Displaying items by tag: sculptures

Almost all of the works—by artists such as Henry Moore, Joan Miró, Victor Vasarely and Jean Arp—were installed along several miles of the Jeddah Corniche coastal area during the 1970s, at the behest of the city’s charismatic mayor, Mohammed Said Farsi.

Today, Frieze announced the 20 artists who will contribute work to its free sculpture park, on view for the run of both Frieze London and Frieze Masters from October 15 through 19. Curated by Yorkshire Sculpture Park’s Director of Programs, Clare Lilley, the Regent’s Park display includes work by Yayoi Kusama, Ursula von Rydingsvard, and Thomas Schütte, among others.

“Unique in the world’s art fairs, this year’s Frieze Sculpture Park is an intriguing and delightful breath of fresh air featuring artists from across three generations,” Clare Lilley said in a statement.

An exhibition featuring more than 50 masterpieces by Spanish-born artist Joan Miró opened Sunday, Sept. 14, at the Nasher Museum of Art at Duke University.

The Nasher Museum is the only East Coast venue for “Miró: The Experience of Seeing,” a presentation of the final 20 years of Miró’s career. The exhibition includes 27 sculptures, 18 paintings and six drawings, some of them more than 6 feet tall. All works are on loan from the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain. The exhibition is on view at the Nasher Museum through Feb. 22, 2015.

After amassing a private collection of African-American Art over four decades, Bill Cosby and his wife Camille plan to showcase their holdings for the first time in an exhibition planned at the Smithsonian Institution.

The Smithsonian's National Museum of African Art announced Monday that the entire Cosby collection will go on view in November in a unique exhibit juxtaposing African-American art with African art.

The collection, which will be loaned to the museum, includes works by such leading African-American artists as Beauford Delaney, Faith Ringgold, Jacob Lawrence, Augusta Savage and Henry Ossawa Tanner. The Cosby collection of more than 300 African-American paintings, prints, sculptures and drawings has never been loaned or seen publicly, except for one work of art.

Vincent van Gogh’s (1853-1890) cheerful painting Bridge across the Seine at Asnières (1887), is now on view in the European Gallery of the Currier Museum of Art in Manchester, NH. In the Modern Gallery, two stunning 20th century sculptures, Alberto Giacometti’s Annette IV (1962) and Henri Laurens’ Petite Cariatide(1930) will be on view starting September 24. These works of art are on loan to the Currier through December 2014.

“We are delighted to share these three important works of art by major artists of the late nineteenth and twentieth century with people throughout New England and beyond.” said Susan Strickler, director and CEO of the Currier. “In particular, this van Gogh has not been exhibited in America since 1970, so this is a rare opportunity to see this lively painting.”

A Houston couple has donated 120 modern and contemporary Latin American artworks valued at nearly $10 million to the University of Texas.

The Houston Chronicle reports that Charles and Judy Tate, UT alumni, selected the university's Blanton Museum of Art for the donation. They also gave more than $1 million to a university endowment that supports a Latin American curatorship.

The art includes paintings, sculptures, drawings, prints and mixed-media works. Many are by artists who took part in the creation of modernism, such as Frida Kahlo, Diego Rivera, Tarsila do Amaral, Lygia Clark, Carlos Merida, Wifredo Lam, Armando Reveron, Alejandro Xul Solar and Joaquin Torres-Garcia.

I am standing in a private dining room on the seventh floor of the London offices of UBS, the global financial services firm. A table is set for lunch, with a menu promising bresaola with caponata followed by roast lemon sole. Before the powerful guests arrive, though, I am whisked away. As I go, my eye is drawn to some art hanging on the wall: a pair of rare, large watercolors by the contemporary Danish artist Olafur Eliasson. These are just two of the 32,000 objects that make up the UBS Art Collection, which includes paintings, photographs, drawings, prints, video works and sculptures from the last 50 years.

Corporate art collections are hardly a new phenomenon. In the late 1950s, the American plutocrat David Rockefeller decided that Chase Manhattan Bank should start acquiring art.

When Aimé Maeght, a French art dealer, lost his young son to leukemia in the 1950s, a trio of formidable modern painters—Georges Braque, Joan Miró and Fernand Léger—persuaded him to turn the family’s summer retreat above the hills of Nice into an artists’ haven. The Marguerite and Aimé Maeght Foundation is 50 years old this month, and still bears abundant traces of the artists who made it happen: a magical Miró labyrinth, mosaics and stained glass by Braque. Its collection of 12,000 works includes 35 sculptures by Alberto Giacometti, as well as masterpieces by Pierre Bonnard, Marc Chagall, Miró, Léger and Alexander Calder, among others. On average, 200,000 visitors tour its colourful galleries and garden every year.

Behind the idyllic exterior, though, the institution is vulnerable. The foundation is finding it hard to raise its €3m ($4m) annual budget.

The Cantor Center for Visual Arts at Stanford University announced that it has received three significant gifts from separate donors. The bequests greatly increase the museum’s holdings of works by the postwar artist Richard Diebenkorn, Pop art pioneer Andy Warhol, and the African-American painter Jacob Lawrence. The Cantor Center, which opened in 1894, houses one of the largest collections of Auguste Rodin sculptures in the world. The institution also has a sizeable collection of postwar American art.

Phyllis Diebenkorn, a Stanford alumna, donated 26 of her late husband’s sketchbooks, which contain well over 1,000 drawings, to the museum. The sketches, which span Diebenkorn’s long and varied career, will be converted into digital scans, making them readily accessible to students and scholars.

Tucked into concert halls and hidden in plain sight across the Lincoln Center campus is a modern-art collection worthy of a museum.

But many visitors walk right past these gems. The collection includes 41 paintings and sculptures by modern masters such as Jasper Johns and Alexander Calder.

Eleven underwent conservation during the recently completed $1.2 billion renovation of the performing-arts institution's 16-acre campus.