Displaying items by tag: visitors

The Art Newspaper’s annual survey of art museums named the Louvre in Paris the most visited institution in the world for 2012. Attendance skyrocketed to 9.7 million, meaning one million more people visited the museum than in 2011.The Metropolitan Museum of Art in New York was the world’s second most-visited institution.

The list of most-visited museums did not change significantly from 2011 and the Louvre has claimed the top spot since 2007. British museums fared exceptionally well in 2012 with some help from the London summer Olympics, which brought crowds of visitors to the city. The Tate Modern saw attendance jump from 4.8 million to 5.3 million thanks to a highly anticipated Damien Hirst (b. 1965) retrospective, which helped the museum move from the fifth to the fourth most visited institution in the world.

Christie’s online-only auction of 125 works by Andy Warhol (1928-1987), which ran from February 26-March 5, 2013 was a huge success. The sale, which included paintings, drawings, photographs, and prints, garnered $2.3 million, doubling its pre-sale estimate. Proceeds from the auction will benefit The Andy Warhol Foundation for the Visual Arts, which is dedicated to the advancement of the visual arts.

The auction, which was the first online-only Warhol sale, attracted 65,000 visitors and 263 bidders from 36 countries. The featured works had estimates ranging from $600 to $70,000 and many have never been on public view. Highlights from the sale included I Love Your Kiss Forever, a 1964 lithograph of Marilyn Monroe’s lips that fetched $90,000, more than 40 times its pre-sale estimate; In the Bottom of My Garden (circa 1956), a complete book of offset lithographs colored by hand that realized $80,250; and a t-shirt screen printed with Warhol’s Self-Portrait with Fright Wig, which garnered $47,500. The only lot that failed to sell was a graphite on paper drawing titled Madonna and Child (circa 1981), which was expected to bring $30,000-$40,000.

The next Andy Warhol @ Christie’s sale is in April 2013 and will be dedicated to Warhol’s legacy at the famed New York nightclub, Studio 54. Christie’s will host a number of online auctions throughout 2013 as part of an ongoing partnership with the Warhol Foundation.

Although the exhibition Chihuly at the Virginia Museum of Fine Arts closed on February 10, 2013, the show’s success left a lasting mark on the Richmond institution. The exhibition, which opened on October 10, 2013, was devoted to the popular American glass artist and sculptor, Dale Chihuly (b. 1941), who is credited with revolutionizing the Studio Glass movement.

Chihuly at the Virginia Museum of Fine Arts brought a record number of visitors during its nearly four-month run. The show welcomed around 160,000 patrons, far exceeding the 115,000 visitors museum officials were expecting. The exhibition also set records for the museum store where Chihuly Studio editioned glass sculptures and lithographs were for sale. The store sold 69 works priced between $4,600-$8,600 and $2,500-$2,800 between November, December, and January.

The show at the Virginia Museum was the third major exhibition in the U.S. to focus on Chihuly’s work in recent years. He was also the subject of record-breaking shows at San Francisco’s de Young Museum (2008) and the Museum of Fine Arts, Boston (2011).

A Grand Tour: Trade Winds of Influence
16th Annual Charleston Art & Antiques Forum
March 13–17, 2013
Old Courtroom, 23 Chalmers Street, Charleston, S.C.
For information visit www.CharlestonAntiquesForum.org or call 800.926.2520

The forum will bring together an impressive group of speakers from the US and Europe who will demonstrate the influence of the Grand Tours of the seventeenth through nineteenth centuries on the architecture, furniture, silver, art, and gardens of Americans and Europeans alike. Dame Rosalind Savill, Director Emeritus of the Wallace Collection, London, England, will deliver the keynote address, focusing on her experience with French decorative arts. The mission of the Charleston Art & Antiques  Forum is to present the best fine and decorative arts scholarship, and to benefit arts education and preservation. Sponsors of the 2013 Forum are Charlton Hall Auctions, PDI, and the Florence Museum.

10th Annual Charleston Antiques Show
March 22–24, 2013; preview March 21
Memminger Auditorium, 56 Beaufain Street, Charleston, S.C.
66th Annual Spring Festival of Houses and Gardens
March 21–April 20, 2013
For information visit www.historiccharleston.org or call 843.723.1623

Inspired by the rich historical, architectural, and cultural heritage of Charleston, the 10th annual Charleston Antiques Show is a premier destination for collectors and enthusiasts who enjoy seeing and learning about incorporating antiques into modern-day décor. Attendees will find English, European, and American period furnishings, decorative arts, and fine art, architectural elements, garden furniture, vintage jewelry, and silver. In addition to attending the show, visitors can sign up for special events such as a luncheon lecture with the award-winning classical architect Gil Schafer, behind-the-scenes tours with experts, and study tours. While in Charleston, enjoy walking tours through the city’s historic district showcasing Charleston’s distinctive architecture, history, and gardens during the 66th Annual Festival of Houses and Gardens and experience the intimate charm and elegance found within private gardens and historic homes.

An Edward Hopper (1882-1967) retrospective, which was on view from October 10, 2012 to February 3, 2013 at the Grand Palais in Paris, welcomed a surprising number of visitors during its run. A total of 784,269 patrons visited the exhibition in less than four months, surpassing a blockbuster exhibition featuring the work of long-time Paris resident Pablo Picasso (1881-1973), which ran from 2008-2009 at the same French institution.  

To accommodate the high number of visitors, the museum stayed opened around the clock during the show’s final weekend. 48,000 people visited the Grand Palais to catch a final glimpse of the Hopper show, including Jill Biden, the wife of US Vice President, Joe Biden.

The exhibition’s popularity came as somewhat of a surprise to museum officials as the American realist painter and printmaker has never drawn such a crowd in the United States. While he came close, Hopper was unable to surpass the popularity of the 2010-2011 Claude Monet (1840-1926) retrospective, which saw 913,064 visitors.

Hopper, who didn’t sell his first painting until he was 40, has grown considerably in popularity since his death at 85. Wildly successful exhibitions in Madrid, London, Milan, and Rome, which took place before Hopper’s show at the Grand Palais are a testament to the artist’s continued relevance.

2nd Annual Naples Art, Antique & Fine Jewelry Show
February 8–11, 2013; Preview: February 7, 2013
Naples Exhibition Center, 100 Goodlette Road
South Naples, Florida 34102

10th Anniversary Palm Beach Jewelry, Art & Antique Show
February 16–19, 2013; Preview: February 15, 2013
Palm Beach Country Convention Center, 650 Okeechobee Blvd.
West Palm Beach, Florida 33401

After its successful debut in 2012, The Palm Beach Show Group (PBSG) is proud to announce that the Naples Art, Antique & Jewelry Show will be held this year from February 8th to the 11th. More than 75 high-caliber dealers will be exhibiting. As an indicator of how strong the inaugural show was, the majority of the 2012 participating dealers signed up again for 2013.

Scott Diament, President and CEO of the PBSG remarked, “The second annual Naples Show will again provide exhibitors with the unique opportunity to not only meet sophisticated and educated clientele from Florida’s Paradise Coast, but also from the Midwest region, an area from which many attendees travel during this peak season.” Show visitors will gain access to major works of art, antique and estate jewelry, furniture, porcelain, Asian antiquities, American and European silver, glass, textiles, sculpture, contemporary art and many more of the world’s most beautiful collections.

The show's location is ideal for collectors and decorators alike, located just steps from Fifth Avenue, Naples’ world-renowned shopping, dining and entertainment district, and its cultural attractions including museums, theaters, and art galleries.

On President’s Day Weekend, following just four days after the Naples Show, the Palm Beach Jewelry, Art & Antique Show is celebrating its 10th anniversary. With the addition of so many top painting dealers this year, it has become the preeminent show for American and European art of the nineteenth and twentieth centuries. In the art and antiques industry, this is an annual must-attend event and a hallmark in Palm Beach. Many exhibitors, including Peter Finer (the world’s leading specialist in antique arms and armour and new to the show this year) also exhibit at other top-notch shows such as TEFAF Maastricht, The Winter Antiques Show, Masterpiece London and The American Art Fair.

The Palm Beach Show was so successful last year that over 50 dealers were waitlisted for this year's show since the demand to exhibit exceeded capacity, an exceedingly rare situation in this volatile economic climate.

“Our Naples Show is the perfect complement to our Palm Beach Show,” adds Diament. “We are now providing our exhibitors with tremendous back-to-back exposure to the most affluent collectors from the Northeast, who choose to winter in Southeast Florida, and the most affluent collectors from the Midwest, who choose to spend their winters on the West Coast of Florida. Thousands of patrons—from private collectors to museums curators to investors—are anticipated to attend.

The Metropolitan Museum of Art in New York announced that on January 18, 2013, the number of visitors to the New Galleries for the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia hit the one million mark. The renovated galleries, which reopened to the public on November 1, 2011, draw approximately 2,550 patrons each day.

The Met’s Islamic Art collection, which is comprised of over 1,200 works and spans 1,300 years, is considered one of the most comprehensive collections of its kind. The holdings are presented in 15 different galleries, the result of an eight-year project that included renovations, expansions, and reinstallations.

Thomas P. Campbell, Director and CEO of The Metropolitan Museum of Art, said, “Since these galleries reopened in their new configuration just over a year ago, we have been truly gratified by the exceptional interest that our visitors – both local and international – have taken in this newly conceived presentation of Islamic art.”

To commemorate the Met’s milestone, the one-millionth visitor to the Islamic art galleries received a catalogue of the collection.

On January 21, 2013, the Cleveland Museum of Art opened Gallery One, an interactive gallery that brings together art and technology to enhance as well as personalize each museum visitor’s experience. Gallery One features the largest multi-touch screen in the United States, which displays images of over 3,500 objects from the institution’s permanent collection. Known as the Collection Wall, the touchscreen spans 40 feet and helps patrons create their own tactile tour of the museum while rotating works according to theme, time period, and technique.

Gallery One, which includes works by Pablo Picasso (1881-1973), Auguste Rodin (1840-1917), and Chuck Close (b. 1940), employs different hands-on activities to engage visitors using the power of technology. For example, one game asks viewers to recreate the poses of sculptures in the museum’s collection; the ArtLens ipad application illustrates how works of art were made, where they came from, and what inspired their creation. The ArtLens application uses image recognition software and allows visitors to scan objects and access additional multimedia content such as audio tours and educational information for up to 9 hours after their visit.

David Franklin, the Cleveland Museum’s Sarah S. and Alexander M. Cutler Director, said, “Gallery One offers an unparalleled experience for visitors of all ages. The space connects art and people, art and ideas, and people with people…we are especially proud to lead the way internationally in using technology to enhance and customize the art museum experience.”

A Chicago Park District panel recently approved an admission fee hike for the city’s Art Institute. On February 1, 2013 prices for adult visitors who are residents of Chicago will potentially climb from $16 to $18 and admission for out-of-state patrons will jump from $18 to $23. Chicago’s Committee on Programs and Recreation also approved the fee increase and the district’s full board is expected to pass the hike this afternoon. The Art Institute hasn’t raised its admission prices since 2009.

Art Institute officials said that the admission fee increase would help compensate for the rising costs experienced by any organization over time. For example, the museum now pays about $200,000 a year for water usage and sewer maintenance, utilities that used to be covered by the city of Chicago.

Chicago’s Museum of Science and Industry is also facing an admission fee increase, which has been approved by both the Chicago Park District panel and the Committee on Programs and Recreation. The Science and Industry raise would see prices go from $13 to $15 for city residents and from $15 to $18 for non-residents.

For the first time in the Louvre’s 220-year history, the search for a new chief for the museum may include non-French candidates. Public spending in France is being reduced by $13.4 billion this year and a candidate with expertise in international fundraising is crucial to the Louvre, which has led officials to broaden their search criteria. While French President Francois Hollande vowed not to cut cultural projects, the culture ministry’s budget was reduced by 2.3 percent for 2013.

The Louvre’s new director will be responsible for finding funds to expand the institution’s reception area; the area was built in the 1980s when the museum hosted 4 to 5 million visitors a year. The Louvre, the most visited museum in the world, now welcomes around 10 million visitors a year.

Talks regarding a new director for the Louvre began when the museum’s current chief, Henri Loyrette, announced his resignation on December 17, 2012. Hollande plans to have a new director in place when Loyrette’s twelve-year run at the helm of the institution ends in April.