 million).

The total sale netted over $230 million, just under the pre-sale high estimate of $235.1 million.

Henri Matisse: La Gerbe is currently on view at the Los Angeles County Museum of Art and highlights the artist’s final commissioned work. Henri Matisse (1869-1954) created La Gerbe (The Sheaf), a 2,000 lb., 18 x 20-foot ceramic piece, in 1952 for the home of Los Angeles-based philanthropists Sidney and Frances Brody. Mrs. Brody promised the work to LACMA in honor of the museum’s 25^th anniversary and donated it to the institution in 2010. This event marks the first time that La Gerbe has been displayed alongside its full-scale maquette, which is on loan from the University of California’s Hammer Museum.  

Late in his career, Matisse developed his cut-out technique, which involved cutting organic shapes out of colored paper and arranging them on his studio’s walls. Giving the artist a renewed sense of freedom, Matisse lauded the technique for its immediacy and simplicity, which he believed helped him express his artistic urgencies more completely.

When he received the commission from the Brody’s, Matisse created a full-scale paper cut-out of his design, which he showed the couple during their visit to his studio in Nice, France. The Brody’s rejected the first design but accepted a second full-scale cut-out, which is the maquette included in LACMA’s exhibition. The final La Gerbe was executed in ceramic and consisted of 15 sections, which were shipped to Los Angeles in 1954 following the artist’s death. The work was installed on the Body’s patio wall where it remained until Frances’ death in 2009. The work was permanently installed at LACMA in 2010.

LACMA’s exhibition includes other major works from Matisse’s cut-out period including Madame de Pompadour (1951) and Jazz (1947), a historic book of 20 prints, which is considered the artists’ first major project using the cut-out technique.

The La Gerbe exhibition will be on view at LACMA through September 8, 2013.